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Britannia, holding her trident, introduces Lord Kitchener to a modestly veiled India. Horatio Herbert Kitchener (1850-1916) served as Commander-in-Chief, India 1902-1909. Bernard Partridge cartoon from 'Punch', London, 16 June 1902

Britannia, holding her trident, introduces Lord Kitchener to a modestly veiled India. Horatio Herbert Kitchener (1850-1916) served as Commander-in-Chief, India 1902-1909. Bernard Partridge cartoon from 'Punch', London, 16 June 1902


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Britannia, holding her trident, introduces Lord Kitchener to a modestly veiled India. Horatio Herbert Kitchener (1850-1916) served as Commander-in-Chief, India 1902-1909. Bernard Partridge cartoon from 'Punch', London, 16 June 1902

528695 Britannia, holding her trident, introduces Lord Kitchener to a modestly veiled India. Horatio Herbert Kitchener (1850-1916) served as Commander-in-Chief, India 1902-1909. Bernard Partridge cartoon from 'Punch', London, 16 June 1902. ; Universal History Archive/UIG

Media ID 38452646

© Universal History Archive/UIG / Bridgeman Images

1902 Bernard Britannia Commander In Chief Herbert Horatio Introduces June Kitchener Lord Partridge Punch Served Trident Veiled Wood Engraving


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EDITORS COMMENTS
In this satirical cartoon from 'Punch' magazine, Britannia, the personification of Great Britain, is depicted introducing Lord Kitchener to a modestly veiled India. The scene captures the colonial relationship between Britain and India during Kitchener's tenure as Commander-in-Chief from 1902 to 1909. Britannia stands tall and proud, holding her trident symbolizing power and authority, while Lord Kitchener appears dignified and imposing. The veiled figure of India represents the mystery and exoticism that Western powers often associated with the East. The artist, Bernard Partridge, uses his sharp wit to comment on the imperialistic attitudes of the time. The cartoon serves as a scathing satire on British colonial rule in India, highlighting the unequal power dynamics at play. Through this image, we are reminded of the complex history of colonization and its lasting impact on both nations involved. It prompts us to reflect on issues of imperialism, cultural appropriation, and representation in art. Overall, this historical print offers a thought-provoking glimpse into a bygone era when empires clashed and cultures collided. It serves as a powerful reminder of the need for understanding and empathy in our increasingly interconnected world.

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