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Interior of a Scriptorium, School of Segovia (oil on panel)

Interior of a Scriptorium, School of Segovia (oil on panel)


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Interior of a Scriptorium, School of Segovia (oil on panel)

XIR105491 Interior of a Scriptorium, School of Segovia (oil on panel) by Spanish School, (16th century); Museo Lazaro Galdiano, Madrid, Spain; Spanish, out of copyright

Media ID 12698687

© www.bridgemanimages.com

Copying Desk Dominican Ecritoire Friar Friars Manuscripts Monastery Rosary Scribe Scribes Halo Monks


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EDITORS COMMENTS
This print captures the serene atmosphere of an interior space known as a scriptorium, located in the School of Segovia during the 16th century. The oil on panel artwork, attributed to the Spanish School, is now housed in the Museo Lazaro Galdiano in Madrid, Spain. In this image, we are transported back in time to witness a scene filled with scholarly activity. Monks and scribes can be seen diligently engrossed in their work of writing and copying manuscripts. The room exudes tranquility and devotion as these dedicated individuals labor over their sacred texts. A sense of spirituality permeates through the composition as one monk is depicted with a halo above his head, symbolizing his saintly nature. This suggests that he may be a Dominican friar engaged in this noble task. The presence of a lion statue adds an intriguing element to the scene. Lions have long been associated with strength and courage but also carry symbolic meaning within religious contexts. Perhaps it represents protection or serves as a reminder for these monks to stay steadfast on their spiritual path. Other details such as rosaries hanging from hooks and various writing tools scattered across desks further emphasize the meticulous nature of this craft. Overall, this print offers us a glimpse into medieval times when scriptoria were essential spaces for preserving knowledge through handwritten manuscripts. It invites contemplation on both historical practices and timeless themes like dedication, faithfulness, and intellectual pursuit.

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