1505 Collection (#3)

Drawings Prints, Print, Crucifixion, restrike?, Artist, Hans Schaufelein, German, Nuremberg, ca
Drawings and Prints, Print, The Crucifixion (restrike?), Artist, Hans Schaufelein, German, Nuremberg ca. 1480-ca. 1540 Nordlingen, Schaufelein, Hans, German, 1480, 1540, after 1505, 1505

Last Judgment 1505 Woodcut Sheet 10 15 / 16 7 1 / 2
Artokoloro

St Catherine ca 1505 Woodcut second state two
Artokoloro

Drawings Prints, Triumph Christ, last, sheet, right, showing, Adam, Eve, lead, procession
Drawings and Prints, The Triumph of Christ: the last sheet on the right showing Adam and Eve who lead the procession, Artist, After, Titian (Tiziano Vecellio), Anonymous, Italian, Pieve di Cadore ca

Drawings Prints, Print, Last Supper, Artist, Leonard Limosin, ca. 1505-1575 / 1577
Drawings and Prints, Print, The Last Supper, Artist, Leonard Limosin, ca. 1505-1575/1577, LIMOSIN LEONARD, 1505, 1577, 1544, 1544, Etching, Sheet: 9 3/4 × 7 1/4 in. (24.8 × 18.4 cm)

Drawings Prints, Print, Betrayal Christ, Artist, Leonard Limosin, ca. 1505-1575 / 1577
Drawings and Prints, Print, The Betrayal of Christ, Artist, Leonard Limosin, ca. 1505-1575/1577, LIMOSIN LEONARD, 1505, 1577, 1540, 1549, Etching, Sheet: 10 in. × 7 3/8 in. (25.4 × 18.7 cm)

Christ Cross Virgin Saint John Passau Missal
Artokoloro

St Barbara ca 1505 Woodcut Sheet 9 7 / 16 6 5 / 16
Artokoloro

Martyrdom St Lawrence ca 1505 Woodcut sheet 8 15 / 16 x 13 3 / 16
Artokoloro

Drawings Prints, Print, Christs, Entry, into, Jerusalem, Artist, Leonard Limosin, ca
Drawings and Prints, Print, Christs Entry into Jerusalem, Artist, Leonard Limosin, ca. 1505-1575/1577, LIMOSIN LEONARD, 1505, 1577, 1544, 1544, Etching, Sheet: 10 1/8 × 7 1/4 in. (25.7 × 18.4 cm)

St Catherine ca 1505 Woodcut Sheet 9 7 / 16 6 23. 9
Artokoloro

Drawings Prints, Print, Four, Saints, Adoring, Christ, Crucified, Sacred, Heart, Artist
Drawings and Prints, Print, Four Saints Adoring Christ Crucified on the Sacred Heart, Artist, Lucas Cranach the Elder, German, Kronach 1472-1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553

St Catherine ca 1505 Woodcut Sheet 9 7 / 16 10 3 / 8
Artokoloro

St Barbara ca 1505 Woodcut Sheet 10 1 / 8 6 5 / 16
Artokoloro

Last Judgment 1505 Woodcut Sheet 10 15 / 16 8 1 / 4
Artokoloro

Descent Cross 1505 Woodcut Sheet 9 1 / 4 6 23. 5
Artokoloro

Drawings Prints, Drawing, Madonna, Child, Infant, Saint, John, Baptist, Three Women
Drawings and Prints, Drawing, Madonna and Child with the Infant Saint John the Baptist, Three Women, and angel, Artist, Former Attribution, Adriaan de Weerdt, Hendrick van den Broeck, Netherlandish

Thisbe finding Pyramus laying ground knife chest
Artokoloro

Studies Seated Youth Armor ca 1505 Point brush
Artokoloro

Last Judgment 1505 Woodcut Sheet 10 5 / 16 6 7 / 8
Artokoloro

Lamentation ca 1505 Pen black ink chalk 6 x 9
Artokoloro

Virgin Grassy Bank 1505 Woodcut Sheet 9 3 / 16
Artokoloro

Venus left holding golden apple right hand arrow
Artokoloro

Christ Cross Virgin Saints Longinus Mary Magdalen
Artokoloro

St Barbara ca 1505 Woodcut first state two Sheet
Artokoloro

Design Tomb Pope Julius II della Rovere 1505-6
Artokoloro

Salvator Mundi ca 1505 Oil linden 22 7 / 8 x 18 1 / 2in
Artokoloro

CANNIBALS. The earliest European depiction of New World Native Americans of some ethnographic authenticity, the Tupinambas of coastal Brazil at a cannibal feast. German woodcut, 1505

