1515 Collection (#3)

Initial O Saint Anthony Abbot Master Dresden Prayer
Initial O: Saint Anthony Abbot; Master of the Dresden Prayer Book or workshop (Flemish, active about 1480 - 1515); Bruges, Belgium; about 1480 - 1485

Initial E Saint Sebastian Master Dresden Prayer
Initial E: Saint Sebastian; Master of the Dresden Prayer Book or workshop (Flemish, active about 1480 - 1515); Bruges, Belgium; about 1480 - 1485

Initial G Saint Barbara Master Dresden Prayer
Initial G: Saint Barbara; Master of the Dresden Prayer Book or workshop (Flemish, active about 1480 - 1515); Bruges, Belgium; about 1480-1485

Initial O Saint James Greater Master Dresden Prayer
Initial O: Saint James the Greater; Master of the Dresden Prayer Book or workshop (Flemish, active about 1480 - 1515); Bruges, Belgium; about 1480 - 1485

Initial I Saint John Baptist Wilderness Master
Initial I: Saint John the Baptist in the Wilderness; Master of the Dresden Prayer Book or workshop (Flemish, active about 1480 - 1515); Bruges, Belgium; about 1480 - 1485

Initial J Saint John Evangelist Master Dresden Prayer
Initial J: Saint John the Evangelist; Master of the Dresden Prayer Book or workshop (Flemish, active about 1480 - 1515); Bruges, Belgium; about 1480 - 1485

Initial I Saint John Patmos Master Dresden Prayer
Initial I: Saint John on Patmos; Master of the Dresden Prayer Book or workshop (Flemish, active about 1480 - 1515); Bruges, Belgium; about 1480 - 1485

Portrait Bearded Man Jacopo Bassano Italian 1510
Portrait of a Bearded Man; Jacopo Bassano (Italian, about 1510 or 1515 - 1592); about 1550; Oil on canvas; 62.2 × 54.9 cm (24 1, 2 × 21 5, 8 in.)

Head Child Angel Hand recto Male Figure verso
Head of a Child, an Angel, and a Hand (recto); Male Figure (verso); Fra Bartolommeo (Baccio della Porta) (Italian, 1472 - 1517); Italy; about 1510 - 1515; Black and white chalk; 24.1 x 16.8 cm (9 1)

Seated Young Man Florentine School Florence Tuscany
Seated Young Man; Florentine School; Florence, Tuscany, Italy; about 1515; Metalpoint, heightened with white gouache, on light pinkish brown prepared paper; 20 × 9.8 cm (7 7, 8 × 3 7, 8 in.)

Tournament Scene Jorg Breu Elder German 1475
Tournament Scene; Jorg Breu the Elder (German, about 1475, 1476 - 1537); Germany; about 1510 - 1515; Pen and black ink over black chalk; 25.4 cm (10 in.)

Judgment Solomon Hans von Kulmbach German 1480
The Judgment of Solomon; Hans von Kulmbach (German, about 1480 - 1522); Germany; about 1510 - 1515; Pen and brown ink and gray wash; 27.6 cm (10 7, 8 in.)

Standard Bearer Castle Master Berlin Roundels
A Standard Bearer before a Castle; Master of the Berlin Roundels (German, active 1515); Germany; about 1515; Pen and black ink; 6.7 cm (2 5, 8 in.)

Flutist Drummer Moated Castle Master Berlin Roundels
A Flutist and Drummer Before a Moated Castle; Master of the Berlin Roundels (German, active 1515); Germany; about 1515; Pen and black ink; 6.7 cm (2 5, 8 in.)

Holy Family Baldassare Peruzzi Italian 1481 1536
The Holy Family; Baldassare Peruzzi (Italian, 1481 - 1536); Italy; about 1515; Pen and brown ink, black chalk; top left squared in black chalk for transfer; 23.8 x 19.1 cm (9 3, 8 x 7 1, 2 in.)

St Paul Rending Garments Raphael Raffaello Sanzio
St. Paul Rending His Garments; Raphael (Raffaello Sanzio) (Italian, 1483 - 1520); about 1515 - 1516; Metalpoint, heightened with white gouache, on lilac-gray prepared paper; 23 × 10.3 cm (9 1)

Heraldic Panel Arms Lichtenfels Unicorn Hunt
Heraldic Panel with Arms of Lichtenfels and a Unicorn Hunt, c. 1515. Germany or Switzerland, 16th century. White glass with silver stain and pot metal; overall: 39.1 x 28.9 cm (15 3/8 x 11 3/8 in.)

Mercenary Soldier Landscape Circle Wolf Huber
Mercenary Soldier in a Landscape; Circle of Wolf Huber (German, 1480, 1485 - 1553); Germany; about 1515; Pen and black ink; 14.5 × 10.8 cm (5 11, 16 × 4 1, 4 in.)

