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1636 Collection (page 2)

"1636: A Glimpse into the Past" Step back in time to 1636, when the first settlers of Hartford, Connecticut embarked on a journey that would shape the future

Background image1636 Collection: Cow Grazing Adriaen van de Velde Dutch 1636 1672

Cow Grazing Adriaen van de Velde Dutch 1636 1672
A Cow Grazing; Adriaen van de Velde (Dutch, 1636 - 1672); Holland; about 1663; Red chalk, black framing lines; 15.6 x 14 cm (6 1, 8 x 5 1, 2 in.)

Background image1636 Collection: Study Man Talking Woman Seated Left Rembrandt Harmensz

Study Man Talking Woman Seated Left Rembrandt Harmensz
Study of a Man Talking to a Woman Seated on the Left; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1635 - 1636; Pen and brown ink; 10 x 10 cm (3 15, 16 x 3 15, 16 in.)

Background image1636 Collection: Seated Female Nude Adriaen van de Velde Dutch

Seated Female Nude Adriaen van de Velde Dutch
Seated Female Nude; Adriaen van de Velde (Dutch, 1636 - 1672); Holland; about 1660 - 1670; Black chalk heightened with white chalk, on gray brown tinted paper; 26.5 x 19.5 cm (10 7, 16 x 7 11, 16 in.)

Background image1636 Collection: Figures Frozen Canal Gerrit Battem Dutch 1636

Figures Frozen Canal Gerrit Battem Dutch 1636
Figures on a Frozen Canal; Gerrit Battem (Dutch, about 1636 - 1684); 1670s; Pen and dark brown ink, watercolor and gouache; 27.5 x 44.3 cm (10 13, 16 x 17 7, 16 in.)

Background image1636 Collection: Rembrandt Wife Saskia 1636 Rembrandt van Rijn

Rembrandt Wife Saskia 1636 Rembrandt van Rijn
Rembrandt and his Wife Saskia, 1636. Rembrandt van Rijn (Dutch, 1606-1669). Etching

Background image1636 Collection: Venus Cupid Raphael Pieter van Lint Flemish 1609

Venus Cupid Raphael Pieter van Lint Flemish 1609
Venus and Cupid after Raphael; Pieter van Lint (Flemish, 1609 - 1690); 1636; Black and red chalk and brown wash; 41.8 x 27.9 cm (16 7, 16 x 11 in.)

Background image1636 Collection: Studies Head Saskia Others 1636 Rembrandt van Rijn

Studies Head Saskia Others 1636 Rembrandt van Rijn
Studies of the Head of Saskia and Others, 1636. Rembrandt van Rijn (Dutch, 1606-1669). Etching; sheet: 15.3 x 12.9 cm (6 x 5 1/16 in.)

Background image1636 Collection: Christ Pilate Large Plate 1636 Rembrandt van Rijn

Christ Pilate Large Plate 1636 Rembrandt van Rijn
Christ Before Pilate: Large Plate, 1636. Rembrandt van Rijn (Dutch, 1606-1669). Etching and engraving; sheet: 55.5 x 45.2 cm (21 7/8 x 17 13/16 in.)

Background image1636 Collection: Samuel Manasseh Ben Israel 1636 Rembrandt van Rijn

Samuel Manasseh Ben Israel 1636 Rembrandt van Rijn
Samuel Manasseh Ben Israel, 1636. Rembrandt van Rijn (Dutch, 1606-1669). Etching with surface tone; sheet: 14.8 x 10.9 cm (5 13/16 x 4 5/16 in.)

Background image1636 Collection: Portraits of Rogier Le Witer, Catharina Behaghel and Magdale

Portraits of Rogier Le Witer, Catharina Behaghel and Magdale
Jacob Jordaens (1593-1678). Flemish painter. Portraits of Rogier Le Witer, Catharina Behaghel and Magdalene de Cuyper, c. 1635-1636. Rijksmuseum. Amsterdam. Holland

Background image1636 Collection: Rembrandt (1606-1669) Dutch painter and etcher. The Sacrifi

Rembrandt (1606-1669) Dutch painter and etcher. The Sacrifi
Rembrandt Harmenszoon van Rijn (1606-1669) Dutch painter and etcher.The Sacrifice of Isaac, 1636. Alte Pinakothek. Munich. Germany

Background image1636 Collection: Reclining Christ. Polychrome sculpture by Gregorio

Reclining Christ. Polychrome sculpture by Gregorio Fernandez. Baroque art. Sculpture on wood. SPAIN. CASTILE AND LEON. Valladolid. National Museum of Sculpture

Background image1636 Collection: Pietro Paulo Bonzi (Italian, ca. 1576 - 1636). Holy Family in a Landscape, ca. 1625-1644

Pietro Paulo Bonzi (Italian, ca. 1576 - 1636). Holy Family in a Landscape, ca. 1625-1644. Etching

Background image1636 Collection: COTSWOLD GAMES, 1636. The annual Cotswold Games. Woodcut frontispiece for Annalia Dubrensia

COTSWOLD GAMES, 1636. The annual Cotswold Games. Woodcut frontispiece for Annalia Dubrensia, London, 1636

Background image1636 Collection: Le Coucher

Le Coucher
circa 1850: An engraving entitled Le Coucher, bys Freudeberg. (Photo by Hulton Archive/Getty Images)

Background image1636 Collection: EVNT2A-00238

EVNT2A-00238
Declaration of war by a Pequot Indian delivering an arrow to Massachusetts Bay colonists, 1636. Hand-colored woodcut of a 19th-century illustration




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"1636: A Glimpse into the Past" Step back in time to 1636, when the first settlers of Hartford, Connecticut embarked on a journey that would shape the future. Led by pioneers seeking new opportunities and freedom, they laid the foundation for a vibrant community. Amidst this historical backdrop, Edward Colston's legacy emerges as he leaves an indelible mark on society. His contributions reflect both triumphs and controversies, reminding us of the complexities within our shared history. The captivating frontispiece of Dr Faustus transports us to a world where knowledge intertwines with temptation. This iconic artwork serves as a reminder of humanity's eternal pursuit for wisdom and its consequences. Meanwhile, Roger Williams stands tall as an advocate for religious tolerance and individual liberty. His ideas reverberate through time, inspiring generations to embrace diversity and respect differing beliefs. Across continents in China's Liaoning Province lies the majestic Imperial Palace at Shenyang. Its grandeur echoes tales of power and opulence from ancient times—a testament to human ingenuity and architectural brilliance. In Europe, Daniel Schwenter's Harmonious Hand captivates with its intricate beauty—a masterpiece that showcases artistic prowess during this era. Its delicate details transport us to a world filled with creativity and imagination. Jacques Callot's Revenge of the Peasants captures the struggles faced by common folk against oppression—an enduring theme throughout history. It reminds us that resilience can emerge even in times of adversity. Portraits immortalize Rogier Le Witer, Catharina Behaghel, and Magdale—individuals whose lives are forever preserved through artistry. Rembrandt himself portrays their essence with his masterful brushstrokes—a testament to his skill as one of Dutch painting’s greatest luminaries.