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1545 Collection (#4)

In the year 1545, the world was a place of exploration and turmoil. It was a time when ancient knowledge resurfaced, as Ptolemy's world map became widely known

Background image1545 Collection: Peter van der Borcht (Flemish, 1545 - 1608), The Large Rustic Wedding Feast, 1560

Peter van der Borcht (Flemish, 1545 - 1608), The Large Rustic Wedding Feast, 1560, etching

Background image1545 Collection: Giorgio Ghisi after Giovanni Battista Scultori (Italian, 1520 - 1582), Sinon Deceiving

Giorgio Ghisi after Giovanni Battista Scultori (Italian, 1520 - 1582), Sinon Deceiving the Trojans, c. 1545, engraving on laid paper

Background image1545 Collection: Sebald Beham (German, 1500 - 1550), Philip, 1545, engraving

Sebald Beham (German, 1500 - 1550), Philip, 1545, engraving

Background image1545 Collection: Jean Mignon (French, active 1543 - active c. 1545), Sphinx Wearing a Crescent on Her Head

Jean Mignon (French, active 1543 - active c. 1545), Sphinx Wearing a Crescent on Her Head, etching

Background image1545 Collection: VADSTENA CASTLE, GOTHA CANAL. Vadstena Castle was originally built by King Gustav

VADSTENA CASTLE, GOTHA CANAL. Vadstena Castle was originally built by King Gustav I in 1545 as a fortress to protect Stockholm

Background image1545 Collection: Portrait of a Boy, probably Giovanni de Medici, Anonymous, 1545 - 1570

Portrait of a Boy, probably Giovanni de Medici, Anonymous, 1545 - 1570

Background image1545 Collection: Portrait of Barthelemy Aneau, Head of the College de la Trinite in Lyon, Corneille

Portrait of Barthelemy Aneau, Head of the College de la Trinite in Lyon, Corneille de Lyon, 1535 - 1545

Background image1545 Collection: St Jerome in his study, attributed to Marinus van Reymerswale, c. 1535 - c. 1545

St Jerome in his study, attributed to Marinus van Reymerswale, c. 1535 - c. 1545

Background image1545 Collection: Triptych with the Lamentation of Christ (center), flanked by the male Donor with

Triptych with the Lamentation of Christ (center), flanked by the male Donor with Saint Benedict (left, inner wing) and female Donor with Saint Elizabeth of Hungary (right, inner wing)

Background image1545 Collection: Church Interior with Christ Preaching to a Crowd, attributed to Cornelis van Dalem

Church Interior with Christ Preaching to a Crowd, attributed to Cornelis van Dalem, 1545 - 1570

Background image1545 Collection: Apostle Simon the Canaanite, Lambertus Suavius, 1545

Apostle Simon the Canaanite, Lambertus Suavius, 1545

Background image1545 Collection: Attributed to Master I. [*]. V. (School of Fontainebleau, French or Italian, active

Attributed to Master I. [*]. V. (School of Fontainebleau, French or Italian, active 1540a'1545) after Luca Penni (Italian, 1500/1504-1577). Men Gathered around a Camel, ca. 1540- 1545

Background image1545 Collection: Jean Mignon (French, active 1537a'1552). Satyr Leaning to the Right, ca. 1543- 1545

Jean Mignon (French, active 1537a'1552). Satyr Leaning to the Right, ca. 1543- 1545. From Termes. Etching on laid paper. Plate: 220 mm x 128 mm (8.66 in. x 5.04 in.)

Background image1545 Collection: Nicolo Boldrini after Titian (Italian (Venetian), ca

Nicolo Boldrini after Titian (Italian (Venetian), ca. 1488 - 1576). Caricature of the Laocoon Group, ca. 1540-1545. Woodcut. Image: 266 mm x 902 mm (10.47 in. x 35.51 in.)

Background image1545 Collection: A Monk Preaching

A Monk Preaching; Hans Baldung Grien, German, 1484/1485 - 1545; Germany, Europe; about 1505; Pen and brown ink and black chalk; 30.8 x 22.4 cm (12 1/8 x 8 13/16 in.)

