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1650s Collection (#6)

Step back in time to the 1650s, a period filled with historical significance and artistic marvels

Background image1650s Collection: A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes)

A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes)
1196811 A page from a dispersed Ragamala: Khambavati Ragini (Garland of Musical Modes), c.1640-1650 (w/c on red paper) by Indian School

Background image1650s Collection: The Crucifixion, c. 1650 (black pen drawing on buff paper)

The Crucifixion, c. 1650 (black pen drawing on buff paper)
1196752 The Crucifixion, c.1650 (black pen drawing on buff paper) by Mughal School, (17th century); 22.2x20.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1650s Collection: A topographical depiction of the Battle of Leghorn, c. 1653 (ink and w / c on paper)

A topographical depiction of the Battle of Leghorn, c. 1653 (ink and w / c on paper)
1195407 A topographical depiction of the Battle of Leghorn, c.1653 (ink and w/c on paper) by Parigi, Alfonso the Younger (1606-56) (attr)

Background image1650s Collection: Robert Holmes setting the Dutch Fleet on fire at Terschelling (engraving)

Robert Holmes setting the Dutch Fleet on fire at Terschelling (engraving)
1577461 Robert Holmes setting the Dutch Fleet on fire at Terschelling (engraving) by Velde, Willem van de, the Elder (1611-93); (add.info)

Background image1650s Collection: Battle of Terheide

Battle of Terheide
1577456 Battle of Terheide by Velde, Willem van de, the Elder (1611-93); (add.info.: Painting depicting the Battle of Terheide. Painted by Willem van de Velde I (1611-1693)

Background image1650s Collection: Head of a Boy, c. 1658-59 (oil on canvas)

Head of a Boy, c. 1658-59 (oil on canvas)
990374 Head of a Boy, c.1658-59 (oil on canvas) by Sweerts, Michael (1618-64); 32x27.5 cm; Private Collection; (add.info.: Head of a Boy. Michael Sweerts (1618-1664). Oil on canvas

Background image1650s Collection: A Winter Landscape with Skaters and Colf Players on a frozen Waterway

A Winter Landscape with Skaters and Colf Players on a frozen Waterway
827644 A Winter Landscape with Skaters and Colf Players on a frozen Waterway, 1653 (oil on canvas) by Capelle or Cappelle

Background image1650s Collection: Woman Weighing Gold by Jan Vermeer

Woman Weighing Gold by Jan Vermeer (1632-1675). Date: circa 1655

Background image1650s Collection: Strasbourg, France, c. 1650

Strasbourg, France, c. 1650
A scene during winter Date: circa 1650

Background image1650s Collection: The surrender of the Royal Prince

The surrender of the Royal Prince
Painting of the surrender of the Royal Prince. Painted by Willem van de Velde II (1633-1707). Dated 17th Century

Background image1650s Collection: North America and Islands

North America and Islands 1653

Background image1650s Collection: FRENCH CLASS CARTOON. The noble is the spider and the peasant the fly from Jacques Lagniets

FRENCH CLASS CARTOON. The noble is the spider and the peasant the fly from Jacques Lagniets Recueil de Proverbes. Copper engraving, 1657-1663

Background image1650s Collection: Jan Miense Molenaer Two boys playing cat painting

Jan Miense Molenaer Two boys playing cat painting
Jan Miense Molenaer, Two boys playing with a cat, painting, 1650s, oil on panel, Height, 48 cm (18.8 inches), Width, 37 cm (14.5 inches), Signed, APynacker, A and P in monogram

Background image1650s Collection: Frans de Traytorrens French Franciscus de Traytorrens

Frans de Traytorrens French Franciscus de Traytorrens
Frans de Traytorrens, French (Franciscus) de Traytorrens, Treytorrens (1590s?), General quartermaster, painting, 1650s, oil on canvas, Height, 68 cm (26.7 inches), Width, 56.5 cm (22.2 inches)

Background image1650s Collection: French Luycx Eleonora Gonzaga 1630-1686 painting

French Luycx Eleonora Gonzaga 1630-1686 painting
French Luycx, Eleonora, Eleonora by Gonzaga 1630-1686, painting, 1650s, oil on canvas, Height, 226 cm (88.9 inches), Width, 126 cm (49.6 inches), Signed, Franciscus Luycx pinxit

Background image1650s Collection: Corner Bulwark Utrecht Herman Saftleven Younger

Corner Bulwark Utrecht Herman Saftleven Younger
The Corner of the Bulwark at Utrecht; Herman Saftleven the Younger (Dutch, 1609 - 1685); The Netherlands; 1650s; Black chalk and brown wash; 10.8 × 15.4 cm (4 1, 4 × 6 1, 16 in.)

