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Edward Gibbon (1737-94) from Gallery of Portraits, published in 1833 (engraving)

Edward Gibbon (1737-94) from Gallery of Portraits, published in 1833 (engraving)


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Edward Gibbon (1737-94) from Gallery of Portraits, published in 1833 (engraving)

KW189088 Edward Gibbon (1737-94) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info.: wrote The History of the Decline and Fall of Rome ; ); Ken Welsh; English, out of copyright

Media ID 12703171

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Cravat Essayist Hanoverian Member Of Parliament Reactionary Roundel


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EDITORS COMMENTS
This engraving from 1833 showcases the esteemed figure of Edward Gibbon, a prominent English rationalist, historian scholar, and politician. The portrait is part of the Gallery of Portraits collection and offers a glimpse into the life and accomplishments of this remarkable individual. Edward Gibbon (1737-94) is best known for his magnum opus, "The History of the Decline and Fall of Rome" which remains one of the most influential works in historical literature. Through meticulous research and eloquent prose, Gibbon chronicled the rise and fall of one of history's greatest empires. In this portrait, we see Gibbon portrayed with great dignity. His oval-shaped face framed by an exquisite wig exudes sophistication while his cravat adds a touch of elegance to his attire. The artist skillfully captures both his scholarly demeanor and political influence as a member of parliament during the Georgian era. Gibbon's intellectual contributions extended beyond history; he was also an accomplished essayist whose writings reflected his progressive ideas amidst a reactionary society. This print serves as a testament to his multifaceted persona—a man who excelled in academia while actively participating in politics. Preserved within private collections until now, this engraving allows us to appreciate Edward Gibbon's significant role in shaping our understanding of ancient civilizations. As we gaze upon this image, we are reminded not only of his profound impact but also that history itself can be captured through art for generations to come.

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