1590 Collection (#9)

Simon Vouet and Studio, French (1590-1649), The Muses Urania and Calliope, c. 1634, oil on panel

Attributed to Abel Grimmer, The Marketplace in Bergen op Zoom, Flemish, c. 1570-1618-1619, probably 1590 and 1597, oil on panel

Annibale Carracci, Venus Adorned by the Graces, Italian, 1560-1609, 1590-1595, oil on panel transferred to canvas

Simon Vouet, French (1590-1649), Saint Jerome and the Angel, c. 1622-1625, oil on canvas

Esaias van de Velde I (Dutch, c. 1590 - 1630), Peasants Lunching in Open Air, etching

Moyses van Uyttenbroeck (Dutch, c. 1590 - 1648), Hagar in the Desert, etching on laid paper

Anthonis Sallaert (Flemish, c. 1590 - 1658), Saint Luke, woodcut on blue laid paper

Dutch 16th Century after Hendrik Goltzius, Mercury Entering Herses Room, 1590, engraving on laid paper

Hendrik Goltzius after Maerten van Heemskerck (Dutch, 1558 - 1617), Johannes Zurenus (Jan van Suren), 1590, engraving

Adriaan de Weerdt (Flemish, c. 1510 - c. 1590), The Annunciation, 1573, engraving

Nicolaus Andrea (German, active c. 1573 - 1606), Stanislaus Sabinus von Stracza, 1590, engraving on laid paper

Franz Brun (German, active c. 1590), Woman and Death, engraving

Michel Lasne after Philippe de Champaigne (French, 1590 or before - 1667), Jacques Thubeuf, engraving on laid paper

Michel Lasne after Daniel Dumonstier (French, 1590 or before - 1667), Franazois La Rochefoucauld, engraving on laid paper

Michel Lasne (French, 1590 or before - 1667), Mathieu Mole, engraving on laid paper

Michel Lasne after Charles Le Brun (French, 1590 or before - 1667), Etienne Binet, engraving on laid paper

Michel Lasne (French, 1590 or before - 1667), Franazois de Beauvillier, in or before 1656, engraving on laid paper

Master J. N. (German or Netherlandish, active late 16th century), The Coronation of
Master J.N. (German or Netherlandish, active late 16th century), The Coronation of the Virgin with Angel Musicians and All Saints, c. 1590, pen and black ink with gray wash on laid paper

Attributed to Simon Vouet (French, 1590 - 1649), A Bearded Man with a Staff, black chalk and graphite, heightened with white on tan laid paper

Joseph Heintz the Elder (Swiss, 1564 - 1609), The Toilet of Venus, c. 1590, pen and ink over red and black chalk with wash and heightening on laid paper

Jacopo Ligozzi (Italian, 1547 - 1627), Christ before Herod, c. 1590, pen and brown ink with brown and gray-brown wash, heightened with white gouache, on brown prepared laid paper

The Blessed Virgin, Andreani, Andrea, approximately 1560-1623, Vanni, Francesco, 1563-1610, between 1590 and 1610, chiaroscuro woodcut, Print showing the Blessed Virgin Mary with the infant Jesus

Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman wearing elaborate collars. Nutzel, Hieronymus active approximately 1584/5-1590, engraver

Minerva asks Envy to ignite jealousy in Aglauros, Hendrick Goltzius, Franco Estius, 1590

Mercury is in love with Herse, Hendrick Goltzius, Franco Estius, 1590

Mercury in Herses room, Hendrick Goltzius, Franco Estius, 1590

Mercury and Battus, Hendrick Goltzius, Franco Estius, 1590

The daughters of Cecrops open the basket that Minerva has entrusted them, print maker: Hendrick Goltzius workshop of, Hendrick Goltzius, Franco Estius, 1590

Arcas aiming his arrow at Callisto, Hendrick Goltzius, Franco Estius, 1590

Apollo loves Coronis, Hendrick Goltzius, Franco Estius, 1590

The gods ask the Sun God to get back in his car driving, Hendrick Goltzius, Franco Estius, 1590

Diana discovers the pregnancy of Callisto, print maker: Hendrick Goltzius workshop of, Hendrick Goltzius, Franco Estius, 1590

Phaethons sisters turn into poplars and his friend into a swan, Hendrick Goltzius, Franco Estius, 1590

The Fall of Phaeton, Hendrick Goltzius, Franco Estius, 1590

Phaethon riding his fathers chariot, Hendrick Goltzius, Franco Estius, 1590

Portrait of Jean Fourmenois, Gortzius Geldorp, 1590

Parable of the Weeds among the Wheat, attributed to Isaac Claesz. van Swanenburg, 1590 - 1610

Couples Making Love at a Village Inn, attributed to Aert Pietersz. c. 1570 - c. 1590

Portrait of a Woman, Anonymous, c. 1590

Portrait of Captain Charles de Heraugieres, Commander of Breda, Anonymous, 1590

Kenau Simonsdr Hasselaer, Anonymous, c. 1590 - c. 1609

Pleasure Garden, Anonymous, c. 1590

Portrait of a young Woman, Anonymous, c. 1590

Venus and Minerva, circle of Pellegrino Tibaldi, c. 1590 - c. 1620

River Landscape with Boar Hunt, Joos de Momper (II), c. 1590 - c. 1635

Hercules Steals the Oxen of Geryon, Joos de Momper (II), 1590 - 1635

The Preaching of Saint John the Baptist, Abraham Bloemaert, 1590 - 1610

Portrait of the Painter Dirck Barendsz. Cornelis Ketel, 1590

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In the year 1590, a remarkable era unfolded with captivating stories and significant events. Elizabeth Talbot, also known as Bess of Hardwick, held the title of Countess of Shrewsbury during this time. Her influence and power were felt throughout Western Europe, as depicted in a detailed map from that period. Meanwhile, in France's enchanting city of Strasbourg, life buzzed with activity. It was here that Edmund Spenser mesmerized his audience by reading his renowned work "The Faerie Queene" to none other than Sir Walter Raleigh himself. Their literary exchange transported listeners to fantastical realms filled with knights and fairies. Amidst the cultural fervor across Europe, Ambrose Dudley Warwick donned an extravagant red and yellow Jester's Cap costume—a symbol of mirth and entertainment—while traversing through various lands on an intricately illustrated world map from the 16th century. Speaking of maps, another cartographic masterpiece emerged in 1590—an exquisite depiction showcasing our vast planet Earth. This visual marvel allowed explorers to dream about uncharted territories waiting to be discovered. Delving into different traditions and beliefs, a Mughal painting from around 1590 portrayed Noah's Ark threatened by Iblis—the devil according to Muslim tradition—as Noah's sons valiantly fought against evil forces. This artwork served as a testament to diverse cultures intertwining within historical narratives. On the high seas sailed Ferdinand Magellan's ship Victoria under full sail—a triumphant image capturing one chapter in humanity's relentless pursuit for exploration and discovery during this epoch. Back on land but shrouded in darkness lurked the North Berwick Witches who cast spells that sent chills down people’s spines. These bewitching tales remind us of both superstitions prevailing at that time and society’s fascination with witchcraft. Lastly, English archery flourished during this period—its significance extending beyond sport.