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The Scheme Disappointed, A Fruitless Sacrifice, circa 1733 (etching)

The Scheme Disappointed, A Fruitless Sacrifice, circa 1733 (etching)


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The Scheme Disappointed, A Fruitless Sacrifice, circa 1733 (etching)

XJF867848 The Scheme Disappointed, A Fruitless Sacrifice, circa 1733 (etching) by English School, (18th century); Private Collection; (add.info.: BM 1868, 0808.3559); English, out of copyright

Media ID 12940729

© www.bridgemanart.com

Bribery Britannia Cartouche Corruption Devil Duty Earl Orford Excise Holy Roman Empire Houghton Hall Import Liberty Magna Carta Orford Parliament Prime Minister Revenue Robert Walpole Roman Catholic Taxation Taxes Tobacco Whig Exciseman


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The Scheme Disappointed, A Fruitless Sacrifice

EDITORS COMMENTS
is a captivating etching from the 18th century that offers a satirical commentary on political corruption and bribery in Great Britain. Created by an anonymous English artist, this print showcases the intricate details and clever symbolism often found in political cartoons of the time. The central figure in the artwork is Cardinal Fleury, a prominent statesman of the era. Surrounding him are various allegorical figures representing different aspects of British society and politics. Britannia, symbolizing Great Britain, appears disappointed as she witnesses the fruitless sacrifice being made to appease corrupt politicians. The etching highlights several key themes such as trade, taxation, and liberty. The devilish figure lurking behind Cardinal Fleury represents corruption within government institutions while symbols like wine barrels and tobacco allude to controversial excise taxes imposed on imports. This thought-provoking artwork also references historical events including Robert Walpole's role as Prime Minister during this period. It serves as a scathing critique of his administration's policies and their impact on both England and Scotland. Displayed against a backdrop depicting Houghton Hall in London, "The Scheme Disappointed" stands as an enduring reminder of the power struggles and moral compromises that have plagued governments throughout history. Through its use of satire and caricature, this etching invites viewers to reflect upon issues still relevant today – reminding us that even centuries later, some things never change in politics.

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