1573 Collection (#3)

Bust Bacchus surrounded strapwork series Deorum dearumque
Artokoloro

St Dominic Reading 1573 Engraving Sheet 13 11 / 16
Artokoloro

Pendant Design Niche Vase Two Handles Rectangular Ornaments
Artokoloro

Bust Janus surrounded strapwork series Deorum dearumque
Artokoloro

Antique Lidded Vase Two Handles emerging Heads
Artokoloro

Bust Sol surrounded strapwork series Deorum dearumque
Artokoloro

Title Plate Pendant Designs Deities Niches Flower-Arabesques
Artokoloro

Bust woman profile facing left set elaborate frame
Artokoloro

Design Verso Pendant Flower-Piece Bottom Center
Artokoloro

Drawings Prints, Print, Winter, Artist, Battista, Angolo, del, Moro, Giulio Romano
Drawings and Prints, Print, Winter, Artist, After, Battista Angolo del Moro, Giulio Romano, Italian, Verona ca. 1515-ca. 1573 Murano, Italian, Rome 1499

Drawings Prints, Print, man, woman, offering, platter, coins, king, seated, throne
Drawings and Prints, Print, A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame, Artist, Artist, Formerly attributed to, After

Fame Engraving sheet 12 11 / 16 x 8 3 / 4 32. 3 22. 2 cm
Artokoloro

Moses Rescued Nile 16th century Etching sheet
Artokoloro

Oval-Shaped Pendant Design Hebe Seated under
Artokoloro

Bust woman flanked three women side set within
Artokoloro

Drawings Prints, Print, Judgment Paris, man, seated, left, reaches, out, woman, flanked
Drawings and Prints, Print, The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame, Artist, Artist, Formerly attributed to

Saint Paul Speaking King Agrippa Acts 26 1573
Artokoloro

Jost Amman, Gaspar de Coligny, Swiss, 1539 - 1591, 1573

Hans Liefrinck I after Pieter Bruegel the Elder (Flemish, probably 1518 - 1573), The Fat Kitchen, in or after 1563, engraving

Hendrik Hondius after Pieter Bruegel the Elder (after Hieronymus Bosch? (Dutch, 1573 - 1649 or after), The Big Fish Eat the Little Fish, c. 1619, engraving

Adriaan de Weerdt (Flemish, c. 1510 - c. 1590), The Annunciation, 1573, engraving

Vignola (author) and anonymous engraver after Philips Vingboons (Italian, 1507 - 1573), Dutch Facade Elevation: pl. 3, c. 1642, engraving on laid paper

Nicolaus Andrea (German, active c. 1573 - 1606), Stanislaus Sabinus von Stracza, 1590, engraving on laid paper

Geoffroy DumoAntier (French, active c. 1535 - 1573), The Crowned Virgin in a Niche
Geoffroy Dumontier (French, active c. 1535 - 1573), The Crowned Virgin in a Niche, 1543, etching

Morazzone (Italian, 1573 - 1626), The Assumption of the Virgin, pen and brown ink with brown wash over graphite on laid paper

Geoffroy DumoAntier, Saint John on Patmos, French, active c. 1535 - 1573, c. 1547
Geoffroy Dumontier, Saint John on Patmos, French, active c. 1535 - 1573, c. 1547, pen and black ink with brown wash over black chalk, corrected and heightened with white gouache

Ambrosius Bosschaert the Elder (Dutch, 1573 - 1621), Bouquet of Flowers in a Glass Vase, 1621, oil on copper

Christ at a meal in the house of Levi the Publican (plate 3), Jan Saenredam, Paolo Veronese, Frederik de Wit, 1639 - 1706

Landscape with St. Jerome who translates the Bible, Cornelis Cort, Carlo Losi, 1573

Landscape with the Penitent Magdalene, Cornelis Cort, Carlo Losi, 1573

Portrait of Maximilian Hennin, Count Bossu, Paulus van Wtewael, 1573

Portrait of an unknown man, wearing a feathered hat, print maker: Paulus van Wtewael, 1573

Resurrection of Christ, print maker: Johannes Wierix, Pieter van der Borcht I, 1573

