1535 Collection (#5)

Venus and cupids, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Sir Martin Frobishers Chair, Presented to the Geographical Society, November 14
SIR MARTIN FROBISHERs CHAIR, PRESENTED TO THE GEOGRAPHICAL SOCIETY, NOVEMBER 14, 1853. Sir Martin Frobisher, c. 1535 or 1539 15 November 1594, was an English seaman

Holy Family, Benvenuto Tisi da Garofalo, c. 1535

Portrait of a man, Anonymous, Jan Jansz Mostaert, 1535

Landscape with an Episode from the Conquest of America, Jan Jansz Mostaert, c. 1535

The Raising of Lazarus, attributed to Aertgen Claesz van Leyden, c. 1530 - c. 1535

Adoration of the Shepherds, circle of Bartolommeo Suardi, 1500 - 1535

Portrait of Barthelemy Aneau, Head of the College de la Trinite in Lyon, Corneille de Lyon, 1535 - 1545

St Jerome in his study, attributed to Marinus van Reymerswale, c. 1535 - c. 1545

Printer Brand Francois Fradin, Francois Fradin, 1535

Taking Tunis, Tunesia, 1535, Dirck Volckertsz Coornhert, 1555-1556

Mucius Scaevola puts right hand into the fire, Georg Pencz, 1535

Marcus Curtius plunges into a gorge, Georg Pencz, 1535

Titus Manlius Torquatus orders his son to be beheaded, print maker: Georg Pencz, Georg Pencz, 1535

Attributed to Nicolo Boldrini (Italian, born ca. 1500) after Titian (Italian (Venetian), ca. 1488 - 1576). St. Jerome in the Wilderness, ca. 1525-1530. Woodcut. Image: 390 mm x 530 mm (15.35 in)

Anonymous after Giulio Romano (Italian, probably 1499 - 1546). The Prison, ca. 1535-1550. Engraving. Third of five states

Luca Antonio de Giunta (Italian, active 1506a'1522). Soltan Charadin, Barbarossa Re Dalgeri, 1535. Woodcut on handmade laid paper. Image: 350 mm x 256 mm (13.78 in. x 10.08 in.)

Cristofano Robetta (Italian, 1462 - ca. 1535). The Virgin and Child with a Bird, after 1500. Engraving on laid paper. Plate: 190 mm x 166 mm (7.48 in)

Studies of the Madonna and Child (recto), Studies of the Madonna and Child and of an Architectural Detail (verso); Parmigianino (Francesco Mazzola), Italian, 1503 - 1540; Italy

Study of a Man with Various Sketches (recto), Study of a Man s
Study of a Man with Various Sketches (recto), Study of a Mans Draped Leg (verso); Polidoro da Caravaggio (Polidoro Caldara), Italian, 1495/1500 - about 1543; Italy

Portrait of a Scholar or Cleric; Hans Holbein the Younger, German, 1497/1498 - 1543; 1532 - 1535; Black and red chalk, pen and brush and black ink

A Thebaid: Monks and Hermits in a Landscape; Lorenzo Costa, Italian, about 1459/1460 - 1535; about 1505; Pen and brown ink; 20.3 x 20.6 cm (8 x 8 1/8 in.)

Hercules Resting after Killing the Hydra; Giulio Romano (Giulio Pippi), Italian (Roman), before 1499 - 1546; Italy, Europe; about 1535; Pen and brown ink (recto); Black chalk

Head of a Boy (recto), Figure Studies (verso); Federico Barocci, Italian, about 1535 - 1612; about 1586 - 1589; Black, red

Molded Dish with an Allegory of Love; Unknown; Faenza, Italy, Emilia-Romagna, Europe; about 1535; Tin-glazed earthenware; Object: H: 7.3 x Diam.: 27.94cm (H: 2 7/8 x Diam.: 11 in.)

Federico Barocci, Quintilia Fischieri, Italian, probably 1535-1612, probably c. 1600, oil on canvas

Agostino dei Musi (Italian, c. 1490-1536 or after), Barbarossa, Khair-ed-Din, 1535, engraving

CONQUEST OF TUNIS, 1535. Conquest of Tunis by Holy Roman Emperor Charles V (gray horse) in 1535. Detail from a tapestry, Flemish 16th century

GERMAN SOLDIER, 1535. A lansquenet (mercenary) and his companion. German woodcut, c1535, by Erhard Schoen used in a broadside printed, 1568, at Nuremberg, Germany

