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The Bear and his Leader, published by Hannah Humphrey in 1806 (hand-coloured etching)
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The Bear and his Leader, published by Hannah Humphrey in 1806 (hand-coloured etching)
NCO193178 The Bear and his Leader, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Charles James Fox (1749-1806) dancing; Lord Henry Petty (1780-1863) pulling bears tail; Henry Addington (1757-1844) playing violin; ); English, out of copyright
Media ID 22599552
© Bridgeman Images
Bonnet Rouge Chain Club Deception Entertainer Fiddle Hairy Humiliation Liberty Cap Monkey Muzzle Muzzled Political Satire Prime Minister Radical Reformer Simian Tame Taming Whig
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The Bear and his Leader
EDITORS COMMENTS
is a captivating hand-coloured etching published by Hannah Humphrey in 1806, created by the talented James Gillray. This satirical artwork showcases a unique blend of political commentary and humor that was prevalent during its time. In this intriguing image, we see Charles James Fox, an influential statesman and reformer, dancing with great enthusiasm. Lord Henry Petty mischievously pulls on the bear's tail while Henry Addington plays the violin nearby. The composition is filled with symbolism; from the bonnet rouge representing radicalism to the jester hat symbolizing deception. The print captures a moment of humiliation for these prominent figures as they are portrayed as entertainers rather than respected politicians. The monkey-like appearance of some characters adds an element of satire to their portrayal. Gillray's artistic skill shines through in his attention to detail, capturing each character's distinct features and expressions flawlessly. The use of vibrant colors enhances the overall impact of this piece, drawing viewers into its narrative. "The Bear and his Leader" serves as both a historical artifact and a testament to Gillray's mastery in political caricature. It offers us a glimpse into the complex dynamics between power, influence, and public perception during this period. This remarkable print now resides at New College in Oxford thanks to the generosity of Warden and Scholars. Its presence there ensures that future generations can appreciate Gillray's genius while reflecting on the timeless themes it explores - making it an invaluable addition to any
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