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1558 Collection (#6)

"1558: A Year of Triumph and Challenges in Tudor England" In 1558, the year was marked by significant events that shaped the reign of Queen Elizabeth I

Background image1558 Collection: Andrea Andreani (Italian, 1558 / 1559a'1629) after Parmigianino (Italian, 1503 - 1540)

Andrea Andreani (Italian, 1558 / 1559a'1629) after Parmigianino (Italian, 1503 - 1540)
Andrea Andreani (Italian, 1558/1559a'1629) after Parmigianino (Italian, 1503 - 1540). Circe Offering Drink to Ulysses Companions, ca. 1602

Background image1558 Collection: Benedetto Montagna (Italian, ca. 1480 - 1556 / 1558)

Benedetto Montagna (Italian, ca. 1480 - 1556 / 1558)
Benedetto Montagna (Italian, ca. 1480 - 1556/1558). Satyr Family (Le Satyre), 16th century. Engraving

Background image1558 Collection: Bust of an Angel

Bust of an Angel; Hendrick Goltzius, Dutch, 1558 - 1617; Holland, Europe; 1609; Black chalk, oiled black chalk, heightened with white chalk; 55.6 x 39.7 cm (21 7/8 x 15 5/8 in.)

Background image1558 Collection: The Conversion of Saint Paul

The Conversion of Saint Paul; Taddeo Zuccaro, Italian, 1529 - 1566; Italy, Europe; 1558 / 1559 - 1566; Pen and brown ink, brush with brown wash, black chalk

Background image1558 Collection: Portrait of a Man in Armor

Portrait of a Man in Armor; Circle of Antonis Mor van Dashorst, Flemish, 1517 - 1577; 1558; Oil on canvas; Unframed: 111.1 x 80 cm (43 3/4 x 31 1/2 in.)

Background image1558 Collection: Hendrik Goltzius after Anthonie van Blocklandt (Dutch, 1558-1617), Lot and His Daughters

Hendrik Goltzius after Anthonie van Blocklandt (Dutch, 1558-1617), Lot and His Daughters Leaving Sodom, 1582, engraving

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), William, Prince of Nassau-Orange, 1581, engraving

Hendrik Goltzius (Dutch, 1558-1617), William, Prince of Nassau-Orange, 1581, engraving

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Pluto, 1588-1590, chiaroscuro woodcut in sepia-ochre

Hendrik Goltzius (Dutch, 1558-1617), Pluto, 1588-1590, chiaroscuro woodcut in sepia-ochre, green and black

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Persephone, 1588-1590, chiaroscuro woodcut printed

Hendrik Goltzius (Dutch, 1558-1617), Persephone, 1588-1590, chiaroscuro woodcut printed from 3 blocks: black line block and 2 tone blocks in sepia-ochre and olive

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Bacchus, c. 1595, chiaroscuro woodcut in gold

Hendrik Goltzius (Dutch, 1558-1617), Bacchus, c. 1595, chiaroscuro woodcut in gold and two shades of brown on laid paper

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), The Crucifixion, probably 1598, engraving

Hendrik Goltzius (Dutch, 1558-1617), The Crucifixion, probably 1598, engraving

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Jan Nicquet, 1595, engraving

Hendrik Goltzius (Dutch, 1558-1617), Jan Nicquet, 1595, engraving

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Euterpe, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Euterpe, probably 1592, engraving

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Quis Evadet, 1594, engraving on laid paper

Hendrik Goltzius (Dutch, 1558-1617), Quis Evadet, 1594, engraving on laid paper

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Urania, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Urania, probably 1592, engraving

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Erato, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Erato, probably 1592, engraving

Background image1558 Collection: Hendrik Goltzius (Dutch, 1558-1617), Saint Paul, probably 1589, engraving

Hendrik Goltzius (Dutch, 1558-1617), Saint Paul, probably 1589, engraving

Background image1558 Collection: Andrea Andreani after Andrea Mantegna (Italian, 1558-1559-1629), The Triumph of Julius

Andrea Andreani after Andrea Mantegna (Italian, 1558-1559-1629), The Triumph of Julius Caesar, 1599, chiaroscuro woodcut

Background image1558 Collection: DUELING, 1595. Dueling techniques as illustrated in Vincentio Saviolo, His Practise

DUELING, 1595. Dueling techniques as illustrated in Vincentio Saviolo, His Practise, a translation, published at London, England, in 1595

Background image1558 Collection: ADORATION OF THE MAGI. The Adoration of the Magi. Tempera on canvas, Pieter Bruegel the Elder

