1646 Collection (#7)

Two Women Crossing Stream ca 1646 Etching Sheet
Artokoloro

Plate 6 two studies children Collection various doodles
Artokoloro

BOOKSELLER, 1646. An itenerant bookseller. Etching, French, 1646, by Simon Guillain after Annibale Carracci, from The Diverse Figure

South View of Arundel House in 1646, London, Uk
South View of Arundel House in 1646, London, UK

View of London from the Roof of Arundel House, Uk, 1646

Gottfried Wilhelm Leibnitz

Pierre Daret de Cazeneuve, French (1604-1678), Francois Maynard, 1646, engraving and etching on thin laid paper

Joseph Parrocel, French (1646-1704), The Stoning of Saint Stephen, pen and brown ink, with gray wash on laid paper

Belisario Corenzio, Italian (1558-1646), A Battle on a Bridge, pen and brown ink with blue wash over black chalk, squared for transfer in black chalk, on laid paper

Philips Wouwerman, Dutch (1619-1668), Battle Scene, c. 1645-1646, oil on panel

Franazois Collignon after Stefano Della Bella (French, c. 1609 - 1657), Cartouche, probably 1646, etching

Sir Godfrey Kneller (English, 1646 - 1723), Anthony Henley, before 1694, black chalk heightened with white chalk on brown laid paper

Cavalry Charge at Sunset, Jan Asselijn, 1646

Vanitas still life, Pieter Symonsz. Potter, 1646

Portrait of Francois Leydecker, Burgomaster of Tholen, Bernardus Swaerdecroon, 1646 - 1654

Portrait of Johan Wittert van der Aa, Gerard Dou, 1646

Portrait of Godard van Reede, Lord of Nederhorst, Plenipotentiary of the Province of Utrecht in the Peace Negotiations at Munster, Gerard ter Borch (II), 1646 - 1648

Portrait of Bernardo Gritti, Proprefect of Bergamo, Carlo Ceresa, 1646

Portrait of a Man, Johannes Cornelisz. Verspronck, 1646

The Expulsion from Paradise, Cornelis van Poelenburch, after 1646

Bathing girls, Cornelis van Poelenburch, after c. 1646

Refreshing the Thirsty, Michael Sweerts, c. 1646 - c. 1649

Clothing the Naked, Michael Sweerts, c. 1646 - c. 1649

Feeding the Hungry, Michael Sweerts, 1646 - 1649

Portrait of Francois Vilain de Gand, Baron of Rassenghem, Bishop of Doornik, Lucas Franchoys (II), 1646 - 1666

Vegetable Market, Sybrand van Beest, 1646

The Piper (Shepherd Scene with Shawm Player, Jan Baptist Wolfaerts, 1646

Female writes and draws inspiration from muses while angels playing musical instruments, Cornelis van Dalen (I), Jost Kalckhoven, Keizer, 1646

A View of the Ms at Dordrecht; Aelbert Cuyp, Dutch, 1620 - 1691; about 1645 - 1646; Oil on panel; Unframed: 50.2 x 107.3 cm (19 3/4 x 42 1/4 in.)

The Martyrdom of St. Andrew; Charles Le Brun, French, 1619 - 1690; 1646 - 1647; Oil on canvas; Unframed: 98.4 x 80 cm (38 3/4 x 31 1/2 in.), Framed: 126.7 x 107 x 7.9 cm (49 7/8 x 42 1/8 x 3 1/8 in.)

Antoine Singlin; Philippe de Champaigne, French, born Belgium, 1602 - 1674; about 1646; Oil on canvas; Unframed: 79.1 x 65.1 cm (31 1/8 x 25 5/8 in.)

Self-Portrait, Sir Godfrey Kneller, 1646-1723, German

Henry Portman Seymour Inscribed in ocher paint, lower left: Henry Portman |
Henry Portman Seymour Inscribed in ocher paint, lower left: " Henry Portman | Seymour" Signed and dated in black paint, lower left: " G

Portrait of a Family, Probably that of Richard Streatfeild Portrait Group, Probably of the Streatfeild Family, William Dobson, 1611-1646, British

A Woman Called Lady Mary Wortley Montagu Inscribed in red ocher paint, lower right: " Lady M. Wortley Montagu. | Vanderbank.", Sir Godfrey Kneller, 1646-1723, German

Frances Hales, John Riley, 1646-1691, British

Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss Miss Voss as St. Agnes, Sir Godfrey Kneller, 1646-1723, German

Sir Theodore Colladon Inscribed top right: Sr Theodore Colladon Signed
Sir Theodore Colladon Inscribed top right: " Sr Theodore Colladon" Signed, lower left: " Monogram g", Sir Godfrey Kneller, 1646-1723, German

Lucretia, Sir Godfrey Kneller, 1646-1723, German

Alexander Pope Profile, Crowned with Ivy, Studio of Sir Godfrey Kneller, 1646-1723, German

Francois Collignon after Stefano Della Bella (French, c. 1609-1657), Cartouche, probably 1646, etching

Stefano Della Bella (Italian, 1610-1664), Fantastic Vases, probably 1646, etching

Conrad Meyer (Swiss, 1618-1689), Spring, 1646, etching and engraving on laid paper

THE SHEPHERDs ORACLES. Line engraving from The Shepherds Oracles by Francis Quarles, 1646

THOMAS FAIRFAX (1612-1671). Third Baron Fairfax of Cameron. English Parliamentary commander. Line engraving, c1646, by William Faithorne after a painting by Robert Walker

JOHANNES GUMPP (b. 1626). Austrian painter. Self-portrait of Gumpp painting his self-portrait. Oil on canvas, 1646

BOOKSELLER, 1646. An itenerant bookseller. Etching, French, 1646, by Simon Guillain after Annibale Carracci, from The Diverse Figure

Sea nymphs [?]. Engraving from Giovanni Battista Ferrari, Hesperides: sive, De malorum aureorum cultura et usu libri quator. Page 447. Date: 1646

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In the year 1646, amidst a world filled with intellectual and historical milestones, one man's brilliance shone brightly. Gottfried von Leibniz, a German mathematician and philosopher, embarked on a journey that would forever shape the course of human knowledge. As Leibniz delved into his studies, another remarkable event unfolded in nature. The Limon barbadorus bloomed with vibrant colors, captivating all who beheld its beauty. Just as this flower flourished under the sun's rays, so did Leibniz thrive in his pursuit of wisdom. Meanwhile, across distant lands, Hercules was honored by the Hesperides for his legendary feats of strength and courage. This tale served as inspiration to many during these turbulent times. Artistic expression also thrived during this era. Charles Le Brun showcased his talent through intricate paintings that captured both emotion and grandeur. His masterpieces transported viewers to different worlds and ignited their imagination. Amidst these cultural achievements emerged an English man-of-war in 1646—a symbol of power and dominance at sea. William Eldred stood proudly as gunner aboard this vessel, defending its honor with every cannon blast. While battles raged on land and sea, Francis Windebank sought solace in science. He developed the Sciathericon—an instrument capable of determining time based on shadows cast by celestial bodies—bringing order to chaos. In the realm of literature and academia, Kircher's Ars magna took center stage with its groundbreaking ideas presented on its title page from 1646—a gateway to new realms of knowledge waiting to be explored. Far away from Europe's shores lay Indonesia's Moluccas islands—rich in spices coveted by nations far and wide—intriguing traders seeking fortune while shaping global history. Amongst all these events unfolding around him was Godfrey Kneller capturing life through artistry unparalleled. His brush strokes immortalized individuals, leaving a lasting legacy for generations to come.