Background image1545 Collection: Studies of Heads (recto), Studies of a Male Figure (verso)

Studies of Heads (recto), Studies of a Male Figure (verso); Hans Baldung Grien, German, 1484/1485 - 1545; about 1512 - 1513; Pen and black ink; 12.4 x 17.1 cm (4 7/8 x 6 3/4 in.)

Background image1545 Collection: Marriage of a Patrician Couple

Marriage of a Patrician Couple; Nicolo dell Abate, Italian, 1509/1512 - 1571; about 1540 - 1545; Oil on paper, some foreground figures pricked for transfer; 40.6 x 47.8 cm (16 x 18 13/16 in.)

Background image1545 Collection: Study of Jealousy

Study of Jealousy; Agnolo Bronzino, Italian, 1503 - 1572; Italy, Europe; about 1545; Black chalk; 16.2 x 11.9 cm (6 3/8 x 4 11/16 in.)

Background image1545 Collection: Studies of Figures and Architecture (recto), Figure Studies (ve

Studies of Figures and Architecture (recto), Figure Studies (verso); Perino del Vaga (Piero Buonaccorsi), Italian, about 1501 - 1547; Italy, Europe; about 1542 - 1545; Pen and brown ink

Background image1545 Collection: Study of a mans right hand (recto), Studies of four heads

Study of a mans right hand (recto), Studies of four heads and of a nude figure seen from the rear (verso); Agnolo Bronzino, Italian, 1503 - 1572; Italy

Background image1545 Collection: Bearded Man Filling a Glass and Youth Running'

Bearded Man Filling a Glass and Youth Running"
" Bearded Man Filling a Glass" and " Youth Running" ; Giorgio Vasari, Italian, 1511 - 1574; about 1544 - 1545; Pen and brown ink and brown wash over black chalk

Background image1545 Collection: Portrait of a Woman with a Book of Music

Portrait of a Woman with a Book of Music; Bacchiacca (Francesco Ubertini), Italian (Florentine), 1494 - 1557; about 1540 - 1545; Oil on panel; Unframed: 102.9 x 80 cm (40 1/2 x 31 1/2 in.)

Background image1545 Collection: Juggling Man

Juggling Man; Adriaen de Vries, Dutch, about 1545 - 1626; Netherlands, Europe; about 1615; Bronze; Object: H: 76.8 x W: 51.8 x D: 21.9 cm (2 ft. 6 1/4 in. x 1 ft. 8 3/8 in. x 8 5/8 in.)

Background image1545 Collection: Rearing Horse

Rearing Horse; Adriaen de Vries, Dutch, about 1545 - 1626; Holland, Europe; about 1605 - 1610; Bronze; Object: H: 49.5 x W: 54.6 x D: 17.8 cm (19 1/2 x 21 1/2 x 7 in.)

Background image1545 Collection: Pair of Andirons in the Form of a Female and a Male Herm

Pair of Andirons in the Form of a Female and a Male Herm; Unknown maker, Italian (probably active in France); Fontainebleau, France, Europe; about 1540 - 1545; Bronze; Various, see extensions

Background image1545 Collection: Study for a Stained Glass Window with the Coat of Arms of the Ba

Study for a Stained Glass Window with the Coat of Arms of the Barons von Paar (recto), Study for a Sceptre with the Initials MB (verso); Georg Pencz, German, 1484/1485 - 1545; Germany

Background image1545 Collection: Domenico Beccafumi, The Holy Family with Angels, Italian, c. 1485-1551, c. 1545-1550

Domenico Beccafumi, The Holy Family with Angels, Italian, c. 1485-1551, c. 1545-1550, oil on panel

Background image1545 Collection: Master H. W. G. (German, active first half 16th century), Saint John on Patmos, c

Master H. W. G. (German, active first half 16th century), Saint John on Patmos, c
Master H.W.G. (German, active first half 16th century), Saint John on Patmos, c. 1545-1555, woodcut

Background image1545 Collection: Hans Baldung Grien (German, 1484-1485-1545), Saint Bartholomew, 1519, woodcut