Andrea Solario, Lamentation, Italian, active 1495-1524, c. 1505-1507, oil on panel

Giovanni Bellini, The Infant Bacchus, Italian, c. 1430-1435-1516, probably 1505-1510, oil on panel transferred to panel

Amico Aspertini, Saint Sebastian, Italian, 1474-1475-1552, c. 1505, oil on panel

Lorenzo Lotto, Italian (c. 1480-1556-1557), Allegory of Virtue and Vice, 1505, oil on panel

Giorgione, Italian (1477-1478-1510), The Adoration of the Shepherds, 1505-1510, oil on panel

Circle of Andrea Mantegna (Possibly Correggio), Madonna and Child, c. 1505-1510, oil on canvas

Portrait of a Lady with a Unicorn, c. 1505-6 (oil on panel)
XIR67880 Portrait of a Lady with a Unicorn, c.1505-6 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 67.8x53 cm; Galleria Borghese, Rome

Stage design for L Ortensio, 1589, Bolsi, Girolamo, artist, Neroni, Bartolomeo, approximately 1505-1571, artist, 1589, chiaroscuro woodcut, Print shows the design for the stage

Two Wings of a Triptych with the Donor, Thomas Isaacq, accompanied by Saint Thomas, left, outer wing, and the Donors Wife accompanied by Saint Margaret, right, outer wing

Christ on the Cross with the Virgin, Saint John, Mary Magdalene and Saints Cecilia and Barbara, left and Peter, Francis and Jerome, right, Cornelis Engebrechtsz, c. 1505 - c. 1510

Saint George and the Dragon, workshop of Luca Signorelli, 1495 - 1505

Holy Family with Young Saint John, circle of Bartolommeo (Fra), c. 1505 - c. 1515

View in a Forest, outer right wing of a triptych, Gerard David, c. 1505 - c. 1515

View in a Forest, outer left wing of a triptych, Gerard David, c. 1505 - c. 1515

Saint Dionysius the Areopagite in Prayer, Anonymous, 1505 - 1510

Triptych with Virgin and Child, Saint John the Evangelist (left wing) and Mary Magdalene (right wing), Jan Provoost, c. 1505 - c. 1525

Christ on the Cross, circle of Master of the Figdor Deposition, c. 1505

Two couples in the woods, print maker: attributed to Johannes Wierix, Lucas van Leyden, 1559 - before 1566

Giovanni Jacopo Caraglio (Italian, ca. 1500 / 1505a'1565) after Raphael (Italian, 1483-1520)
Giovanni Jacopo Caraglio (Italian, ca. 1500/1505a'1565) after Raphael (Italian, 1483-1520). Aeneas Rescuing His Father, Anchises, ca. 1527- 1538. Engraving on laid paper

Stag Beetle; Albrecht Durer, German, 1471 - 1528; 1505; Watercolor and gouache; upper left corner of paper added, with tip of left antenna painted in by a later hand; 14.1 x 11.4 cm

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"Exploring the Rich Tapestry of 1505: From Mary Queen of Scotland to Christopher Columbus" In the year 1505, amidst a backdrop of historical events and artistic masterpieces, a captivating narrative unfolds. Mary Queen of Scotland ascends to power, leaving an indelible mark on her nation's history. Meanwhile, in Mecca, pilgrims flock to the sacred Kaaba as they have done for centuries. Across Europe, Margaret Roper stands as a beacon of intellectual prowess and resilience. Her influence extends even to The Savoy Chapel where her legacy is celebrated. In Egypt, Queen Hatshepsut's reign continues to inspire awe with its architectural marvels. Artistic brilliance flourishes during this time too. Domenico captures profound emotion in "The Lamentation of Christ with a Donor, " painted around 1505 - a poignant reflection on human suffering and compassion. Another masterpiece emerges from Hieronymus Bosch's brushstrokes; "The Garden of Earthly Delights" enthralls viewers with its enigmatic symbolism. Amidst these cultural milestones lies an intimate glimpse into personal lives. A heartfelt letter penned by Christopher Columbus reveals his paternal love for his son Diego on February 5th, 1505 - a testament to their enduring bond. As we delve deeper into history's tapestry, we encounter Raphael's Madonna drenched in Renaissance elegance and grace—a testament to his genius as an Italian painter. Yet not all stories are filled with beauty and artistry; war ravages Landshut during the War of Succession (1503-1505), culminating in the harrowing Siege of Kufs—an event etched forever in memory. Thus, within the confines of one year—1505—we witness triumphs and tribulations that shape our world today. It serves as a reminder that history is not merely confined within textbooks but rather woven intricately through every facet of human existence.