ANTONIO DE MENDOZA (c1485-1552). Spanish colonial governor, 1st viceroy of New Spain (1535-50) and viceroy of Peru (1551-52). Oil painting, 1535

FIRDAUSI (c940-c1020). Persian poet. Detail from a manuscript illumination, c1535, by Mirza Ali for Firdausis Shah Namah, depicting Firdausi at far left

JACQUES CARTIER (1491-1557). French sailor and explorer. Cartier and his exploration party pray for relief from their sickness in the winter of 1535. Drawing by C.W. Jefferys

JACQUES CARTIER (1491-1577). French sailor and explorer. Cartier at the Huron-Iroquois village of Hochelaga (at present-day Montreal) in 1535

BIBLE: THE CREATION. Woodcut from Miles Coverdales Bible, 1535, depicting the six days of creation from the Book of Genesis

Ceiling With Three Angels, Between Ca. 1515 And 1535, Carpi, Ugo Da, 1480-approximately 1532

Sir Martin Frobishers Chair, Presented to the Geographical Society, November 14, 1853
SIR MARTIN FROBISHERs CHAIR, PRESENTED TO THE GEOGRAPHICAL SOCIETY, NOVEMBER 14, 1853. Sir Martin Frobisher, c. 1535 or 1539 15 November 1594, was an English seaman

St. Peter Preaching The Gospel, Between 1515 And 1535, Carpi, Ugo Da, 1480-approximately 1532

The Resurrection, Between 1515 And 1535, Carpi, Ugo Da, 1480-approximately 1532

MORE, Sir Thomas (1478-1535). Illustrated front page of an edition of L Utopie (Utopia) by Thomas More, published in

Barcelona (1535). Parade of Charles V troops before going to Tunisia. Flemish art. Tapestry

HOGENBERG, Franz (1535-1590). Civitatis Orbis Terrarum. Map of Barcelona (upper part) and Ecija (1567). Illustrations for

William Butler, Medical
WILLIAM BUTLER Physician to king James I, holding a quill pen. Date: 1535 - 1618

ENGLISH BIBLE, 1535. The beginning of the Gospel of St. Mark from the first printed English Bible, translated by William Tyndale and Miles Coverdale, 1535

ITALIAN VULGATE, 1535. Title page of an Italian vulgate Bible, printed at Venice, 1535

KILLING OF ANABAPTISTS. The killing of Anabaptists in Amsterdam, 1535. A dead Anabaptist hangs by his neck from a forked post before his body is dumped in the sea

Jacques Cartier, his first interview with the Indians at Hochelaga now Montreal in 1535. Date c1850

Bockelsen Parties
Though food is short and many of his people are hungry, Bockelsen and his entourage indulge in feasting and dance. Date: 1535

Linlithgow Gateway
The fine outer gateway to Linlithgow Palace, West Lothian, Scotland, built for King James V in 1535. Date: early 16th century

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In the year 1535, a significant chapter unfolded in history, marked by both triumph and tragedy. Anne Boleyn, the second wife of King Henry VIII of England, held court as one of the most influential figures during this time. Her captivating presence and intriguing story continue to captivate us even today. As we delve into the art world of 1535, British Coats of Arms proudly adorned shields and banners across the land. The vibrant colors brought forth by Holbein's masterful brushstrokes breathed life into portraits that still mesmerize us centuries later. Speaking of Holbein, his genius extended beyond capturing royal visages. His masterpiece "Lamentation of Christ with a Donor" showcased his ability to evoke deep emotions through paint on canvas. Another striking work from this era was "David with the Head of Goliath, " depicting biblical heroism amidst turmoil. The Renaissance spirit thrived in 1535 as Jan van Scorel's "Triptych with Crucifixion" exemplified artistic excellence fused with religious devotion. This triptych transported viewers to a realm where faith met beauty seamlessly. Beyond artistry, scientific precision also flourished during this period. Pedro Conde Fuentes' mathematical instruments revolutionized portraiture execution techniques, allowing for greater accuracy and detail in capturing human likeness. Meanwhile, George Braun's monumental work "Civitatis Orbis Terrarum" unveiled an astonishing atlas showcasing cities worldwide like never before seen. This groundbreaking publication expanded horizons both literally and figuratively. In summary, 1535 encapsulated an era filled with remarkable individuals who left indelible marks on history through their talents and contributions. From Anne Boleyn's tragic fate to Holbein's vivid palette; from van Scorel's divine inspiration to Fuentes' precise innovation – each aspect intertwines within this tapestry that defines our understanding of that momentous year.