Angel Musicians (recto), Head Studies (verso); Morazzone (Pier Francesco Mazzuchelli), Italian, 1573 - 1626; Italy, Europe; about 1598 - 1599; Black chalk

A Banquet; Morazzone (Pier Francesco Mazzuchelli), Italian, 1573 - 1626; about 1623; Gray and brown wash over black chalk, heightened with white gouache, lightly squared in black chalk

Neptune; Giulio Campi, Italian, about 1508 - 1573; Italy, Europe; 1541; Black chalk, the principle lines indented (recto); Rubbed with black chalk for transfer (verso)

Female Figure (possibly Venus, formerly titled Bathsheba); Giambologna (Giovanni da Bologna or Jean de Boulogne), Italo-Flemish, 1529 - 1608; Florence, Italy, Tuscany

Allegory of Charles IX as Mars; Leonard Limosin, French, about 1505 - 1575/1577; Limoges, France, Europe; 1573; Polychrome enamel with painted gold highlights on copper

Jacopo Tintoretto, Doge Alvise Mocenigo and Family before the Madonna and Child, Italian, 1518-1594, probably 1573, oil on canvas

Hendrik Hondius I after Pieter Bruegel the Elder (Dutch, 1573-1649 or after), Two Bagpipe Players, 1642, engraving

HENRY III / FRANCE. The Duke of Anjou (1551-1589), later Henry III of France, departing to become King of Poland, 1573

TYCHO BRAHE: A NEW STAR. Plate from the first edition of Tycho Brahes De Nova...Stella...1572, Copenhagen, 1573, his earliest work announcing the discovery and proof of the existence of a new star

BOY MONSTER, 1573. Boy monster with four arms and four legs. Woodcut from Pierre Boaistuaus Histoires Prodigieuses, 1573

TITLE BORDER, 1573. A title border made from typographic arabesque units. Antwerp, Belgium, 1573

Giovanni Maria MOSCA, Active, Padua, Venice and Plogne from 1507 to 1573. The Judgement of Solomon. Marble

William Maitland of Lethington (1528ja-1573) Scottish statesman. Supported the marriage of Mary Queen of Scots to Henry Stewart, Lord Darnley. Surrendered Edinburgh castle to the English in 1573

Giovanni Boccaccio, Il Decameron. 1573

The removal of an arrow from the chest of a Turkish soldier on the battlefield. Woodcut from G.A
OTTOMAN SURGERY, 1573. The removal of an arrow from the chest of a Turkish soldier on the battlefield. Woodcut from G.A. della Croces Chirurgiae.... Venice, 1573

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In the year 1573, a significant chapter in history unfolded. Mary Queen of Scotland, whose reign from 1542 to 1567 was marred by turmoil and tragedy, left an indelible mark on this era. Meanwhile, the art world witnessed masterpieces such as "The Crucifixion of St. Peter" and historical artwork depicting majestic Aurochs. Amidst these events, figures like Patrick Ruthven emerged from anonymity, making their presence felt in society. Artists like Hendrik Hondius and Elias Holl showcased their talents through breathtaking architectural creations that stood as testaments to human ingenuity. As political landscapes shifted, one engraving captured the attention of many: "The Prince of Orange on his Way to Brussels. " This image depicted a pivotal moment in time when power dynamics were being reshaped. Not only did art flourish during this period; it also served as a medium for remembrance. The grave effigy of Robert Scott at St. Mary's Lambeth stands tall as a tribute to his life and legacy. Furthermore, engravings played an essential role in documenting historical events like the Siege of Edinburgh Castle in 1573—a reduced facsimile plan serving as evidence of past struggles etched into memory forever. Even beyond borders, notable individuals made their mark on history during this year. Marie de Medicis and Bellay left lasting impressions with their contributions while Elizabeth I engaged with ambassadors who sought diplomatic ties with her kingdom. Lastly but certainly not least is Titian's masterpiece "Madonna della Misericordia (Madonna of Mercy)" created in 1573—an embodiment of divine beauty that continues to captivate hearts even centuries later.