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1650 Collection (page 3)

Step back in time to the year 1650, a period of artistic brilliance and historical significance. Jan Davidsz

Background image1650 Collection: The Town of Dundee, in 1650 (engraving)

The Town of Dundee, in 1650 (engraving)
725582 The Town of Dundee, in 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: The Town of Dundee, in 1650. Illustration for The Scots Worthies (Blackie, 1879)

Background image1650 Collection: Somerset Palace, 1650 (engraving)

Somerset Palace, 1650 (engraving)
585296 Somerset Palace, 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration titled Somerset Palace, 1650, a view of Somerset House on the River Thames)

Background image1650 Collection: View of the Watermans Hall (engraving)

View of the Watermans Hall (engraving)
606955 View of the Watermans Hall (engraving) by English School, (19th century); Private Collection; (add.info.: View of the Watermans Hall, Cold Harbour, Upper Thames Street)

Background image1650 Collection: La Tour de Nesle et l Hotel de Guenegaud, 1650 (colour litho)

La Tour de Nesle et l Hotel de Guenegaud, 1650 (colour litho)
962821 La Tour de Nesle et l Hotel de Guenegaud, 1650 (colour litho) by French School, (19th century); Private Collection; (add.info.: La Tour de Nesle et l Hotel de Guenegaud, 1650)

Background image1650 Collection: La Bastille, 1650 (colour litho)

La Bastille, 1650 (colour litho)
962788 La Bastille, 1650 (colour litho) by French School, (19th century); Private Collection; (add.info.: La Bastille, 1650)

Background image1650 Collection: Place du Parvis en 1650, Fac-simile d une gravure de Van Merlen (engraving)

Place du Parvis en 1650, Fac-simile d une gravure de Van Merlen (engraving)
963439 Place du Parvis en 1650, Fac-simile d une gravure de Van Merlen (engraving) by French School, (19th century); Private Collection; (add.info.: Place du Parvis en 1650)

Background image1650 Collection: Le jardin de Regnard en 1650 (engraving)

Le jardin de Regnard en 1650 (engraving)
963270 Le jardin de Regnard en 1650 (engraving) by French School, (19th century); Private Collection; (add.info.: Le jardin de Regnard en 1650)

Background image1650 Collection: La rue des Tuileries en 1650, d apres I Sylvestre (engraving)

La rue des Tuileries en 1650, d apres I Sylvestre (engraving)
963268 La rue des Tuileries en 1650, d apres I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: La rue des Tuileries en 1650, d apres I Sylvestre)

Background image1650 Collection: Eglise et fontaine des Saints-Innocents, Vue prise de la rue Saint-Denis

Eglise et fontaine des Saints-Innocents, Vue prise de la rue Saint-Denis, d apres une gravure d I Silvestre
963119 Eglise et fontaine des Saints-Innocents, Vue prise de la rue Saint-Denis, d apres une gravure d I Silvestre, 1650 (engraving) by French School

Background image1650 Collection: A Prince Hunting, Mounted on an Elephant, c. 1600-1650 (drawing with w / c & gold paint)

A Prince Hunting, Mounted on an Elephant, c. 1600-1650 (drawing with w / c & gold paint)
1196772 A Prince Hunting, Mounted on an Elephant, c.1600-1650 (drawing with w/c & gold paint) by Indian School, (17th century); 16.5x11 cm; Private Collection; Photo eChristies Images; Indian

Background image1650 Collection: Portrait of the Sultan of the Ulama, Khalifa Sultan (1593-1653)

Portrait of the Sultan of the Ulama, Khalifa Sultan (1593-1653)
1196864 Portrait of the Sultan of the Ulama, Khalifa Sultan (1593-1653), I timad al-Dawal, c.1650 (gouache on paper) by Musavvir

Background image1650 Collection: Saint-Andre des Arts en 1650; d apres une gravure de Marrot (engraving)

