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1480 Collection (#18)

"Unveiling the Mysteries of 1480: A Journey through Time and Symbolism" Step into a world where ancient Egypt meets biblical prophecies

Background image1480 Collection: German 15th Century, Madonna and Child in a Rosary, c

German 15th Century, Madonna and Child in a Rosary, c. 1480, woodcut, hand-colored in red lake, yelllow, black, green, brown, and rose

Background image1480 Collection: Workshop of Master of the Protective Saints of Cologne, Saint Catherine, 1480 or after

Workshop of Master of the Protective Saints of Cologne, Saint Catherine, 1480 or after, metalcut, hand-colored in red lake, yellow, and green

Background image1480 Collection: German 15th Century, Saint Sebastian, c. 1480, metalcut, hand-colored in green, rose

German 15th Century, Saint Sebastian, c. 1480, metalcut, hand-colored in green, rose, and yellow

Background image1480 Collection: Workshop of Master of the Aachen Madonna, Saint Gregory, c

Workshop of Master of the Aachen Madonna, Saint Gregory, c. 1480, metalcut, hand-colored in green, yellow, and ochre

Background image1480 Collection: German 15th Century, Saint Agnes [verso], probably 1460-1480, woodcut

German 15th Century, Saint Agnes [verso], probably 1460-1480, woodcut

Background image1480 Collection: German 15th Century, Saint Bernard with the Madonna and Child, 1480-1500, woodcut

German 15th Century, Saint Bernard with the Madonna and Child, 1480-1500, woodcut, hand-colored in red lake, yellow, green, black, and orange

Background image1480 Collection: German 15th Century, Christ on the Cross, 1470-1480, metalcut, hand-colored in green

German 15th Century, Christ on the Cross, 1470-1480, metalcut, hand-colored in green, red, and yellow

Background image1480 Collection: German 15th Century, The Sudarium, c. 1480, paste print

German 15th Century, The Sudarium, c. 1480, paste print

Background image1480 Collection: German 15th Century, Saint Catherine, c. 1480, paste print

German 15th Century, Saint Catherine, c. 1480, paste print

Background image1480 Collection: Israhel van Meckenem after Master E. S. (German, c. 1445-1503), Saint Philip, c. 1470-1480

Israhel van Meckenem after Master E. S. (German, c. 1445-1503), Saint Philip, c. 1470-1480
Israhel van Meckenem after Master E.S. (German, c. 1445-1503), Saint Philip, c. 1470-1480, engraving

Background image1480 Collection: Israhel van Meckenem (German, c. 1445-1503), Saint Elizabeth of Thuringia, c. 1475-1480

Israhel van Meckenem (German, c. 1445-1503), Saint Elizabeth of Thuringia, c. 1475-1480, engraving

Background image1480 Collection: German 15th Century, Ornamental Alphabet, 1480-1490, woodcut

German 15th Century, Ornamental Alphabet, 1480-1490, woodcut

Background image1480 Collection: Master BM (German, active c. 1480-1500), The Lamentation, c. 1480-1490, engraving

Master BM (German, active c. 1480-1500), The Lamentation, c. 1480-1490, engraving

Background image1480 Collection: Master of the Housebook (German, active c

Master of the Housebook (German, active c. 1465-1500), Two Peasants Fighting, c. 1475-1480, drypoint

Background image1480 Collection: Martin Schongauer (German, c. 1450-1491), Christ Blessing the Virgin, c. 1480-1490

Martin Schongauer (German, c. 1450-1491), Christ Blessing the Virgin, c. 1480-1490, engraving

Background image1480 Collection: VENICE: DUCAL PALACE, 1480. Woodcut, Venetian, 1480

VENICE: DUCAL PALACE, 1480. Woodcut, Venetian, 1480

Background image1480 Collection: GIOVANNI MOCENIGO (1409-1485). Doge of Venice, 1478-1485. Painting by Gentile Bellini

GIOVANNI MOCENIGO (1409-1485). Doge of Venice, 1478-1485. Painting by Gentile Bellini, c1480

Background image1480 Collection: SAINT JEROME. Wood, c1480, by Leonardo da Vinci

SAINT JEROME. Wood, c1480, by Leonardo da Vinci

Background image1480 Collection: SUN AND MOON, 1480. Decorative faces of the sun and the moon discussing the powers

SUN AND MOON, 1480. Decorative faces of the sun and the moon discussing the powers of the firmament. Woodcut, Dutch, 1480

