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Aurungabad from the Ruins of Aurungzebes Palace, from Volume II of Scenery
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Aurungabad from the Ruins of Aurungzebes Palace, from Volume II of Scenery
STC86064 Aurungabad from the Ruins of Aurungzebes Palace, from Volume II of Scenery, Costumes and Architecture of India, drawn by William Purser (c.1790-1852) etched by Thomas Kearnan (fl.1821-50) and engraved by C.F. Hunt, pub. by Smith, Elder and Company, 1830 (aquatint) by Grindlay, Robert Melville (1786-1877) (after); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22348022
© The Stapleton Collection / Bridgeman Images
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EDITORS COMMENTS
This print titled "Aurungabad from the Ruins of Aurungzebes Palace" takes us on a journey back in time to the enchanting landscapes of India. The image, captured by William Purser and etched by Thomas Kearnan, showcases the mesmerizing beauty of Aurangabad, a city steeped in history. The scene unfolds with an exquisite view of the landscape, where lush greenery meets the meandering river that gracefully winds its way through this ancient city. As we gaze upon this picturesque vista, our eyes are drawn towards the majestic ruins of Aurungzebes Palace standing proudly amidst nature's embrace. These remnants serve as a poignant reminder of a glorious past and evoke a sense of awe-inspiring grandeur. Intriguingly, scattered throughout the frame are glimpses into everyday life in Aurangabad. Natives can be seen going about their daily routines along the riverbank, adding depth and authenticity to this visual narrative. Their presence adds a touch of human connection to an otherwise serene panorama. This remarkable piece transports us across time and space, allowing us to immerse ourselves in both natural splendor and historical significance. It serves as a testament to the rich cultural heritage that exists within every corner of India's diverse tapestry. As we admire this print from Fine Art Finder's Stapleton Collection, we cannot help but marvel at how it captures not only breathtaking scenery but also encapsulates stories waiting to be discovered within each brushstroke or et
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