1547 Collection (#5)

HAMMOCK, 1547. A hammock of the New World Native Indians. Woodcut from Oviedos La hystoria general de las Indias, 1547

HISPANIOLA: GOLD MINING. West Indian laborers working in the Hispaniola gold-mining operations. Woodcut from Fernandez de Oviedos La historia general de las Indias, 1547

DANCE OF DEATH, 1538. Death and the Abbot. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Ploughman. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Merchant. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

CHEAPSIDE CROSS, AS IT APPEARED IN 1547, Showing part of the Procession of Edward VI. to his Coronation

Sebastiano del Piombo, Cardinal Bandinello Sauli, His Secretary, and Two Geographers, Italian, 1485-1547, 1516, oil on panel

Sebastiano del Piombo, Portrait of a Humanist, Italian, 1485-1547, c. 1520, oil on panel transferred to hardboard

Cariani, Italian (1485-1490-1547 or after), Portrait of a Man with a Dog, c. 1520, oil on canvas

Cariani, Italian (1485-1490-1547 or after), A Concert, c. 1518-1520, oil on canvas

Perino del Vaga (Italian, 1501 - 1547), Alexander Consecrating the Altars for the Twelve Olympian Gods, 1545-1547, pen and brown ink with gray wash over black chalk on laid paper

Geoffroy DumoAntier, Saint John on Patmos, French, active c. 1535 - 1573, c. 1547
Geoffroy Dumontier, Saint John on Patmos, French, active c. 1535 - 1573, c. 1547, pen and black ink with brown wash over black chalk, corrected and heightened with white gouache

Jacopo Ligozzi (Italian, 1547 - 1627), Christ before Herod, c. 1590, pen and brown ink with brown and gray-brown wash, heightened with white gouache, on brown prepared laid paper

Paul healed a lame, Cornelis Bos, 1547

Portrait of Jacob Duym at the age of 53, Jacob de Gheyn II, Bonaventura Vulcanius, 1600

Submission of six German cities, 1547, print maker: Dirck Volckertsz Coornhert, Maarten van Heemskerck, weduwe Hieronymus Cock possibly, 1555 - 1556 and or 1570 - 1640

Anonymous after Perino del Vaga (Italian, 1501-1547). Christ Healing the Paralytic, ca. 1530-1540. Chiaroscuro woodcut printed from four blocks in pale violet, medium violet, purple-brown

Monogrammist L. D. (aka Leon Davent, French, active 1540-1556) after Luca Penni (Italian, 1500/1504-1577). Christ in Limbo, ca. 1547. Engraving

Nicolo della Casa (French, active Italy, active 1543a'1547) after Baccio Bandinelli (Italian, 1488 - 1560). Cosimo I, Grand Duke of Tuscany, 1544. Engraving. Plate: 430 mm x 295 mm (16.93 in)

Cartoon for the Head of Saint James; Sebastiano del Piombo, Italian, about 1485 - 1547; Italy, Europe; about 1520; Black and white chalk

Study for the Figure of Abraham; Domenico Beccafumi, Italian, 1484 - 1551; 1547; Pen and brown ink and brown wash; 15.2 x 9.4 cm (6 x 3 11/16 in.)

Saint Catherine of Alexandria at the Wheel; Nicolo dell Abate, Italian, 1509/1512 - 1571; 1547 - 1550; Black chalk, brush and brown ink, with white gouache heightening on tan paper

Studies of Figures and Architecture (recto), Figure Studies (verso); Perino del Vaga (Piero Buonaccorsi), Italian, about 1501 - 1547; Italy, Europe; about 1542 - 1545; Pen and brown ink

Saint Lucy; Fra Paolino (Paolo del Signoraccio), Italian, about 1490 - 1547; Italy, Europe; about 1525 - 1530; Black and white chalk; 46 x 27.1 cm (18 1/8 x 10 11/16 in.)

An Azappo Archer with a Cheetah; Jacopo Ligozzi, Italian, 1547 - 1626; Italy, Europe; about 1575; Brush, pen and brown ink, tempera colors, and painted gold; 28.1 x 22.2 cm (11 1/16 x 8 3/4 in.)