Background image1480 Collection: FRANCE: CHESS, c1480. Woodcut, c1480, from Le Quatre Filz Aymon, published at Lyon

FRANCE: CHESS, c1480. Woodcut, c1480, from Le Quatre Filz Aymon, published at Lyon, France

Background image1480 Collection: BATHING, c1480. Woodcut from the Augsburg Calender, c1480

BATHING, c1480. Woodcut from the Augsburg Calender, c1480

Background image1480 Collection: THE NATIVITY Illumination from a French or Flemish Book of Hours, c1480

THE NATIVITY Illumination from a French or Flemish Book of Hours, c1480

Background image1480 Collection: ANNUNCIATION TO SHEPHERDS. Annunciation to the Shepherds

ANNUNCIATION TO SHEPHERDS. Annunciation to the Shepherds. Illumination from a French or Flemish Book of Hours, c1480

Background image1480 Collection: THE ANNUNCIATION. Illumination from a Latin Book of Hours. France or Belgium, c1480

THE ANNUNCIATION. Illumination from a Latin Book of Hours. France or Belgium, c1480

Background image1480 Collection: DEATH OF ABSALOM. Absalom is put to death by pursuing soldiers after being caught

DEATH OF ABSALOM. Absalom is put to death by pursuing soldiers after being caught in a tree by his hair (2 Samuel 18: 9-15). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: ARK OF THE COVENANT. David leading the procession before the cart carrying the

ARK OF THE COVENANT. David leading the procession before the cart carrying the Ark of the Covenant from Kiriath-Jearim towards Jerusalem (2 Samuel 6: 1-5). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: BURIAL OF MOSES. The burial of Moses in a valley in the land of Moab (Deuteronomy 35: 5-6)

BURIAL OF MOSES. The burial of Moses in a valley in the land of Moab (Deuteronomy 35: 5-6). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: BRAZEN SERPENT. Israelites bitten by fiery serpents are saved when they look upon

BRAZEN SERPENT. Israelites bitten by fiery serpents are saved when they look upon the brazen image of a serpent, set up on a pole by Moses (Numbers 21: 6-9). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: KORAH, DATHAN, AND ABIRAM. Aaron and Moses, with representatives of the people (left)

KORAH, DATHAN, AND ABIRAM. Aaron and Moses, with representatives of the people (left), watch as the Lord sends an earthquake which swallows the rebels Korah, Dathan

Background image1480 Collection: BURIAL OF JACOB. The sons of Jacob burying their father in the cave of Machpelah

BURIAL OF JACOB. The sons of Jacob burying their father in the cave of Machpelah in the land of Canaan, next to the graves of Abraham, Sarah, Isaac, Rebekah, and Leah (Genesis 50: 1-13)

Background image1480 Collection: DAVID AND BATHSHEBA. King David watches Bathsheba bathe (2 Samuel 11: 2)

DAVID AND BATHSHEBA. King David watches Bathsheba bathe (2 Samuel 11: 2). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: DAVID OFFERED CROWN. King Saul falls on his sword after the battle of Gilboa

DAVID OFFERED CROWN. King Saul falls on his sword after the battle of Gilboa, and the crown is offered to the lamenting David (1 Samuel 31: 1-6 and 2 Samuel 1: 1-17)

Background image1480 Collection: JOSEPH AND THE PIT. Joseph cast into the pit by his brothers (Genesis 37: 18-28)

JOSEPH AND THE PIT. Joseph cast into the pit by his brothers (Genesis 37: 18-28). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: BUILDING ARK OF COVENANT. The smiths Bezaleel and Aholiah working in gold, silver

BUILDING ARK OF COVENANT. The smiths Bezaleel and Aholiah working in gold, silver and brass for the Tabernacle and the Ark of the Covenant (Exodus 31: 1-11). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: JOSEPH & WIFE OF POTIPHAR. Potiphar and his wife, holding Josephs mantle, watch

JOSEPH & WIFE OF POTIPHAR. Potiphar and his wife, holding Josephs mantle, watch Joseph being cast into prison (Genesis 39: 12-29). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: BALaM AND ASS. Balaams ass perceives the angel of the Lord, unseen to Balaam (Numbers: 22-24)

BALaM AND ASS. Balaams ass perceives the angel of the Lord, unseen to Balaam (Numbers: 22-24). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: KING DAVID AT PRAYER. Italian manuscript illumination, c1480