Benedictine Abbot Saint Donor French Lorraine
Benedictine Abbot Saint with a Donor; French; Lorraine, France; about 1510 - 1515; Pot-metal and colorless glass, vitreous paint, and silver stain; lead came; 127.8 x 40.6 x 1 cm (50 5, 16 x 16 x 3)

Saint Fiacre French Lorraine France 1510 1515
Saint Fiacre; French; Lorraine, France; about 1510 - 1515; Pot-metal and colorless glass, vitreous paint, and silver stain; lead came; 127.8 x 40.6 x 1 cm (50 5, 16 x 16 x 3, 8 in.)

Saint George Dosso Dossi Giovanni di Niccolo
Saint George; Dosso Dossi (Giovanni di Niccolo de Lutero) (Italian (Ferrarese), about 1490 - 1542); Italy; about 1513 - 1515; Oil on panel; 70.2 × 61 cm (27 5, 8 × 24 in.)

Fall Redemption Man Last Judgment 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Last Judgment, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Lamentation beneath Cross
The Fall and Redemption of Man: The Lamentation beneath the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Burial Christ 1515 Albrecht Altdorfer
The Fall and Redemption of Man: Burial of Christ, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Ascension 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Ascension, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Circumcision 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Circumcision, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Nativity 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Nativity, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Bearing Cross 1515
The Fall and Redemption of Man: Christ Bearing the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Death Virgin 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Death of the Virgin, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Nailed Cross 1515
The Fall and Redemption of Man: Christ Nailed to the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Resurrection 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Resurrection, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Descent Cross 1515 Albrecht Altdorfer
The Fall and Redemption of Man: Descent from the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Descending Hell 1515
The Fall and Redemption of Man: Christ Descending into Hell, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Disputing Doctors
The Fall and Redemption of Man: Christ Disputing with the Doctors, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Flight Egypt 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Flight into Egypt, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Caiaphas 1515 Albrecht Altdorfer
The Fall and Redemption of Man: Christ before Caiaphas, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Pilate 1515 Albrecht Altdorfer
The Fall and Redemption of Man: Christ before Pilate, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Appearing St. Mary Magdalen
The Fall and Redemption of Man: Christ Appearing to St. Mary Magdalen, 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Crowned Thorns 1515
The Fall and Redemption of Man: Christ Crowned with Thorns, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Flagellation Christ 1515
The Fall and Redemption of Man: Flagellation of Christ, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man 1515 Albrecht Altdorfer German
The Fall and Redemption of Man, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Adoration Magi 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Adoration of the Magi, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Presentation Christ Temple
The Fall and Redemption of Man: The Presentation of Christ in the Temple, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Entry Jerusalem 1515 Albrecht Altdorfer
The Fall and Redemption of Man: The Entry into Jerusalem, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Presentation Virgin Temple
The Fall and Redemption of Man: The Presentation of the Virgin in the Temple, 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Joachims Offering Rejected
The Fall and Redemption of Man: Joachims Offering Rejected by the High Priest, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Message Angel Joachim 1515
The Fall and Redemption of Man: The Message of the Angel to Joachim, 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

Fall Redemption Man Christ Taking Leave Mother
The Fall and Redemption of Man: Christ Taking Leave of His Mother before the Passion, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut

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In the year 1515, a fascinating era of exploration and artistic brilliance unfolded. Albrecht Durer's Rhinoceros captured the imagination with its intricate details, showcasing the wonders of nature in a way never seen before. Meanwhile, Philip Neri emerged as a prominent figure, spreading his message of love and compassion throughout Europe. Dürer's world map from 1515 unveiled new horizons for adventurers seeking to conquer uncharted territories. It sparked curiosity about distant lands and ignited dreams of discovery. The Northern hemisphere star chart of 1537 further fueled this thirst for knowledge by mapping out celestial bodies that guided explorers on their daring journeys. Amidst this backdrop, Saint Teresa appeared anonymously through artistry—a testament to her profound impact on spirituality during this time. Her ethereal presence was beautifully depicted in various forms: St Teresa with Christ symbolized divine union while St Teresa & Crucifix portrayed her devotion to faith. Flippo Neri also made his mark during these years, leaving an indelible impression as he embraced simplicity and humility in his teachings. His influence resonated deeply among those seeking spiritual enlightenment. The works of Marcus Manilius, a Roman astronomer from antiquity, continued to inspire astronomers even centuries later. His wisdom echoed through time as scholars studied his writings alongside the Southern hemisphere star chart created in 1537—an invaluable tool for navigating unknown skies. As we reflect upon the significance of "1515, " it becomes evident that it was not merely a year but rather an epoch defined by exploration, spirituality, and intellectual pursuits. It encapsulated humanity's insatiable desire to understand both our earthly realm and the vastness beyond—bridging artistry with science in pursuit of truth and meaning.