Saint-Andre des Arts en 1650; d apres une gravure de Marrot (engraving)
963383 Saint-Andre des Arts en 1650; d apres une gravure de Marrot (engraving) by French School, (19th century); Private Collection; (add.info)

Background image1650 Collection: Porte de la Conference, 1650 (engraving)

Porte de la Conference, 1650 (engraving)
963273 Porte de la Conference, 1650 (engraving) by French School, (19th century); Private Collection; (add.info.: Porte de la Conference, 1650)

Background image1650 Collection: La Porte-Neuve en 1650 (engraving)

La Porte-Neuve en 1650 (engraving)
963262 La Porte-Neuve en 1650 (engraving) by French School, (19th century); Private Collection; (add.info.: La Porte-Neuve en 1650)

Background image1650 Collection: Vue de la tour et de la porte de Nesle en 1650, d apres Israel Silvestre (engraving)

Vue de la tour et de la porte de Nesle en 1650, d apres Israel Silvestre (engraving)
963079 Vue de la tour et de la porte de Nesle en 1650, d apres Israel Silvestre (engraving) by French School, (19th century); Private Collection; (add.info)

Background image1650 Collection: John Churchill (D of Marlborough) b 1650, d 1722 (engraving)

John Churchill (D of Marlborough) b 1650, d 1722 (engraving)
978647 John Churchill (D of Marlborough) b 1650, d 1722 (engraving) by English School, (19th century); Private Collection; (add.info.: John Churchill (D of Marlborough) b 1650, d 1722

Background image1650 Collection: Christmas in the Olden Time, Wycoller Hall, Lancashire, 1650 (engraving)

Christmas in the Olden Time, Wycoller Hall, Lancashire, 1650 (engraving)
3638872 Christmas in the Olden Time, Wycoller Hall, Lancashire, 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: Christmas in the Olden Time, Wycoller Hall)

Background image1650 Collection: University of Glasgow, in 1650 (engraving)

University of Glasgow, in 1650 (engraving)
725590 University of Glasgow, in 1650 (engraving) by English School, (19th century); Private Collection; (add.info.: University of Glasgow, in 1650)

Background image1650 Collection: A Mullah and a Musician, c. 1640-1650 (w / c & gold leaf on cream paper)

A Mullah and a Musician, c. 1640-1650 (w / c & gold leaf on cream paper)
1196877 A Mullah and a Musician, c.1640-1650 (w/c & gold leaf on cream paper) by Mughal School, (17th century); 40.5x27.1 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1650 Collection: A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes)

A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes)
1196811 A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes), c.1640-1650 (w/c on red paper) by Indian School

Background image1650 Collection: The Crucifixion, c. 1650 (black pen drawing on buff paper)

The Crucifixion, c. 1650 (black pen drawing on buff paper)
1196752 The Crucifixion, c.1650 (black pen drawing on buff paper) by Mughal School, (17th century); 22.2x20.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1650 Collection: Models of Ships at the Naval Exhibition (engraving)

Models of Ships at the Naval Exhibition (engraving)
1603229 Models of Ships at the Naval Exhibition (engraving) by English School, (19th century); Private Collection; (add.info.: Models of Ships at the Naval Exhibition)

Background image1650 Collection: Eglise des Bernardins, fac-simile d une gravure de I Sylvestre, 1650, cote nord-ouest (engraving)

Eglise des Bernardins, fac-simile d une gravure de I Sylvestre, 1650, cote nord-ouest (engraving)
963399 Eglise des Bernardins, fac-simile d une gravure de I Sylvestre, 1650, cote nord-ouest (engraving) by French School, (19th century); Private Collection; (add.info.: Eglise des Bernardins)

Background image1650 Collection: Rue Saint-Antoine, en 1650 (engraving)

Rue Saint-Antoine, en 1650 (engraving)
963244 Rue Saint-Antoine, en 1650 (engraving) by French School, (19th century); Private Collection; (add.info.: Rue Saint-Antoine, en 1650)

