1452 Collection (#4)
"1452: A Year of Kings, Art, and Intrigue" In the year 1452, King Richard III ruled over England with an iron fist
For sale as Licensed Images
Choose your image, Select your licence and Download the media
"1452: A Year of Kings, Art, and Intrigue" In the year 1452, King Richard III ruled over England with an iron fist. Known for his controversial reign, he was a figure that both fascinated and terrified the people. Meanwhile, in another corner of the world, talented players graced stages with their captivating performances. The theater became a sanctuary where stories unfolded and emotions ran high. Artists like Bernat Martorell left their mark on history through their masterpieces. In his manuscript "Book of Hours, " created in 1449 but completed posthumously in 1452 after his death, Martorell's intricate illustrations brought moments of spirituality to life. One such moment depicted Richard III astride a majestic horse—a symbol of power and authority. This image captured the essence of a king who would go down in history as one of England's most enigmatic rulers. While Europe flourished artistically, across the seas in Japan samurais honed their skills with unwavering dedication. Their commitment to discipline and honor made them legendary warriors whose tales still echo today. Even Leonardo da Vinci had something to say about this eventful year. In his personal journal from 1913 (discovered centuries later), he contemplated the mysteries surrounding Italian friar Girolamo Savonarola—a man whose sermons captivated audiences throughout Florence. Da Vinci himself journeyed to London during this time period—an experience that undoubtedly influenced his artistry and perspective on life forevermore. As political tensions simmered between rival factions within England's monarchy, scenes like Duke of York taking an oath to be faithful to Henry VI played out behind closed doors—loyalties tested amidst whispers of betrayal. Amidst all these events unfolding around him, Bernat Martorell painted John the Baptist alongside John the Evangelist—an artistic representation that showcased religious devotion intertwined with historical significance.