ADORATION OF THE MAGI. The Adoration of the Magi. Tempera on canvas, Pieter Bruegel the Elder, 1556-62

Background image1558 Collection: Marie Antoinette

Marie Antoinette
circa 1790: Marie Antoinette (1755 - 1793) Queen of France. (Photo by Hulton Archive/Getty Images)

Background image1558 Collection: Elizabeth I (1533-1603) Queen of England and Ireland from 1558. Elizabeth at prayer

Elizabeth I (1533-1603) Queen of England and Ireland from 1558. Elizabeth at prayer. Frontispiece to Christian Prayers 1569

Background image1558 Collection: Elizabeth I (1533-1603) Queen of England and Ireland from 1558. Miniature by Nicholas Hilliard

Elizabeth I (1533-1603) Queen of England and Ireland from 1558. Miniature by Nicholas Hilliard (1547-1619) Victoria & Albert Museum, London

Background image1558 Collection: William Cecil, 1st Baron Burghley (1520-1598) English statesman, chief secretary

William Cecil, 1st Baron Burghley (1520-1598) English statesman, chief secretary of state to Elizabeth I from 1558. Cecil in crimson robe riding a white mule

Background image1558 Collection: The uses of gunpowder including mortars, cannon, rockets and fireworks. From Magia

The uses of gunpowder including mortars, cannon, rockets and fireworks. From Magia Naturalis by Johannes Baptista della Porta (Nuremberg, 1715)

Background image1558 Collection: Blacksmiths at work. Note heavy leather aprons worn as protection from hot metal and charcoal

Blacksmiths at work. Note heavy leather aprons worn as protection from hot metal and charcoal. From Johannes Baptista della Porta Magia Naturalis Nuremberg 1715. First edition Naples 1558

Background image1558 Collection: Philip II (1527-1598) King of Spain and Portugal, Naples, and Sicily (1556-1598)

Philip II (1527-1598) King of Spain and Portugal, Naples, and Sicily (1556-1598). Son of Emperor Charles V. In 1554 he married Mary I of England. On her death in 1558 he lost all claim to her throne

Background image1558 Collection: Charles V depicted on a gold coin. (Carlos I, Carlos V or Carlos I de Espana), 1500

Charles V depicted on a gold coin. (Carlos I, Carlos V or Carlos I de Espana), 1500 - 1558)ruler of the Holy Roman Empire from 1519 and, as Carlos I of Spain

Background image1558 Collection: Ferdinand I (1503-1564) Holy Roman Emperor from 1558. Younger brother of Emperor Charles V

Ferdinand I (1503-1564) Holy Roman Emperor from 1558. Younger brother of Emperor Charles V: an admirer of Erasmus whose principles he tried to emulate

Background image1558 Collection: Death of Elizabeth I. Elizabeth I (1533-1603) queen of England and Ireland from 1558

Death of Elizabeth I. Elizabeth I (1533-1603) queen of England and Ireland from 1558. Painting by (Hippolyte) Paul Delaroche (1797-1856) French painter, 1827

Background image1558 Collection: William Cecil, lst Baron Burghley (1520-1598) appointed Secretary of State by Elizabeth I in 1558

William Cecil, lst Baron Burghley (1520-1598) appointed Secretary of State by Elizabeth I in 1558 and was the prominent English statesman of his age. Cecil in the robes of the Order of the Garter

Background image1558 Collection: Elizabeth I (1533-1603), queen of England from 1558. Last Tudor monarch of England

Elizabeth I (1533-1603), queen of England from 1558. Last Tudor monarch of England

Background image1558 Collection: Elizabeth I (1533-1603) queen of England from 1558. Daughter of Henry VIII and Anne Boleyn

Elizabeth I (1533-1603) queen of England from 1558. Daughter of Henry VIII and Anne Boleyn, she was the last Tudor. Wood engraving c1900

Background image1558 Collection: Elizabeth I (1533-1603), queen of England from 1558, addressing her troops at Tilbury

Elizabeth I (1533-1603), queen of England from 1558, addressing her troops at Tilbury as the Spanish Armada approached (1588)

Background image1558 Collection: Portrait of Alvise I Mocenigo

Portrait of Alvise I Mocenigo

Background image1558 Collection: Copper engraving, c1558, by Philippe Galle after a satirical pen drawing, 1558

Copper engraving, c1558, by Philippe Galle after a satirical pen drawing, 1558, by Peter Bruegel the Elder
ALCHEMISTS, 1558. Copper engraving, c1558, by Philippe Galle after a satirical pen drawing, 1558, by Peter Bruegel the Elder

