1580 Collection (#5)

Blackwork Print Foliate Scrolls Oval Center Series
Artokoloro

Title Plate Blackwork Motifs Trophies Grotesques
Artokoloro

Drawings Prints, Print, Diana, holding, spear, stag, right, bear, leash, Artist, Cherubino Alberti
Drawings and Prints, Print, Diana holding a spear with a stag at right and holding a bear on a leash, Artist, After, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553-1615 Rome

Blackwork Print Roundel Tendrils Birds Two Ovals
Artokoloro

Study West Facade Palace Charles V Alhambra
Artokoloro

Drawings Prints, Print, Four, Putti, Making, Drinking, Wine, Publisher, Artist, Francois Langlois
Drawings and Prints, Print, Four Putti Making and Drinking Wine, Publisher, Artist, After, Francois Langlois, Guercino (Giovanni Francesco Barbieri), French, baptized Chartres, 1588-1647 Paris

Blackwork Print Grotesques Fighting Top Large Motif Surrounded
Artokoloro

MINING, 16th CENTURY. Mining in 16th century Europe; one worker is trying his luck with a divining rod. Woodcut from a 1580 edition of Georgius Agricolas De Re Metallica

WATER PUMP & WHEEL. Operation of a water-powered pump in an old mine. Woodcut from a 1580 edition of Georgius Agricolas De Re Metallica, after a woodcut from the first edition

Attributed to Annibale Carracci, Italian (1560-1609), Portrait of an Ecclesiastic Wearing a Biretta, probably 1580-1590, red chalk heightened with white

Jost Amman, Swiss (1539-1591), Apollo, c. 1580, pen and black ink on laid paper

Joris Hoefnagel, Animalia Volatilia et Amphibia (Aier): Plate I, Flemish, 1542-1600, c. 1575-1580, watercolor and gouache, with oval border in gold, on vellum

Joris Hoefnagel, Flemish (1542-1600), Animalia Aqvatilia et Cochiliata (Aqva): Plate I, c. 1575-1580, watercolor and gouache, with oval border in gold, on vellum

Anonymous Italian, Salome with the Head of St. John the Baptist, c. 1580, pen and black ink with brown wash and black chalk, heightened with white gouache and squared for transfer in black chalk

Friedrich Brentel after Aegidius Sadeler II after Christoph Schwarz, The Crucifixion, German, 1580-1651, 1627, gouache heightened with gold on vellum

Pieter Claesz Soutman after Sir Peter Paul Rubens (Flemish, c. 1580 - 1657), The Defeat of Sennacherib, etching

Willem Jacobsz Delff after Michiel van Miereveld (Dutch, 1580 - 1638), Catherine, Countess of Pallandt, in or after 1636, engraving

Hans Jegli II (Swiss, 1580 - 1643), A Donor with a Coat of Arms (Schildbegleiter und Wappenschild mit SchraÔé¼gbalken), 1603, pen and ink with wash

Giulio Sanuto (Italian, active c. 1540 - active 1580), Bacchanale, engraving

German 16th Century, Ich schlag das Positif mit Schall die Zytternavchmacht frolich all, c. 1580, engraving

German 16th Century, Liblich singen wir avs der Mass den Tenor discant Alt und Bass, c. 1580, engraving

Girolamo Siciolante (Italian, 1521 - c. 1580), Study of a Man Walking towards the Left Holding a Staff, pen and brown ink and brown wash heightened with white over red chalk on blue paper

Attributed to Jacopo Palma il Giovane (Italian, 1544 or 1548 - 1628), Saint Mark with Two Bishops and Putti, c. 1580, pen and brown ink with brown wash, heightened with white

Alvise dal Friso (Italian, c. 1544 - 1609), The Lamentation with Saints, c. 1580, pen and brown ink on laid paper

Seats at Knole, 1580-1600, UK, britain, british, europe, united kingdom, great britain, european

