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The Play called the foure PP, c. 1530 (woodcut)

The Play called the foure PP, c. 1530 (woodcut)


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The Play called the foure PP, c. 1530 (woodcut)

XJF2653546 The Play called the foure PP, c. 1530 (woodcut) by English School, (16th century); Private Collection; (add.info.: The Play called the foure PP; a newe and a very mery interlude of a palmer, a pardoner, apotycary, a pedler (written 1520, printed c.1545) by John Heywood (c.1497-1580)
Left to right; pardoner (licensed to sell papal indulgences), apothecary and palmer (pilgrim who has visited the Holy Land) argue about which is the most important so the pedlar challenges them to a lying competition which he wins by claiming that on all his travels he never saw a woman who lost her temper.); English, out of copyright

Media ID 12784171

© www.bridgemanimages.com

Apothecary Churchmen Competition Henry Viii Indulgences Palmer Pardoner Pedlar Pharmacist Pilgrim Titlepage


EDITORS COMMENTS
The Play called the foure PP, c. 1530 (woodcut) captures a lively scene from John Heywood's comedic interlude. In this whimsical woodcut print, we see four distinct characters engaged in a spirited debate about their respective importance. From left to right, we have the pardoner, licensed to sell papal indulgences; the apothecary, knowledgeable in medicinal remedies; and the palmer, a pilgrim who has journeyed to the Holy Land. The tension between these three churchmen reaches its peak when a peddler challenges them to a lying competition. The peddler claims that on all his travels he never encountered a woman who lost her temper—an audacious statement indeed! As laughter fills the air, it becomes evident that this cunning merchant emerges victorious. This woodcut not only showcases intricate details and expressive faces but also offers us an intriguing glimpse into Tudor-era drama and society. It reflects themes of medieval competition and religious practices prevalent during Henry VIII's reign. Preserved within private collections today, this artwork serves as both an artistic treasure and historical artifact—a testament to John Heywood's wit and storytelling prowess. Its timeless charm continues to captivate viewers centuries after its creation.

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