167 Cm Collection

Wilhelm Wallander A Wedding Party VingAaker painting
Wilhelm Wallander, A Wedding Party from Vingaker, painting, oil on canvas, Height: 110 cm (43.3), Width: 167 cm (65.7)

Portrait Alexis Piron 1776 Etching engraving
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Calliope ca 1542-45 Etching Sheet trimmed 8 3 / 4
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Four cherubs carrying cross 1625-77 Engraving
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Frieze Tendrils Growing Plant Right Satyr Holding
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Shepherd Lamb Engraving first state two Sheet
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William Dugdale 1625-77 Etching third state
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Two deformed heads 1625-77 Engraving state
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Three Cottages 17th century Engraving second state
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Virgin Child Patron Saints Constance Hand-colored woodcut
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Pilate washing hands Passion Woodblock Sheet
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Sketching No 1 1861 Etching drypoint third state
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"Exploring the Artistic World in 167 cm: From Wilhelm Wallander's Wedding Party to Alexis Piron's Portrait" In the realm of art, size does matter. Standing at a modest height of 167 cm, this caption takes us on a journey through various masterpieces that captivate and inspire. Let's begin with Wilhelm Wallander's enchanting painting "A Wedding Party. " This piece transports us to a joyous celebration filled with love and merriment. The vibrant colors and intricate details come alive within the confines of 167 cm. Moving on, we encounter an exquisite etching engraving by Alexis Piron from 1776. The portrait captures the essence of its subject, leaving us mesmerized by their expression frozen in time. Within these dimensions lies a story waiting to be discovered. Next up is Calliope ca 1542-45, an etching sheet trimmed to perfection at 8 3/4 inches. Its delicate lines tell tales of ancient mythology as they intertwine gracefully across the paper canvas. In this confined space, imagination knows no bounds. As we delve deeper into our exploration, we stumble upon four cherubs carrying a cross in a captivating engraving from the years between1625-77. Their divine presence radiates even within these limited dimensions - reminding us that great things can be achieved regardless of size. Continuing our artistic odyssey, we encounter a frieze adorned with tendrils growing alongside a satyr holding court on another engraved masterpiece. Despite being confined within specific measurements, this artwork exudes both beauty and mystery. Shepherd Lamb Engraving beckons next; it reveals itself in two sheets forming one harmonious composition dating back centuries ago – showcasing how creativity transcends time when given just enough space. William Dugdale’s etching from around1625-77 invites us into its third state where history unfolds before our eyes through intricate lines and delicate shading.