Hans Baldung Grien (German, 1484-1485-1545), Saint Bartholomew, 1519, woodcut

Background image1545 Collection: SWITZERLAND: ZURICH, 1545. Woodcut, 1545

SWITZERLAND: ZURICH, 1545. Woodcut, 1545

Background image1545 Collection: CHINA: PALACE ATTENDANTS. Two male attendants at the Chinese court during the Han Dynasty (206 B)

CHINA: PALACE ATTENDANTS. Two male attendants at the Chinese court during the Han Dynasty (206 B)
CHINA: PALACE ATTENDANTS. Two male attendants at the Chinese court during the Han Dynasty (206 B.C.-220 A.D.). Detail from Spring Morning in the Han Palace, a painted silk scroll by Qiu Ying

Background image1545 Collection: LUTHER: SATIRE, 1545. Satirical broadsheet, 1545, with text by Martin Luther

LUTHER: SATIRE, 1545. Satirical broadsheet, 1545, with text by Martin Luther and woodcut by Lucas Cranach Younger on the conflict between Pope and Emperor

Background image1545 Collection: DANCE OF DEATH, 1545. Death and the Priest

DANCE OF DEATH, 1545. Death and the Priest. Woodcut by Hans Lutzelburger after Hans Holbein the Younger, from the series Dance of Death, Lyons, France, 1545

Background image1545 Collection: CARTOUCHES, 1545. Woodcut, Venetian, 1545

CARTOUCHES, 1545. Woodcut, Venetian, 1545

Background image1545 Collection: 0014245

0014245
SPANISH SHIPS, 1545. Vessels of the early Spanish navigators. Woodcut from Medinas Arte de navegar, Valladolid, 1545

Background image1545 Collection: WILLIAM TELL. Legendary Swiss hero. Woodcuts from Jakob Ruffs version Von dem

WILLIAM TELL. Legendary Swiss hero. Woodcuts from Jakob Ruffs version Von dem frommen und ersten Eydgnossen Wilhelm Thellen, acted by the townspeople of Zurich on New Years Day, 1545

Background image1545 Collection: PAUL III (1468-1549). Pope, 1534-49. The Pope as an Ass

PAUL III (1468-1549). Pope, 1534-49. The Pope as an Ass. Woodcut, 1545, by Lucas Cranach

Background image1545 Collection: THOMAS CRANMER (1489-1556). English prelate and reformer

THOMAS CRANMER (1489-1556). English prelate and reformer. Oil on panel, 1545, by Gerlach Flicke

Background image1545 Collection: PTOLEMY: GEOGRAPHY. Woodcut map of Europe, Africa and Asia from a 1545 edition

PTOLEMY: GEOGRAPHY. Woodcut map of Europe, Africa and Asia from a 1545 edition of Ptolemys Geography




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In the year 1545, the world was a place of exploration and turmoil. It was a time when ancient knowledge resurfaced, as Ptolemy's world map became widely known. Meanwhile, brave adventurers like Francis Drake embarked on daring expeditions with their miniature ships like the Golden Hind (Ford), seeking treasures beyond imagination. Amidst this era of discovery, Queen Elizabeth I ruled England with grace and intellect. Her portrait by Shaw Vol 2 captured her regal essence, just as Goldar immortalized Sir Francis Drake in his artwork. The enigmatic Pietro Lando also left his mark with his captivating self-portrait. Artistic brilliance extended beyond portraits to religious masterpieces such as Salvator Mundi from 1537-1545. This painting held divine power within its brushstrokes, while an original map chronicled the historic Battle of Lepanto that took place during this period. Not all events were marked by triumph; tragedy stained history too. The tomb of Pope Julius II stood as a reminder of mortality amidst Michelangelo's genius craftsmanship. Engravings depicted the harrowing Massacre of the Vaudians and Vaudois at Merindol in 1545 – dark chapters etched into memory forever. Yet amidst chaos and despair, art continued to inspire hope and awe. The Young Rustem Slaying the White Elephant showcased bravery through gouache with gold paint on paper—a testament to human resilience even in times of adversity. The year 1545 may have been filled with both triumphs and tragedies but it remains etched in history as an era where humanity pushed boundaries—exploring new lands, creating timeless art pieces, enduring hardships—and ultimately shaping our collective story for generations to come.