1588 Collection (#7)

Giuseppe Maria Mitelli (Italian, 1634 - 1718) after Paolo Veronese (Italian, 1528 - 1588). St. Magdalen Anointing the Feet of Christ in the House of Simon the Pharisee. Engraving and etching

Sheet of Studies for The Martyrdom of Saint George (recto), S
Sheet of Studies for " The Martyrdom of Saint George" (recto), Studies of a House, Tree, Heads, Artists Tools, Decorative Motifs, and Computations (verso); Paolo Veronese (Paolo Caliari)

Studies of Armor; Paolo Veronese (Paolo Caliari) or workshop, Italian, 1528 - 1588; Italy, Europe; about 1570; Black chalk, brown wash

Embracing Couple (Mercury and Lara?); Jan Harmensz. Muller, Dutch, 1571 - 1628; 1588 - about 1594; Black chalk, pen and brown ink, brush with brown wash, heightened with white gouache

The Martyrdom of Saint Justina; Paolo Veronese (Paolo Caliari), Italian, 1528 - 1588; Italy, Europe; 1575; Pen and brown ink, brush with brown and gray washes, heightened with white gouache

Warrior on Horseback; Willem Danielsz. van Tetrode, Netherlandish, active about 1525 - 1588; Netherlands, Europe; about 1560; Bronze; Object [excluding base]: H: 39.69 x L: 45.72cm (H: 15 5/8 x L)

Night Clock; Case and hardstone mosaics by Giovanni Battista Foggini, Italian, 1652 - 1725, Woodwork by Leonard van der Vinne, Flemish, active second half of 17th century - 1713

Veronese, The Annunciation, Italian, 1528-1588, c. 1580, oil on canvas

Veronese (Italian, 1528-1588), Rebecca at the Well, 1580-1585, oil on canvas

Veronese, Saint Lucy and a Donor, Italian, 1528-1588, probably c. 1580, oil on canvas

Jacob Matham after Hendrik Goltzius (Dutch, 1571-1631), Eros and Anteros, probably 1588, engraving on laid paper

Hendrik Goltzius (Dutch, 1558-1617), Pluto, 1588-1590, chiaroscuro woodcut in sepia-ochre, green and black

Hendrik Goltzius (Dutch, 1558-1617), Persephone, 1588-1590, chiaroscuro woodcut printed from 3 blocks: black line block and 2 tone blocks in sepia-ochre and olive

GUISE ASSASSINATION, 1588. The assassination of Henri I, Duke of Guise, by the guards of King Henry III of France (who looks on at left), at the Chateau de Blois, 23 December 1588

SPANISH ARMADA, 1588. Resolution of English commanders, after the defeat of the Spanish Armada at Gravelines, to folowe and pursue the Spanishe Fleete untill we have cleared our owne coaste

SPANISH ARMADA, 1588. The English Royal Navy going into action against the Spanish Armada in the English Channel, July 1588. English engraved map after Roberto Adamo, 1590

SPANISH SURRENDER, 1588. The Admiral of the Spanish Armada surrendering to Sir Francis Drake. Photogravure after a painting by John Seymour Lucas

ENGLISH RESOLUTION, 1588. Resolution of the English commanders after the defeat of the Spanish Armada off Gravelines, France

CARTOUCHES, 1588. Woodcut, French, 1588

VIRGINIA PAMPHLET, 1588. Title-page of Thomas Harriots Report of the new found land of Virginia, London, 1588, which promoted share buying

Spanish Defeat
A scene of the conflict and fire as the Spanish Armada is defeated by the British Fleet. (Photo by Hulton Archive/Getty Images)

The 3rd Squadron ruled by [Sir John] Hawkins. The ten of clubs from a deck of English playing cards depicting
SPANISH ARMADA, 1588. The 3rd Squadron ruled by [Sir John] Hawkins. The ten of clubs from a deck of English playing cards depicting the defeat of the Spanish Armada, 1588

Chart of the course of the Spanish Armada. Reproduction of an English engraving of 1739
SPANISH ARMADA, 1588. Chart of the course of the Spanish Armada. Reproduction of an English engraving of 1739

Queen of England and Ireland, 1558-1603. Elizabeth depicted with an astrological diagram of the heavens
ELIZABETH I (1533-1603). Queen of England and Ireland, 1558-1603. Elizabeth depicted with an astrological diagram of the heavens, with immovable justice placed at the center

