1620 Collection (#10)

Portrait of a man, Anonymous, c. 1615 - c. 1620

Portrait of Jan the Younger, Count of Nassau-Siegen, Count John VIII of Nassau-Siegen, workshop of Jan Antonisz van Ravesteyn, c. 1613 - c. 1620

Portrait of William, Count of Nassau-Siegen, workshop of Jan Antonisz van Ravesteyn, c. 1620 - c. 1630

Portrait of Count John of Nassau, know as John the Old, workshop of Jan Antonisz van Ravesteyn, c. 1610 - c. 1620

Portrait of Count Jan VII of Nassau-Siegen, known as de Middelste, workshop of Jan Antonisz van Ravesteyn, c. 1610 - c. 1620

Portrait of a Family Group in a Landscape, Herman Meynderts Doncker, 1620 - 1656

Portrait of Floris Gerritsz Overrijn van Schoterbosch, c. 1562-1618, attributed to Cornelis Engelsz. c. 1620

Portrait of Johan Gerritsz van Schoterbosch, attributed to Cornelis Engelsz. 1620

Amusement on the Ice on a Canal, perhaps at the Janspoort in Haarlem, The Netherlands, copy after Hendrick Avercamp, c. 1615 - c. 1620

Portrait of Gerrit Willemsz Overrijn van Schoterbosch, c. 1538-1611, attributed to Cornelis Engelsz. c. 1620

Winter Landscape with Skaters, Adam van Breen, c. 1615 - c. 1620

Satirical Show on Dutch Politics around 1619, follower of Adriaen Pietersz. van de Venne, c. 1619 - c. 1620

Village Carouse, manner of Adriaen Brouwer, 1620 - 1700

The raising of Lazarus, school of Rembrandt Harmensz. van Rijn, 1620 - 1650

Portrait of a man, Jean Petitot, le vieux, 1620 - 1691, Portrait miniature

Venus and Minerva, circle of Pellegrino Tibaldi, c. 1590 - c. 1620

Festive Gathering at Night, manner of Louis de Caullery, 1600 - 1620

Portrait of an officer, Jan Antonisz van Ravesteyn, c. 1610 - c. 1620

Portrait of Laurens Reael, Cornelis van der Voort, c. 1620

Penitent Mary Magdalene, Anthony van Dyck, 1620 - 1635

Governor-General Jan Pietersz Coen, Anonymous, 1620 - 1675

The meeting of Jacob and Esau, attributed to Jacob Symonsz Pynas, c. 1610 - 1620

Musical Society, manner of Adriaen Brouwer, 1620 - 1750

Portrait of Sir John Burroughs (1587-1627), Jan Antonisz van Ravesteyn, c. 1620 - c. 1623

Still Life with Suckling-Pig Skulls, Anonymous, 1620 - 1640

Still Life with Fruit and Flowers, Balthasar van der Ast, 1620 - 1621

Portrait of a couple and four children, Anonymous, c. 1620 - c. 1625

Rocky Landscape with Deer and Goats, Gillis Claesz. de Hondecoeter, 1620

Lot and his Daughters, Jacopo Palma (il Giovane), 1610 - 1620

Tobias scares the fish, print maker: Moyses van Wtenbrouck, Hendrick Hondius I, 1620 and/or in or before 1650

From series of 6 sheets, print maker: Michiel le Blon (mentioned on object), Dating 1620

Blazon of the Chamber of Rhetoric Red Daisy in Warmond, 1620, H. van den Berck, 1620

Allegory installation of Ernst Casimir, Count of Nassau, stadtholder of Friesland, August 5 1620, Count Ernst Casimir hand over his heart to the province of Friesland virgin

Tobias, Tobit and the Angel, Moyses van Wtenbrouck, Hendrick Hondius (I), 1620

The five senses, print maker: Crispijn van de Passe II, 1620

Allegory of the four elements, Pieter Serwouters, Willem Janszoon Blaeu, 1620

Meal at Emmaus, Dirk van Hoogstraten, Raphael Sadeler (I), Hendrick Hondius (I), 1620

Farmer and peasant woman at a farm, Claes Jansz. Visscher II, Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

Farm and shepherd with sheep, print maker: Claes Jansz. Visscher II, Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

Farm and shepherd with dog and goat, Claes Jansz. Visscher (II), Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

Farm between the trees, print maker: Claes Jansz. Visscher II, Abraham Bloemaert, Boetius Adamsz. Bolswert possibly, 1620

Farm and shepherd with his dog, Claes Jansz. Visscher (II), Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

Farmer and rancher between agricultural tools, Claes Jansz. Visscher (II), Boetius Adamsz. Bolswert, 1620

Tobias and the Angel, Claes Jansz. Visscher (II), Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

Farm with land and derelict barn, Claes Jansz. Visscher (II), Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

A farm, a man and a barking dog, Claes Jansz. Visscher II, Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

House with yard, print maker: Claes Jansz. Visscher II, Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

Farm and man with two buckets, Claes Jansz. Visscher II, Abraham Bloemaert, Boetius Adamsz. Bolswert, 1620

For sale as Licensed Images

Choose your image, Select your licence and Download the media

In the year 1620, a significant chapter in history unfolded. The Pilgrims embarked on their treacherous journey aboard the Mayflower, braving the vastness of the sea. As they sailed towards an unknown future, their spirits remained unwavering. Meanwhile, in another part of the world, Pieter Paul Rubens captured human anguish and despair in his masterpiece "The Fall of the Damned. " This painting serves as a reminder that even amidst turmoil and uncertainty, art can provide solace and reflection. After enduring countless hardships at sea, the Mayflower passengers finally reached their destination - Plymouth. With hearts filled with hope and determination, they set foot on land at Plymouth Rock. This iconic moment marked not only their arrival but also symbolized resilience and new beginnings. As time went by, life began to take shape in this newfound land. The Mayflower continued to sail gracefully through uncharted waters while its crew marveled at breathtaking sights such as Hendrick Avercamp's depiction of people enjoying ice near a town - a scene that brought joy amidst harsh winters. Plymouth Rock became more than just a landing site; it became synonymous with courage and perseverance. John Alden, Mary Chilton, and other Pilgrims etched their names into history as they stepped onto this hallowed ground. A model of the Mayflower stands tall today as a testament to those brave souls who risked everything for freedom. It serves as a tangible reminder of their sacrifices and legacy that still resonates centuries later. During these times of change back home in England, Thomas Cromwell emerged as an influential English statesman shaping political landscapes during this era when battles were fought both on land and within hearts – like the Battle of White Mountain which left indelible marks on history books forevermore. Yet despite all these monumental events unfolding around them, Native Americans stood witness to something extraordinary –the arrival of strangers from across the sea.