Background image1650s Collection: Sheet Satirical Studies Amorini Riding Phalli

Sheet Satirical Studies Amorini Riding Phalli
Sheet of Satirical Studies (Amorini Riding Phalli), c. 1650s. Salvator Rosa (Italian, 1615-1673). Pen and brown ink, wash, and red chalk

Background image1650s Collection: Tartars of Kohonor, China

Tartars of Kohonor, China -- Lama or Priest (left), man and woman (centre), taken from Johann Grueber, an Austrian Jesuit missionary and astronomer who visited China and Tibet in the 1650s

Background image1650s Collection: Jester, c. 1650

Jester, c. 1650
Jester dancing, c.1650 Date: C.1650

Background image1650s Collection: Stockade which became Wall Street

Stockade which became Wall Street
Dutch colonists building the perimeter stockade which became Wall Street, Manhattan Island, 1650s. Hand-colored woodcut of a 19th-century illustration

Background image1650s Collection: Cathedral of Holy Trinity (1658), Makaryev Monastery, Makaryevo, Nizhny Novgorod region

Cathedral of Holy Trinity (1658), Makaryev Monastery, Makaryevo, Nizhny Novgorod region, Russia

Background image1650s Collection: European depiction of people from Lhasa, Tibet

European depiction of people from Lhasa, Tibet, taken from Johann Grueber, an Austrian Jesuit missionary and astronomer who visited China and Tibet in the 1650s. circa 1750

Background image1650s Collection: Grand Lama consulted on the fate of a child, Tibet

Grand Lama consulted on the fate of a child, Tibet, taken from Johann Grueber, an Austrian Jesuit missionary and astronomer who visited China and Tibet in the 1650s. circa 1750

Background image1650s Collection: Cromwell dissolving the Long Parliament

Cromwell dissolving the Long Parliament
Oliver Cromwell dissolving the Long Parliament on 20 April 1653. 1653

Background image1650s Collection: Cardinal Flavio Chigi

Cardinal Flavio Chigi
Cardinal FLAVIO CHIGI Italian churchman, nephew of Pope Alexander VII, a circumstance which was no hindrance to his advancement. Date: FLOURISHED 1650S

Background image1650s Collection: German Nobles Circa 1650

German Nobles Circa 1650
German nobles: bucket-top boots & boot hose tops or shoes with roses, ruff or lace falling collars, doublet with pointed front, side fastening breeches, Brandenburg coat. Date: 1650s

Background image1650s Collection: Drawings Prints, Drawing, Gypsy, Mother, Three, Children, Artist, Cornelis Visscher

Drawings Prints, Drawing, Gypsy, Mother, Three, Children, Artist, Cornelis Visscher
Drawings and Prints, Drawing, A Gypsy Mother with Three Children, Artist, Cornelis Visscher, Dutch, Haarlem (?) 1629-1658 Amsterdam, Visscher, Cornelis, 1629, 1658, 1650s, 1650, 1659

Background image1650s Collection: Holy Family Saint Anne Young Baptist Parents

Holy Family Saint Anne Young Baptist Parents
Artokoloro

Background image1650s Collection: Drawings Prints, Print, Gypsy, Mother, Three, Children, Artist, Cornelis Visscher

Drawings Prints, Print, Gypsy, Mother, Three, Children, Artist, Cornelis Visscher
Drawings and Prints, Print, Gypsy Mother with Three Children, Artist, Cornelis Visscher, Dutch, Haarlem (?) 1629-1658 Amsterdam, Visscher, Cornelis, 1629, 1658, 1650s, 1650, 1659

Background image1650s Collection: Old Age Search Youth 1650s Oil panel traces underdrawing

Old Age Search Youth 1650s Oil panel traces underdrawing
Artokoloro

Background image1650s Collection: Saint Cecilia Playing Organ 1650s Red chalk sheet

Saint Cecilia Playing Organ 1650s Red chalk sheet
Artokoloro

Background image1650s Collection: Adam Eve Paradise 1650s Oil panel traces underdrawing

Adam Eve Paradise 1650s Oil panel traces underdrawing
Artokoloro

Background image1650s Collection: View Nantes ca 1650s Pen brown ink grey wash

View Nantes ca 1650s Pen brown ink grey wash
Artokoloro

Background image1650s Collection: Three Archers Figure Spear ca 1670-72 Pen brown ink

Three Archers Figure Spear ca 1670-72 Pen brown ink
Artokoloro

Background image1650s Collection: Head Christ Oil canvas 16 3 / 4 x 13 1 / 2 42. 5 34. 3 cm

Head Christ Oil canvas 16 3 / 4 x 13 1 / 2 42. 5 34. 3 cm
Artokoloro

Background image1650s Collection: Entrance Village ca 1665 Oil wood 29 1 / 2 x 43 3 / 8

Entrance Village ca 1665 Oil wood 29 1 / 2 x 43 3 / 8
Artokoloro

Background image1650s Collection: Landscape Sunset 1650s Oil canvas 20 x 28 1 / 8

