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The Capture of Ping-Yang, in Corea, 16 September, Japanese Troops entering at the Gate of the Tai-Dong River Bridge (engraving)
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The Capture of Ping-Yang, in Corea, 16 September, Japanese Troops entering at the Gate of the Tai-Dong River Bridge (engraving)
1107838 The Capture of Ping-Yang, in Corea, 16 September, Japanese Troops entering at the Gate of the Tai-Dong River Bridge (engraving) by English School, (19th century); Private Collection; (add.info.: The Capture of Ping-Yang, in Corea, 16 September, Japanese Troops entering at the Gate of the Tai-Dong River Bridge. Illustration for The Illustrated London News, 24 November 1894.); Look and Learn / Illustrated Papers Collection
Media ID 23389836
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
16 September Capture Corea Entering First Sino Japanese War Gate Japanese Troops Korea Korean Koreans Pedestrian Bridge Stone Bridge Supsension Bridge Wooden Bridge Ping Yang
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The Capture of Ping-Yang, in Corea, 16 September - A Glimpse into the First Sino-Japanese War
EDITORS COMMENTS
. This engraving from the 19th century takes us back to a significant moment in history - the capture of Ping-Yang in Corea (now known as Korea) on 16 September. The image showcases Japanese troops entering through the Gate of the Tai-Dong River Bridge, marking their triumphant advance. The scene is filled with action and anticipation. Horses gallop across the bridge while soldiers march forward with determination. Field Marshal Count Yamagata leads his troops fearlessly into enemy territory, symbolizing Japan's military prowess during this conflict. Bridging cultures and continents, this artwork captures both Asian and Western influences. The wooden pedestrian bridge stands as a testament to traditional Korean architecture, contrasting against stone pillars that reflect European engineering techniques. As we delve deeper into this historical event, it becomes clear that this was not merely a battle for land but also a clash between two nations vying for dominance in Asia. The illustration originally appeared in The Illustrated London News on 24 November 1894, providing readers with an insight into distant conflicts shaping global politics at that time. Through this print, we are transported to a pivotal moment where East meets West amidst war-torn landscapes. It serves as a reminder of how art can immortalize significant events and shed light on our shared human experiences across borders and generations.
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