Background image1650 Collection: Quartier Saint-Paul et de l Arsenal en 1650, fac-simile du plan de Gomboust (engraving)

Quartier Saint-Paul et de l Arsenal en 1650, fac-simile du plan de Gomboust (engraving)
963232 Quartier Saint-Paul et de l Arsenal en 1650, fac-simile du plan de Gomboust (engraving) by French School, (19th century); Private Collection; (add.info)

Background image1650 Collection: Grande cour du Temple, en 1650; d apres I Sylvestre (engraving)

Grande cour du Temple, en 1650; d apres I Sylvestre (engraving)
963473 Grande cour du Temple, en 1650; d apres I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: Grande cour du Temple, en 1650; d apres I Sylvestre)

Background image1650 Collection: Place de la Sorbonne en 1650, d apres I Sylvestre (engraving)

Place de la Sorbonne en 1650, d apres I Sylvestre (engraving)
963382 Place de la Sorbonne en 1650, d apres I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: Place de la Sorbonne en 1650, d apres I Sylvestre)

Background image1650 Collection: Portrait of the philosopher Blaise Pascal (1623-1662), c. 1650. Creator: Anonymous

Portrait of the philosopher Blaise Pascal (1623-1662), c. 1650. Creator: Anonymous
Portrait of the philosopher Blaise Pascal (1623-1662), c. 1650. Found in the collection of Musee Carnavalet, Paris

Background image1650 Collection: SOCIAL / NATIVE ATTACK

SOCIAL / NATIVE ATTACK
A white family is attacked by native Americans; a woman prepares to defend the house with a rifle Date: circa 1650

Background image1650 Collection: INDIANS ATTACK FAMILY

INDIANS ATTACK FAMILY
A white family is attacked by native Americans; a woman prepares to defend the house with a rifle Date: circa 1650

Background image1650 Collection: Rene Descartes - French Philosopher

Rene Descartes - French Philosopher
RENE DESCARTES French mathematician and philosopher Date: 1596 - 1650

Background image1650 Collection: PURITAN GIRLS DANCING

PURITAN GIRLS DANCING
Puritan girls caught dancing Date: circa 1650

Background image1650 Collection: WILLIAM III & MUFF WILLIAM III & MUFF

WILLIAM III & MUFF WILLIAM III & MUFF
KING WILLIAM III wearing a fashionable muff and a Steinkirk (or Steenkirk), a scarf-like cravat with one end tucked through a buttonhole. Date: 1650 - 1702

Background image1650 Collection: GEORGE FOX FORESEES

GEORGE FOX FORESEES
George Fox prophesies : The word of the Lord came to me, saying Cry, woe to the bloody city of Lichfield ! Date: circa 1650

Background image1650 Collection: Strasbourg, France, c. 1650

Strasbourg, France, c. 1650
A scene during winter Date: circa 1650

Background image1650 Collection: PARLIAMENT / NETHERLANDS

PARLIAMENT / NETHERLANDS
Council of State in the Netherlands Date: circa 1650

Background image1650 Collection: CHRISTINA / DESCARTES

CHRISTINA / DESCARTES
Rene Descartes explains his ideas to the scholarly queen Christina of Sweden Date: circa 1650

Background image1650 Collection: The Savoy

The Savoy
View of the Savoy from the River Thames in 1650. Around that time it served as a hospital for the poor. Date: circa 1650

Background image1650 Collection: Shah Jahan, c. 1630. Creator: Hashim (Indian, active 1598-c. 1650)

Shah Jahan, c. 1630. Creator: Hashim (Indian, active 1598-c. 1650)
Shah Jahan, c. 1630. This sensitive portrait jewel was probably painted shortly after Shah Jahan came to the throne of the powerful Mughal Empire in 1628 after the death of his father, Jahangir

Background image1650 Collection: Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album, c

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album, c. 1650. This page came from an imperial album assembled for Shah Jahan toward the end of his reign