Title page of The Mariners Mirrour an English translation by Anthony Ashley of a compilation of nautical charts by
MARINERs MIRROR, 1588. Title page of The Mariners Mirrour an English translation by Anthony Ashley of a compilation of nautical charts by Lucas Janszoon Waghenaer

Paolo Veronese (1528 - April 19, 1588) was an Italian painter of the Renaissance in Venice. The Wedding at Cana, 1562-1563. Louvre

The Spanish Armada which threatened England in July 1588. Painting in the collection of the National Maritime Museum, Greenwich, England

The mighty display of the Spanish armada in 1588. Source Amsterdams Historisch Museum. A46643 Date 1679(1679)

Reverse of medal commemorating the bright comet of 1577. Known as Brahes comet, this is the comet which convinced the Danish astronomer Tycho or Tyge Brahe (1546-1601)

Obverse of medal commemorating the bright comet of 1577. Known as Brahes comet, this is the comet which convinced the Danish astronomer Tycho or Tyge Brahe (1546-1601)

The Spanish Armada: The Spanish fleet under the Duke of Medina Sidonia sailed against England in 1588. The Royal coat of arms shows the English Lion

Elizabeth I (1533-1603), queen of England from 1558, addressing her troops at Tilbury as the Spanish Armada approached (1588)

English ship master
An English ship master. Engraving from Waghenhaer " Mariners Mirrour", London, 1588

English sea captain
An English sea captain. Engraving from Waghenhaer " Mariners Mirrour", London, 1588

Historical length standards C016 / 2046
Historical length standards. Standards established for the yard and the metre, along with their cross-sections (right). The Henry VII Yard (1497) and the Elizabeth Yard (1588)

Jesus and the Centurion by VERONESE, Paolo Caliari, called Paolo (1528-1588). This painting referrs to chapter 8 from St. Matthews Gospel

HOBBES, Thomas (1588-1679). English philosopher. Advocate of the despotism. Opera Philosophica, edition of the complete works by Hobbes carried

Venus and Adonis by VERONESE, Paolo Caliari, called Paolo (1528-1588). Renaissance art. Oil on canvas

The Sacrifice of Isaac
VERONESE, Paolo Caliari, called Paolo (1528-1588). The Sacrifice of Isaac (Sacrificio di Isacco). Renaissance art

Judith with the Head of Holophernes

Feast in the House of Levi by VERONESE, Paolo Caliari, called Paolo (1528-1588). Renaissance art. Venetian school

Portrait of a Lady with a heron

SANCHEZ COELLO, Alonso (1531-1588)

ORRENTE, Pedro de (1588-1645). The Return to the Pen. Oil on canvas

RIBERA, JOS (1588-1652). ISaC
RIBERA, Jos (1588-1652). Isaac Blessing Jacob. Isaac on the bed, blind, touches Jacobs arm, which is covered with a kid skin in

Andromeda and Perseus by Dominico Feti (1588-1623). Baroque art. Oil on canvas

Hero and Leander by Domenico Feti (1588-1623). Baroque art. Oil on wood

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In 1588, a year of significant events and historical milestones, the world witnessed the clash of powers and the resilience of nations. This captivating map of Palestine from that era takes us back to a time when borders were being redrawn and empires vied for supremacy. One notable event was the defeat of the Spanish Armada, an iconic naval battle that changed the course of history. The Golden Lion's audacious attack on Santa Ana exemplified the bravery and determination displayed during this epic confrontation. The scene with ships during the Spanish Armada transports us to those turbulent waters where England faced off against Spain in a fight for control over European seas. It was here that Elizabethan naval ship Ark Royal played a crucial role, showcasing England's maritime prowess. Amidst these monumental events, Sir Francis Drake found solace in playing bowls – an intriguing glimpse into his character as he balanced leisure with his duties as one of England's most renowned explorers. Meanwhile, Thomas Hobbes began shaping his philosophical ideas during this period. His influential thoughts would later challenge conventional wisdom and pave the way for modern political theory. As we reflect on EVNT2A-00047 – a code perhaps hinting at hidden secrets or untold stories – we are reminded of how beacons played a vital role in warning against impending danger during times like these. These signals served as symbols of hope amidst uncertainty and chaos. In 1588, history unfolded before our eyes; it was an era defined by conflict but also marked by resilience and ingenuity. From battles on treacherous seas to intellectual pursuits ashore, this year left an indelible mark on humanity's journey through time.