1605 Collection (#6)

Village Street cattle sheep herdsman foreground
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Plate Scenographiae 1560 Etching sheet 6 7 / 16 x 8 7 / 16
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Portrait Man Moncheaux Family Oil wood Overall
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Drawings Prints, Print, Plate 8, Otho, profile, facing left, Twelve Caesars, Artist
Drawings and Prints, Print, Plate 8: Otho in profile facing left, from The Twelve Caesars, The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian

Large Farm Draw Well Praediorum villarum et rusticarum casularum icones elenoantissim
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Bust Sol surrounded strapwork series Deorum dearumque
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Country Village Post Mill Multifariarum casularum ruriumque lineamenta curiose ad
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Drawings Prints, Print, Plate 12, Domitian profile right, Twelve Caesars, Artist
Drawings and Prints, Print, Plate 12: Domitian in profile to the right, from The Twelve Caesars, The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian

Rustic Market Nundinae Rusticorum Large Landscapes
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Allegory Justice Sanctity Law court scene depicting
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St Jerome Wildernesss Hieronymus Deserto Large Landscapes
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Farms cattle herdsmen milkmaids foreground Multifariarum casularum ruriumque lineamenta
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Venus Forge Vulcan ca 1605 Pen black ink gray wash
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View Tiber Tivoli Prospectus Tyburtinus Large Landscapes
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Belgian Wagon Plaustrum Belgicum Large Landscapes
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Drawings Prints, Melancholy, Melancolia, Artist, Publisher, Formerly, Attributed
Drawings and Prints, Melancholy (Melancolia), Artist, Publisher, Formerly after, Attributed to, Abraham Bloemaert, Theodor Matham, Jacob Matham, Netherlandish, Gorinchem 1566-1651 Utrecht, Dutch

Plate Varie Architecture ca 1560 Etching sheet
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Drawings Prints, Print, Plate 11, Titus Vespasian, looking right, Twelve Caesars
Drawings and Prints, Print, Plate 11: Titus Vespasian looking to the right, from The Twelve Caesars, The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian

Soldiers Rest Milites requiescentes Large Landscapes
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Modern Grotesque Decoration 1557 Etching Sheet
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Modern Grotesque Decoration Central Niche 1557
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Plate Scenographiae 1560 Etching sheet 5 7 / 8 x 8 5 / 16
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Surface Decoration Grotesque Strapwork Wall Niche under
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European Sculpture and Decorative Arts, Piece, Italian Spanish, ca. 1600, 1595, 1605, Silk, L
European Sculpture and Decorative Arts, Piece, Italian or Spanish, ca. 1600, 1595, 1605, Silk, L. 24 1/2 x W. 9 inches (62.2 x 22.9 cm)

Farmstead cows herdsman foreground Praediorum villarum et rusticarum casularum icones
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Modern Grotesque Strapwork 1554 Etching Sheet
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View Roman Forum looking Palatine Hill series
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Vase Placed Center Tempietto Lattice Arch Top
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Modern Grotesque Strapwork 1557 Etching Sheet
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Drawings Prints, Print, Plate 4, Caius, profile, facing left, Twelve Caesars, Artist
Drawings and Prints, Print, Plate 4: Caius in profile facing left, from The Twelve Caesars, The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian

Surface Decoration Grotesque Strapwork Three Cartouches
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Title Plate Veelderleij niewe inventien van antijckesche sepultueren diemen
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Drawings Prints, Print, Plate 10, Vespasian, head, turned, slightly, left, Twelve Caesars
Drawings and Prints, Print, Plate 10: Vespasian with his head turned slightly to the left, from The Twelve Caesars, The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian

Golden Age 1605 Oil copper 8 7 / 8 x 12 22. 5 30. 5 cm
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Fields Village Road Post Mill series Small Landscapes
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Country Houses couple cornfield foreground series
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Coronation Virgin 1605 Brown gray-blue white tempera
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Village Road Farm Sheds series Small Landscapes
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Claude Lorrain, French (1604-1605-1682), The Herd Returning in Stormy Weather (Le troupeau en marche par un temps orageux), c. 1650-1651, etching

Felice Brusasorci, Italian (c. 1542-1605), A Palatial Wall Ornamented with Sculptures and Paintings, c. 1600, pen and brown ink with brown wash over graphite on laid paper

Lodewyk Toeput, Flemish (c. 1550-1603-1605), Summer Harvest in an Extensive Landscape, pen and black ink with blue and gray wash over black chalk on laid paper

Claude Lorrain, French (1604-1605-1682), Four Cows, red and black chalks with gray wash on laid paper

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder, Dutch (died 1605), " Bruyntje Springh-in -t- Bed" and " Flip de Duyvel", c. 1564-1565, etching

Lodewijk de Vadder (Flemish, 1605 - 1655), Rainy Landscape, etching

Lodovico Carracci (Italian, 1555 - 1619), The Nativity with Saints Francis and Agnes, c. 1605, pen and brown ink and brown wash with white heightening over black chalk; traces of incising

Nymphs bathing / a [monogram of Andrea Andreani], between 1500 and 1530, printed 1605. Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

Temptation of Man, engraved by Jan Saenredam, c. 1605 (engraving)
XJF472206 Temptation of Man, engraved by Jan Saenredam, c.1605 (engraving) by Cornelisz. van Haarlem, Cornelis (1562-1638) (after); Private Collection; (add.info)

Venus and Cupid, Jacob de Gheyn (II), 1605 - 1610

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In the year 1605, a fascinating tapestry of events unfolded across different corners of the world. In Plymouth, Massachusetts, Samuel de Champlain meticulously crafted a map of Port St. Louis during his expedition. Little did he know that this very place would later become the iconic settlement known as Plymouth. Meanwhile, in another realm entirely, Don Quixote embarked on his whimsical adventures alongside his loyal companion Sancho Panza. From tilting at windmills to encountering sheep along their journey, these legendary characters captivated readers with their timeless escapades. Back in reality, history took an intriguing turn with the infamous Gunpowder Plot and its conspirators. Guy Fawkes and his cohorts devised a plan to blow up the Houses of Parliament but were ultimately betrayed by a letter exposing their treacherous intentions. As these events unfolded, El Greco immortalized Jorge Manuel Theotocopuli through an exquisite oil painting on canvas—a portrait that captured both beauty and complexity. Fast forward to November 5th—the day forever marked by the discovery of the Gunpowder Plot—King James I interrogated Guy Fawkes and others in his bedchamber at Whitehall Palace. This wood engraving from 1861 transports us back to that pivotal moment when history hung precariously in balance. Yet amidst all these tales and tumultuous times emerged moments of joy and celebration. It was also in 1605 that Strasbourg witnessed the first authenticated Christmas tree—an enchanting tradition that continues to bring warmth into our homes each holiday season. Reflecting upon this extraordinary year brings forth a sense of wonderment—a reminder that even amidst chaos or fictional realms, there are stories waiting to be discovered and cherished for generations to come.