1628 Collection (#5)

THE PALACE OF SLEEP, BY GUSTAVE DORE. Dore, 1832 - 1883, French. Engraving for Charles Perrault (1628-1703), Fairy Tales. 1870, Art, Artist, romanticism, colour, color

Jusepe de Ribera (Spanish, 1591-1652), Drunken Silenus, 1628, etching and engraving

Jacques Callot, French (1592-1635), Sun Rising, 1628, etching

Jacques Callot, French (1592-1635), Crane Flying, 1628, etching

Jacques Callot, French (1592-1635), The Tomb, 1628, etching

Jacques Callot, French (1592-1635), The Review, c. 1627-1628, etching

Jacques Callot, French (1592-1635), The Card Players, c. 1628, etching and engraving

Jacques Callot, French (1592-1635), The Crow and her Young, 1628, etching

Jacques Callot, French (1592-1635), Candle Stick, 1628, etching

Jacques Callot, French (1592-1635), Crow and Snail, 1628, etching

Jan de Bisschop, Dutch (1628-1671), The Death of Sapphira, brown wash with black and red chalk on laid paper

Johann Spillenberger, German (1628-1679), The Contest between Apollo and Pan before King Midas, c. 1670, pen and gray ink with gray wash on laid paper

Jacopo Palma il Giovane, Italian (1544 or 1548-1628), Madonna and Child in Glory with Saints John the Baptist and Stephen and a Martyr Saint

Jacques Callot, Study of Four Horsemen, French, 1592-1635, 1628 or before, red chalk on laid paper

Jan Hackaert (Dutch, probably 1628 - probably 1699), Landscape with Four Trees, etching

Jan Muller after Abraham Bloemaert (Dutch, 1571 - 1628), The Raising of Lazarus, c. 1600, engraving with pen and ink and wash

Jan Muller (Dutch, 1571 - 1628), Harpocrates, 1593, engraving

Hans Collaert (Flemish, 1566 - 1628), Jewelry Design, 1582, engraving

Guillaume Courtois after Tintoretto (Italian (born in France) 1628 - 1679), The Raising of Lazarus, etching on laid paper

Jacques Callot (French, 1592 - 1635), The Reeds and the Wind, 1628, etching

Jacques Callot (French, 1592 - 1635), Two Hearts, 1628, etching

Jacques Callot (French, 1592 - 1635), The Tulips and the Sun, 1628, etching

Jacques Callot (French, 1592 - 1635), Serpent, 1628, etching

Attributed to Jacopo Palma il Giovane (Italian, 1544 or 1548 - 1628), Saint Mark with Two Bishops and Putti, c. 1580, pen and brown ink with brown wash, heightened with white

Jacopo Palma il Giovane (Italian, 1544 or 1548 - 1628), Studies for an Annunciation [recto], pen and brown ink on laid paper

Attributed to Gerrit Claesz Bleker (Dutch, active 1628 - 1656), Head of an Old Man, black and white chalk on brown paper

Peter Candid after Heinrich Aldegrever after Georg Pencz (Flemish, c. 1548 - 1628), Saint Mark the Evangelist, c. 1600, pen and brown ink and wash, heightened with white over black chalk on laid paper

Jacopo Palma il Giovane, Lamentation, Italian, 1544 or 1548-1628, c. 1620, oil on canvas
Jacopo Palma il Giovane, Lamentation, Italian, 1544 or 1548 - 1628, c. 1620, oil on canvas

Elstow: Birthplace and Relics of John Bunyan, 1874

Portrait of Constantijn Huygens, Jan Lievens, c. 1628 - c. 1629

Friedrich V, Elector Palatine, King of Bohemia, and his Wife Elizabeth Stuart on Horseback, Frederick I, Adriaen Pietersz. van de Venne, 1626 - 1628

Office of the Attorney, Pieter de Bloot, 1628

Vanitas Still Life with the Spinario, Pieter Claesz. 1628

The Herring-Eater, Pieter Hermansz. Verelst, 1628 - 1650

Venus and Mars, Cornelis Cornelisz. van Haarlem, 1628

Democritus, Hendrick ter Brugghen, 1628

An antique artist, attributed to Johannes van Swinderen, c. 1628 - c. 1636

Peasants Drinking in a Barn, Pieter Hermansz. Verelst, c. 1628 - c. 1650

Portrait of the Jaspar Souter, Jacob Matham, Anonymous, 1628

Classroom, Jan van de Velde (II), Thomas Fonteyn, 1628

Hippocrates of Kos, Pieter Serwouters, Bonaventura Elzevier, Abraham Elzevier (I), 1628

Portrait of Philip William, Prince of Orange, print maker: Willem Jacobsz. Delff, Michiel Jansz van Mierevelt, 1628

Portrait of Charles I, king of England in oval, Willem Jacobsz. Delff, Karel I (koning van Engeland), Cornelis Jacobsz. Delff, 1628

River landscape with travelers on country road, on a stone bridge over a waterfall a horseman in conversation with another figure, on the banks of the river an angler

Bastion on a river, print maker: Jan van de Velde II, Gerard van der Horst, Claes Jansz. Visscher II, 1628

Weapon of Haarlem with two angels, The Netherlands, Jan van de Velde (II), 1628

Interior of a book printer, Jan van de Velde, 1628

View of the Market Square with the Town Hall in Haarlem, The Netherlands, Jan van de Velde II, print maker: Anonymous, Pieter Jansz. Saenredam, 1628 and/or 1640 - 1670

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"1628: A Journey through Time and Art" Step back into the 17th century with a captivating map of the New World, showcasing the unexplored lands and mysteries that awaited brave adventurers. As we delve deeper into this era, we encounter John Bunyan, a renowned figure whose life spanned from 1628 to 1688. Imprisoned for his beliefs, Bunyan's writings became an inspiration for generations to come. Influential figures like Sir Peter Young left their mark on history during this period. Meanwhile, Rembrandt Harmenszoon van Rijn painted his self-portrait in 1628, revealing his artistic brilliance even at such a young age. The year also witnessed significant political events as Charles V reigned over vast territories while Shah Abbas ruled Persia until his passing in 1628. Their legacies shaped nations and left indelible imprints on history. Returning our focus to John Bunyan, we explore his extensive body of work known as "Whole Works, " which continues to captivate readers with its profound insights and spiritual depth. London Bridge emerges as a prominent landmark in this era; captured by C. D. Jongh in 1632, it stands as a testament to architectural marvels of the time. The Thames at Westminster further showcases London's grandeur through Jong's skilled brushstrokes. While art flourished across Europe during these years, Rembrandt immortalized his mother in a tender portrait that reflects both love and admiration. Johannes Held also made waves with his artistic prowess during this vibrant period. As we reflect upon all these remarkable moments from 1628, let us appreciate how they have shaped our world today – be it through exploration or creative expression – reminding us of the enduring power of human endeavor throughout history.