Project for a Wall Decoration; Perino del Vaga (Piero Buonaccorsi), Italian, about 1501 - 1547; about 1522; Pen and brown ink

Pope Clement VII; Sebastiano del Piombo, Italian, about 1485 - 1547; Italy, Europe; about 1531; Oil on slate; Unframed: 105.4 x 87.6 cm (41 1/2 x 34 1/2 in.)

Titian, Saint John the Evangelist on Patmos, Italian, c. 1490-1576, c. 1547, oil on canvas

Sebastiano del Piombo, Portrait of a Young Woman as a Wise Virgin, Italian, 1485-1547, c. 1510, oil on hardboard transferred from panel

Perino del Vaga, The Nativity, Italian, 1501-1547, 1534, oil on panel transferred to canvas

Dirck Volckertz Coornhert, Surrender of Duke of Saxony, Victories of Charles V"
Dirck Volckertz Coornhert, Surrender of Duke of Saxony, " Victories of Charles V", Netherlandish, 1522-1590, 1547, engraving

Augustin Hirschvogel (German, 1503-1553), The Last Supper, 1547, etching

Sebald Beham (German, 1500-1550), The Peasant Fight, 1547, engraving

Sebald Beham (German, 1500-1550), March and April, 1546-1547, engraving

Sebald Beham (German, 1500-1550), May and June, 1546-1547, engraving

CANNON, 1547. Angling a cannon. Woodcut from a German manual of civil and military engineering, 1547

DANCE OF DEATH, 1538. Death and the Ploughman. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Merchant. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Miser. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Canoness. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Emperor. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Duchess. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Abbot. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

DANCE OF DEATH, 1538. Death and the Old Man. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

CACTUS, 1547. An opuntia of the West Indies. Woodcut from Cronica de las Indias by Gonzalo Fernandez de Oviedo y Valdes, 1547

ORLANDO DI LASSO: MUSIC. Fastnachtslied, a German Leid, or solo song, composed by Franco-Flemish composer, Orlando di Lasso, 1547

SCENE FROM A PLAY, 1547. First day of the Passion Play of Valenciennes. Miniature, 1547, by Hubert Cailleau

SCENE FROM PLAY, 1547. Scene from the Mystery of the Passion of Valenciennes. Miniature, by Hubert Cailleau

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In the year 1547, amidst a whirlwind of historical events and cultural milestones, King Henry VIII and his infamous wives took center stage. Known for his larger-than-life persona and tumultuous love life, Henry VIII's reign left an indelible mark on history. From the lavish court of HENRY VIII to his marriages that captivated the world's attention, this was a time of both grandeur and controversy. As we delve into the annals of history, we find ourselves in awe of King Henry VIII at Hever Castle - a place where he sought solace from the demands of ruling England, and is here that whispers about Anne Boleyn began to circulate, forever changing the course of royal lineage. Meanwhile, across Europe in Spain, Cervantes penned tales that would shape literature for centuries to come. Selma Rivera captured Mexico's rich heritage through her artistry while Diego Rivera painted vivid murals depicting Mexico's complex history. Closer to home in England, artists like Holbein immortalized figures such as H Howard and Surrey with their masterful brushstrokes. Their portraits serve as reminders of an era filled with political intrigue and artistic brilliance. Amidst these cultural endeavors emerged technological advancements too; Grumman Ag-Cat 1547 soared through skies revolutionizing agriculture techniques. This innovation brought hope for increased productivity in farming communities worldwide. However, not all was peaceful during this period as battles raged on various fronts. The Battle of Pinkie Cleugh stands out among them – fought valiantly along the banks of River Esk near Musselburgh in Scotland on September 10th. This clash marked a significant moment in Scottish history with lasting consequences for generations to come. Finally turning our gaze towards Eastern Europe brings us face-to-face with The Last Judgement fresco at Voronet Monastery Church in Moldavia (Romania).