Landscape Sunset 1650s Oil canvas 20 x 28 1 / 8
Artokoloro

Background image1650s Collection: Master of the Medici Banquet Decanters, Italian (active 1650-1670), A Wine Decanter

Master of the Medici Banquet Decanters, Italian (active 1650-1670), A Wine Decanter with the Medici Arms, 1650s, pen and brown ink with blue wash over graphite

Background image1650s Collection: Willem van de Velde the Elder, Dutch (1611-1693), Dutch Ships near the Coast, early 1650s

Willem van de Velde the Elder, Dutch (1611-1693), Dutch Ships near the Coast, early 1650s, oil on panel

Background image1650s Collection: Michel Dorigny (French, 1617 - 1665), Faun Embracing a Bacchante, 1650s, etching

Michel Dorigny (French, 1617 - 1665), Faun Embracing a Bacchante, 1650s, etching with engraving on laid paper

Background image1650s Collection: Nicolas Chapron (French), The Elderly Silenus, 1650s, etching with engraving on laid

Nicolas Chapron (French), The Elderly Silenus, 1650s, etching with engraving on laid paper

Background image1650s Collection: Nicolas Chapron, French (1612-c. 1656), Faun and Bacchante with a Child, 1650s, etching

Nicolas Chapron, French (1612-c. 1656), Faun and Bacchante with a Child, 1650s, etching
Nicolas Chapron (French, 1612 - c. 1656), Faun and Bacchante with a Child, 1650s, etching with engraving on laid paper

Background image1650s Collection: Michel Dorigny (French), Putti and Fauns Climbing a Grapevine, 1650s, etching with

Michel Dorigny (French), Putti and Fauns Climbing a Grapevine, 1650s, etching with engraving on laid paper

Background image1650s Collection: Michel Dorigny and Nicolas Chapron and Nicolas Cochin (French, 1617 - 1665), Recueil

Michel Dorigny and Nicolas Chapron and Nicolas Cochin (French, 1617 - 1665), Recueil de Douze Bacchanales, 1650s, portfolio of twelve etchings with engraving, plus frontispiece

Background image1650s Collection: Nicolas Cochin (French, 1610 - 1686), Frontispiece, 1650s, etching with engraving

Nicolas Cochin (French, 1610 - 1686), Frontispiece, 1650s, etching with engraving on laid paper

Background image1650s Collection: Master of the Medici Banquet Decanters (Italian, active 1650 - 1670), A Wine Decanter

Master of the Medici Banquet Decanters (Italian, active 1650 - 1670), A Wine Decanter with Two Seahorses, 1650s, pen and brown ink with blue wash over graphite

Background image1650s Collection: Gerbrand van den Eeckhout (Dutch, 1621 - 1674), The Levite at Gibeah, probably late 1650s

Gerbrand van den Eeckhout (Dutch, 1621 - 1674), The Levite at Gibeah, probably late 1650s, oil on canvas

Background image1650s Collection: Landscape with a Wheatfield

Landscape with a Wheatfield; Jacob van Ruisdael, Dutch, 1628/1629 - 1682; about late 1650s - early 1660s; Oil on canvas; Unframed: 40 x 45.7 cm (15 3/4 x 18 in.)




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Step back in time to the 1650s, a period filled with historical significance and artistic marvels. In this captivating era, we witness the indomitable spirit of Oliver Cromwell as he poses majestically in his armor, embodying strength and determination. The turbulent seascape beyond serves as a metaphor for the battles that lay ahead during this tumultuous time. Meanwhile, John Evelyn's meticulously planned garden transports us to an oasis of tranquility amidst the chaos of war. Its intricate design reflects Evelyn's passion for nature and beauty, offering solace to those seeking respite from the uncertainties of life. As we delve deeper into the cultural tapestry of the 1650s, we encounter Jan Van Riebeeck's striking cover design for Cape Times Annual. His artistry captures both elegance and intrigue, enticing readers to explore stories that lie within its pages. Jacobus Vanderberg's masterful brushstrokes bring Saint Luke Painting the Crucifixion to life before our eyes. This poignant artwork evokes deep emotions as it depicts one of Christianity's most profound moments. In contrast, A Vanitas Still Life reminds us of life's transience through musical instruments and manuscripts carefully arranged on a table. It serves as a powerful reminder that all earthly possessions are fleeting and ultimately insignificant compared to eternity. The gloves worn by King Charles II at Battle Worcester symbolize bravery and resilience in times of adversity—a testament to his unwavering leadership during challenging times. Sir Hector Maclean emerges as an emblematic figure leading fearlessly at the Battle Morvern—an embodiment of courage personified in battlefields where heroes are made. A glimpse into history reveals an old view Birmingham from Dugdales Warwickshire—capturing bustling streets teeming with activity while providing insight into how urban landscapes have evolved over centuries. Far away in China lies Kohonor—the land inhabited by Tartars whose rich culture captivates our imagination. Their customs and traditions offer a window into a world distinct from our own.