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Arthur Balfour (1849-1920) British Conservative statesman, defending the House of Lords against the Liberal Prime Minister, Henry Campbell-Bannerman (1836-1908). Cartoon by Richard Linley Sambourne from Punch, London, 5 December 1906

Arthur Balfour (1849-1920) British Conservative statesman, defending the House of Lords against the Liberal Prime Minister, Henry Campbell-Bannerman (1836-1908). Cartoon by Richard Linley Sambourne from Punch, London, 5 December 1906


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Arthur Balfour (1849-1920) British Conservative statesman, defending the House of Lords against the Liberal Prime Minister, Henry Campbell-Bannerman (1836-1908). Cartoon by Richard Linley Sambourne from Punch, London, 5 December 1906

527261 Arthur Balfour (1849-1920) British Conservative statesman, defending the House of Lords against the Liberal Prime Minister, Henry Campbell-Bannerman (1836-1908). Cartoon by Richard Linley Sambourne from Punch, London, 5 December 1906.; Universal History Archive/UIG

Media ID 38208996

© Universal History Archive/UIG / Bridgeman Images

1906 Arthur Balfour Conservative December Defending Henry Liberal Linley Lords Minister Prime Punch Reform Richard Sambourne Campbell Bannerman


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EDITORS COMMENTS
This satirical cartoon by Richard Linley Sambourne from Punch, London in 1906 captures the political tension between British Conservative statesman Arthur Balfour and Liberal Prime Minister Henry Campbell-Bannerman. Balfour is depicted defending the House of Lords against Campbell-Bannerman's attempts at reform, showcasing the divide between the two parties during this time. The detailed drawing highlights the power struggle and differing ideologies that were prevalent in British politics in the early 20th century. Balfour, known for his staunch defense of traditional institutions, is portrayed as a formidable figure standing up to Campbell-Bannerman's progressive agenda. Sambourne's sharp wit and scathing satire are evident in this cartoon, as he uses humor to comment on the political climate of the era. The exaggerated features and expressions of both Balfour and Campbell-Bannerman add an element of caricature to the scene, emphasizing their contrasting personalities and beliefs. Overall, this cartoon serves as a snapshot of a pivotal moment in British history when debates over reform and tradition were at the forefront of political discourse. It showcases how art can be used to convey complex ideas and opinions in a visually engaging way.

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