KING DAVID AT PRAYER. Italian manuscript illumination, c1480

Background image1480 Collection: SAMUEL ANOINTING DAVID (I Samuel 16). Woodcut from the Cologne Bible, 1478-80

SAMUEL ANOINTING DAVID (I Samuel 16). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: SAMUEL ANOINTING SAUL (I Samuel 10: 1). Woodcut from the Cologne Bible, 1478-80

SAMUEL ANOINTING SAUL (I Samuel 10: 1). Woodcut from the Cologne Bible, 1478-80
SAMUEL ANOINTING SAUL (I Samuel 10:1). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: PLAGUE OF FROGS. The Second Plague; on the left, Moses is receiving instructions from the Lord

PLAGUE OF FROGS. The Second Plague; on the left, Moses is receiving instructions from the Lord and passing them in to Aaron. On the right, frogs everywhere (Exodus viii: 1-13)

Background image1480 Collection: ADAM AND EVE (The Fall of Man): ms. miniature from French Book of Hours, c. 1480

ADAM AND EVE (The Fall of Man): ms. miniature from French Book of Hours, c. 1480

Background image1480 Collection: aRONs ROD. Moses (right) observes as Aarons rod, representing the tribe of Levi

aRONs ROD. Moses (right) observes as Aarons rod, representing the tribe of Levi, is the only one of the 12 set up in the Tabernacle that flowers and yields almonds (Numbers 17)

Background image1480 Collection: BURIAL OF aRON. The burial of Aaron, brother of Moses, on Mount Hor (Numbers 20: 22-29)

BURIAL OF aRON. The burial of Aaron, brother of Moses, on Mount Hor (Numbers 20: 22-29). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: SPIES SENT TO CANaN. The spies sent to scout the land of Canaan return with a

SPIES SENT TO CANaN. The spies sent to scout the land of Canaan return with a bunch of grapes so large it takes two men to carry it (Numbers 13: 23-27). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: aRONs STAFF TRANSFORMS. Aarons staff becomes a serpent, which swallows the other

aRONs STAFF TRANSFORMS. Aarons staff becomes a serpent, which swallows the other serpents created by Eqyptian magicians, while Moses (right) turns the waters into blood. (Exodus 7: 8-25)

Background image1480 Collection: NaMAN BATHING. Naaman the Syrian bathes in the waters of the Jordan River at the

NaMAN BATHING. Naaman the Syrian bathes in the waters of the Jordan River at the advice of the prophet Elisha and rids himself of his leprosy (2 Kings 5). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: MOSES BLESSING JOSHUA. Moses blesses the kneeling Joshua and inducts him into the

MOSES BLESSING JOSHUA. Moses blesses the kneeling Joshua and inducts him into the leadership of the Israelites (Numbers 27: 18-23). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: ABRAHAM & THREE ANGELS. (Genesis 18: 1-8). Woodcut from the Cologne Bible, 1478-80

ABRAHAM & THREE ANGELS. (Genesis 18: 1-8). Woodcut from the Cologne Bible, 1478-80




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"Unveiling the Mysteries of 1480: A Journey through Time and Symbolism" Step into a world where ancient Egypt meets biblical prophecies, where heavenly battles unfold and saints come to life. In 1480, a year filled with intrigue and artistic marvels, history reveals its enigmatic secrets. The Eye of Horus gazes upon us, an emblem of protection and divine power. As we venture further, the False Door of Senenmut beckons us to explore hidden realms beyond our mortal existence. Amidst celestial turmoil in the War in Heaven, the Beast emerges from Revelation's pages. Melozzo da Forli's angelic lute-playing resonates with ethereal melodies that echo through time. Behold Saint Barbara, her beauty captured by the Master of the Statues of Koudewat. Her story intertwines with Balaam's ass who perceives an unseen angel—a reminder that even animals can sense divine presence. Ferdinand Magellan sets sail on his daring expedition across uncharted waters while French artists depict miracles unfolding before our eyes. The Workshop of Master Cologne Arms immortalizes Saint Roche as he offers solace during times of plague. Saint Michael the Archangel stands tall alongside two generous donors—his sword raised against evil forces. Castilian School portrays Saint Jerome immersed in study; his wisdom transcends centuries within intricate details. And finally, The Colleoni Statue guards Venice's streets—an enduring symbol of strength and leadership amidst turbulent times. In this tapestry woven by history itself, 1480 invites us to unravel its enigmas and immerse ourselves in a world where artistry merges with spirituality—a captivating journey through time like no other.