1494 1540 Collection

The Three Fates, Costume Designs, c. 1534. Creator: Pierre Milan (French)
The Three Fates, Costume Designs, c. 1534. This engraving reproduces a trio of costume designs by Rosso Fiorentino. They were likely meant for a masquerade ball held at the court of King Francis I

Gloria, 1535 or 1536. Creator: Domenico del Barbiere (Italian, c. 1506-c. 1571)
Gloria, 1535 or 1536. This engraving was based upon a preparatory study for a fresco by Rosso Fiorentino, made to decorate the royal chateau at Fontainebleau

Cephalus and Procris in two Niches, 1538-1540. Creator: Rene Boyvin (French, c
Cephalus and Procris in two Niches, 1538-1540. In Greek mythology, Cephalus and Procris were a young couple, newly married, whose love ended in tragedy

Allegory of Death and Fame, 1518. Creator: Agostino Musi (Italian, 1490-1540)
Allegory of Death and Fame, 1518. The opposite of the beautiful temptress, the hag embodied the nature of witchcraft. Old and hideous, the hag was associated with Invidia

Plate 12 Diana standing niche twisting left pulling
Artokoloro

Plate 11 Apollo riding chariot niche facing right
Artokoloro

Fury personified old man riding monster holding
Artokoloro

Empedocles standing frontally head turned three-quarter view
Artokoloro

Plate 10 Venus niche standing conch shell Cupid
Artokoloro

Burning male corpse surrounded dressed undressed figures
Artokoloro

Winged putto playing a lute. Florentino Rosso (1494-1540)

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"Exploring the Artistic Journey: 1494-1540" Step into a world of artistic marvels as we delve into the captivating works created between 1494 and 1540. The Three Fates, Costume Designs by Pierre Milan in c. 1534, transport us to an era where fate was believed to shape our lives. These intricate designs showcase Milan's mastery in capturing the essence of these mythical beings. Gloria, crafted by Domenico del Barbiere in either 1535 or 1536, mesmerizes with its ethereal beauty. This Italian masterpiece emanates a sense of divine radiance that transcends time and space. Rene Boyvin's Cephalus and Procris in two Niches (1538-1540) invites us into a tale of love and tragedy frozen within stone. The exquisite details bring this mythological story to life, leaving us captivated by Boyvin's skillful craftsmanship. Agostino Musi's Allegory of Death and Fame (1518) challenges our perception of mortality through powerful symbolism. This Italian artist forces us to confront the duality of existence – death intertwined with fame – provoking deep contemplation on life's transient nature. Plate 12 presents Diana standing niche twisting left while pulling at her bowstring; Plate 11 showcases Apollo riding his chariot niche facing right; Fury personified as an old man rides a monstrous creature while holding his wrathful power high - all masterfully depicted during this period. Empedocles stands frontally with his head turned three-quarter view, immortalized through artistry that captures both strength and vulnerability simultaneously. In Plate 10, Venus stands gracefully within her niche adorned with a conch shell while Cupid hovers nearby - their eternal love encapsulated forevermore. A haunting image emerges from burning male corpses surrounded by dressed and undressed figures - evoking a sense of both despair and fascination.