Background image1558 Collection: OVID, Publius Ovidius Naso (43 BC-18)

OVID, Publius Ovidius Naso (43 BC-18). Latin poet. Cover of an edition of his works made in Venice in 1558. Photography

Background image1558 Collection: Sir Julius Caesar - 1

Sir Julius Caesar - 1
SIR JULIUS CAESAR Judge, Master of the Rolls. Date: 1558 - 1638

Background image1558 Collection: Johann Bugenhagen - 4

Johann Bugenhagen - 4
JOHANN BUGENHAGEN German religious reformer. Date: 1485 - 1558

Background image1558 Collection: Johann Bugenhagen - 3

Johann Bugenhagen - 3
JOHANN BUGENHAGEN German religious reformer. Date: 1485 - 1558

Background image1558 Collection: Johann Bugenhagen - 2

Johann Bugenhagen - 2
JOHANN BUGENHAGEN German religious reformer. Date: 1485 - 1558

Background image1558 Collection: BRUEGEL: ICE SKATERS. Skaters Before the Gate of St. George in Antwerp. Line engraving, c1558

BRUEGEL: ICE SKATERS. Skaters Before the Gate of St. George in Antwerp. Line engraving, c1558, by Frans Huys after the drawing by Peter Bruegel the Elder

Background image1558 Collection: ELIZABETH I: CORONATION. The coronation procession of Queen Elizabeth I of England in 1558

ELIZABETH I: CORONATION. The coronation procession of Queen Elizabeth I of England in 1558: liine engraving, 19th century

Background image1558 Collection: SEVEN DEADLY SINS: LUST. Engraving, 1558, by Pieter van der Heyden after a pen drawing, 1557

SEVEN DEADLY SINS: LUST. Engraving, 1558, by Pieter van der Heyden after a pen drawing, 1557, by Peter Bruegel the Elder. The Flemish verse below the engraving

Background image1558 Collection: BRAZIL: FISHING, 1558. Brazilian natives returning from a fishing expedition

BRAZIL: FISHING, 1558. Brazilian natives returning from a fishing expedition. Engraving from Les Singularitez de la France Antarctique, autrement nomme Amerique, by Andre Thevet

Background image1558 Collection: SEVEN DEADLY SINS, 1558. The Latin motto below the picture reads: Envy is a horrid monster

SEVEN DEADLY SINS, 1558. The Latin motto below the picture reads: Envy is a horrid monster, a most ferocious plague. Copper engraving, 1558, by Pieter van der Heyden after a drawing, 1557

Background image1558 Collection: Gaspar Cruciger - 2

Gaspar Cruciger - 2
CASPAR CRUCIGER German religious reformer Date: 1485 - 1558

Background image1558 Collection: Gaspar Cruciger - 1

Gaspar Cruciger - 1
CASPAR CRUCIGER German religious reformer Date: 1485 - 1558




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"1558: A Year of Triumph and Challenges in Tudor England" In 1558, the year was marked by significant events that shaped the reign of Queen Elizabeth I, the last monarch of the Tudor dynasty. As Mary Tudor's reign came to an end, Elizabeth ascended to the throne amidst a nation divided. Mary Tudor, also known as "Bloody Mary, " had left a controversial legacy with her religious persecutions. However, her death opened doors for a new era under Elizabeth's rule. With determination and resilience, Elizabeth faced numerous challenges head-on. One such challenge was the looming threat of invasion from Spain's mighty Armada. Sir Thomas Leigh played a crucial role in preparing England's defense against this formidable force. The Spanish Armada would soon test Elizabeth's leadership and military prowess. Amidst these turbulent times, renowned artist Bruegel captured the essence of uncertainty with his painting titled "Whatever I do is in vain. I piss at the moon. " This artwork serves as a reminder that even powerful rulers like Elizabeth may face insurmountable obstacles. Jacques Duc De LA Force witnessed firsthand how history unfolded during this period. His accounts shed light on both political intrigues and personal triumphs within Queen Elizabeth's court. Elizabeth herself proved to be an exceptional ruler who defied expectations at every turn. Her coronation robes symbolized not only her authority but also her commitment to lead England towards prosperity and unity. The play "ELIZ I / PLAYERS / 27 / 50" showcased theatrical brilliance during this time when entertainment became intertwined with politics. It allowed people to escape reality while reflecting societal values through artistry. Elizabeth I continued to inspire artists like Lutterell and White Eng who immortalized her grace and strength through their works depicting her regal presence. At just seventeen years old, Elizabeth embarked on a journey filled with trials and tribulations that would shape her reign.