Hagar gives a drink to Ishmael, Willem Thibaut, 1580

Hagar and Ishmael in the desert, print maker: Willem Thibaut, 1580

Expulsion of Hagar and Ishmael, Willem Thibaut, 1580

Sara asks Abraham to send Hagar and Ishmael away, Willem Thibaut, 1580

Allegory of Secular and Spiritual Abuses, Haywain: Allegory of Worldly and Ecclesiastical Abuses, Gillis Mostaert, I, 1570 - 1580

Steven van Dalen, gest 1586, copy after Anonymous, c. 1580

Men Sleeping in a Room with lighted Arches, possibly Hendrik van Steenwijck, I, 1580 - 1630

Allegory of the Cooperage, Anonymous, c. 1580

Tooth Extractor, Tooth Puller, Anonymous, c. 1580

Don Juan of Austria, Don Juan van Oostenrijk, 1547-87, Governor of the Netherlands, Landvoogd der Nederlanden, Governor of the Netherlands, Anonymous, 1560 - 1580, Portrait miniature

Night Banquet and Masquerade, copy after Joos van Winghe, 1580 - 1630

Ludovic Stuart, 1574-1623 / 1624, first Duke of Richmond and second Duke of Lennox
Ludovic Stuart, 1574-1623/1624, first Duke of Richmond and second Duke of Lennox and Thomas Howard, 1561-1628, Isaac Oliver, 1580 - 1617, Portrait miniature

Portrait of a Woman, probably Anna Jagellonia, Queen of Poland, possibly Anonymous, 1570 - 1580

Adoration of the Shepherds, copy after Maerten de Vos, 1580 - 1699

Christ with the Adulterous Woman, Jacopo Tintoretto, 1550 - 1580

Portrait of a Man, Anonymous, 1550 - 1580

Portrait of a Man with a Red Cloak, Jacopo Tintoretto, 1555 - 1580

Weapon Family Out, Hendrick Goltzius, 1580

Womens Dress from Constantinople around 1580, istanbul Turkey, Abraham de Bruyn, Joos de Bosscher, 1581

Dress of Ottoman dignitaries around 1580, Abraham de Bruyn, Joos de Bosscher, 1581

Dress of the Ottoman court around 1580, Abraham de Bruyn, Joos de Bosscher, 1581

Apparel merchants in Constantinople around 1580 Istanbul Turkey, Abraham de Bruyn, Joos de Bosscher, 1581

Dress of Ottoman soldiers around 1580, Abraham de Bruyn, Joos de Bosscher, 1581

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In the year 1580, a fascinating tapestry of events unfolded across different corners of the world. English admiral Sir Francis Drake, renowned for his daring voyages and exploration, was in the midst of his illustrious career. Meanwhile, George Calvert, later known as Lord Baltimore, began to make his mark on history. Queen Elizabeth I herself appeared in artwork wielding a crossbow - a symbol of her strength and power during this era. Not far away from England's shores, Wollaton Hall and Park stood proudly in Nottinghamshire - an architectural marvel signed and dated in 1580. Across Europe, significant developments were taking place. The Portuguese poet Luis Vaz de Camoes left behind his poetic legacy before passing away that year. In Hungary, anime armor inspired by Hungarian traditions emerged as a testament to their rich cultural heritage. Delving into ancient history reveals stunning Mycenaean art from Greece - including a funerary mask crafted meticulously with gold foil embossing. As we journeyed further back in time to ancient Greece itself, Achaia, Thebes, and Athens thrived with intellectual pursuits and artistic achievements. The Roman provinces of Pannonia and Illyrica bordered the Persian Gulf at this time when trade routes connected diverse civilizations together. Amidst all these historical moments lies William Herbert, the 3rd Earl Pembroke who played an influential role within Elizabethan society. The year 1580 serves as a window into various aspects of human civilization: exploration through Admiral Drake's adventures; political ambitions embodied by George Calvert; artistic expressions captured through Queen Elizabeth I's portrayal; architectural wonders like Wollaton Hall; literary contributions from poets like Camoes; cultural preservation exemplified by Hungarian armor; archaeological treasures such as Mycenaean masks; intellectual flourishing seen in Greek cities; global connections maintained via trade routes around the Persian Gulf.