Background image1650 Collection: Watering Horses Boundary Marker Horse Race border post

Watering Horses Boundary Marker Horse Race border post
Watering Horses near a Boundary Marker, Horse Race at a border post. Outside a city, a rider lets his horse drink by a river while holding another horse under control

Background image1650 Collection: Portrait of Boguslaw Radziwill (1620-1669), c. 1650. Creator: Meyssens (Mijtens), Joannes

Portrait of Boguslaw Radziwill (1620-1669), c. 1650. Creator: Meyssens (Mijtens), Joannes
Portrait of Boguslaw Radziwill (1620-1669), c. 1650. Private Collection

Background image1650 Collection: Johann Jakob Grynaeus (1540-1617), 1650. Creator: Anonymous

Johann Jakob Grynaeus (1540-1617), 1650. Creator: Anonymous
Johann Jakob Grynaeus (1540-1617), 1650. Private Collection

Background image1650 Collection: The Fall of the Rebel Angels, c. 1650. Creator: Lopez de Arteaga, Sebastian (1610-1652)

The Fall of the Rebel Angels, c. 1650. Creator: Lopez de Arteaga, Sebastian (1610-1652)
The Fall of the Rebel Angels, c. 1650. Found in the Collection of The Hispanic Society of America, New York

Background image1650 Collection: Saint Praxedis, c. 1650. Creator: Pignoni, Simone (1611-1698)

Saint Praxedis, c. 1650. Creator: Pignoni, Simone (1611-1698)
Saint Praxedis, c. 1650. Found in the Collection of Slovak National Gallery, Bratislava

Background image1650 Collection: The School, c. 1650. Creator: Steen, Jan Havicksz (1626-1679)

The School, c. 1650. Creator: Steen, Jan Havicksz (1626-1679)
The School, c. 1650. Found in the Collection of Slovak National Gallery, Bratislava

Background image1650 Collection: A smoker, c. 1650. Creator: Teniers, David, the Younger (1610-1690)

A smoker, c. 1650. Creator: Teniers, David, the Younger (1610-1690)
A smoker, c. 1650. Found in the Collection of Slovak National Gallery, Bratislava




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Step back in time to the year 1650, a period of artistic brilliance and historical significance. Jan Davidsz. De Heem's masterpiece "Still Life with Flowers in a Glass Vase" captivates viewers with its exquisite detail and vibrant colors, transporting them to a world of beauty and elegance. Meanwhile, Cromwell at Dunbar stands as a testament to the tumultuous political landscape of the era. This iconic painting depicts Oliver Cromwell leading his troops during the Battle of Dunbar, showcasing both his military prowess and determination. Intriguing folklore tales come alive through depictions of mythical creatures like Gryphons. These majestic beings symbolize strength and wisdom, captivating imaginations for centuries. A Persian Manuscript from 1650 offers us a glimpse into the opulent court life of the Safavid dynasty. Its intricate illustrations transport us to an era filled with grandeur and cultural richness. Rembrandt's masterpiece "The Shell (Conus marmoreus)" showcases his mastery over light and shadow while capturing nature's delicate beauty. It serves as a reminder that even in turbulent times, art can provide solace and inspiration. Nell Gwynn, one of history's most beloved actresses, takes center stage alongside her homes in this captivating snapshot from 1650. Her charisma shines through as we catch glimpses into her fascinating life. Rene Descartes is seen deep in thought at his desk—a visual representation of his groundbreaking philosophical ideas that shaped modern thinking during this period. Birds take flight amidst folklore legends featuring Phoenixes—an emblematic symbol representing rebirth and resilience—reminding us that hope always emerges from adversity. The Duke of Marlborough commands attention on canvas—a powerful figure who played an instrumental role in shaping European politics during this pivotal moment in history. Old Houses in Banbury's High Street offer architectural nostalgia—a window into everyday life during these bygone years when simplicity and charm reigned supreme.