1670 Collection (page 5)

Assumption Virgin Volterrano Baldassare Franceschini
Assumption of the Virgin; Volterrano (Baldassare Franceschini) (Italian, 1611 - 1690); Italy; about 1664 - 1670; Red chalk and red wash, and white gouache heightening; 48.3 x 30 cm (19 x 11 13)

Seated Female Nude Adriaen van de Velde Dutch
Seated Female Nude; Adriaen van de Velde (Dutch, 1636 - 1672); Holland; about 1660 - 1670; Black chalk heightened with white chalk, on gray brown tinted paper; 26.5 x 19.5 cm (10 7, 16 x 7 11, 16 in.)

Divers fleurs mises en boucquets No 1 - Hollyhocks
Divers fleurs mises en boucquets: No. 1 - Hollyhocks and Narcissus, c. 1670. Jacques I Bailly (French, 1634-1679). Etching and engraving, hand colored

Ewe Two Lambs 1670 Adriaen van de Velde Dutch
The Ewe and Two Lambs, 1670. Adriaen van de Velde (Dutch, 1636-1672). Etching

Vision Saint Francis Paola Bartolome Esteban
The Vision of Saint Francis of Paola; Bartolome Esteban Murillo (Spanish, 1617 - 1682); about 1670; Oil on canvas; 188 × 146 cm (74 × 57 1, 2 in.)

Raja Ram Chand Amber hunting wild boar r 1667-1688
Raja Ram Chand of Amber ? hunting wild boar (r. 1667-1688), c. 1670. India, Rajasthan, Amber. Color on paper; miniature: 26 x 37.8 cm (10 1/4 x 14 7/8 in.)

dream Zulaykha Amber Album 1670 India Mughal
The dream of Zulaykha, from the Amber Album, c. 1670. India, Mughal, 17th century. Opaque watercolor with gold on paper, pink and blue borders decorated with gold foliate motifs

Hermes Ordering Calypso Release Odysseus 1670
Hermes Ordering Calypso to Release Odysseus, c. 1670. Gerard de Lairesse (Flemish, 1641-1711). Oil on canvas; framed: 118.5 x 140 x 9 cm (46 5/8 x 55 1/8 x 3 9/16 in.); unframed

Portrait Woman 1670 Jean Petitot Swiss 1607-1691
Portrait of a Woman, c. 1670. Jean Petitot (Swiss, 1607-1691). Enamel in a silver gilt frame; framed: 2.9 x 2.2 cm (1 1/8 x 7/8 in.); unframed: 2.3 x 2.1 cm (7/8 x 13/16 in.)

The Infant Christ and Saint John the Baptist with a
Bartolome Esteban Murillo (1617-1682). Spanish painter. The Infant Christ and Saint John the Baptist with a Shell, ca. 1670. Prado Museum. Madrid. Spain

The Love Letter, c. 1669-1670, by Johannes Vermeer (1632-1675
Johannes Vermeer (1632-1675). Dutch painter. The Love Letter, c. 1669-1670. Rijskmuseum. Amsterdam. Netherlands

The Windmill at Wijk bij Duurstede, c. 1668-1670 by Jacob Is
Jacob Isaackz van Ruisdael (c. 1628-1682). Dutch painter. The Windmill at Wijk bij Duurstede, c. 1668-1670. Rijksmuseum. Amsterdam. Holland

Frederick III (Falck)
FREDERICK III Reigned 1648-70 Date: 1609 - 1670

African Zenega and traders, 17th century
African Zenega and traders. 17th-century artwork of traders bartering brandy for water with Zenega (or Sanhaja) people of the African Kingdom of Cayor at Cap-Vert (in what is now Senegal)

African plants, 17th century C013 / 7756
African plants, 17th-century artwork. Three known plants are named (left to right): kassia (cassia or Chinese cinnamon), colekasia (Colocasia, the elephant-ear plant), and datura (thorn-apple)

African Zenega people, 17th century
African Zenega people. 17th-century artwork of clothing worn by Zenega (or Sanhaja) people in Africa. Of Berber origin, these people spread as far south as what is now Senegal

Dutch map of eastern North America, 1670
Nova Belgh Tabula, map of New Netherland and New England, 1670. Hand-colored woodcut reproduction

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"Exploring the Rich Tapestry of 1670: From Battlefields to Artistic Marvels" Step back in time to 1670, a year filled with remarkable events and cultural treasures. The Defence of Chateau de Hougoumont during the Battle of Waterloo showcased bravery and resilience amidst chaos, forever etching its name in history. Meanwhile, Co's Trompe l'oeil masterpiece, "The Reverse of a Framed Painting, " captivated viewers with its deceptive artistry. In Plymouth, Devon, the Baroque main gate of the Royal Citadel stood as a majestic symbol of power and protection. Across oceans, the Overton World Map provided an intricate glimpse into global geography at that time. Amidst political intrigue and royal splendor, Charles II Pineapple became an emblematic motif representing wealth and exoticism. In contrast to grandeur, Giovanna Garzoni's delicate still-life paintings captured everyday beauty in Old houses along Butcher Row in London. Artistic influences from afar were evident on faience plates adorned with enchanting Chinoiserie decorations. These exquisite pieces transported admirers to distant lands through their vibrant imagery. Delving into folklore and mysticism, Swedish Sabbat rituals added an air of mystery to this era. Science also flourished as Isaac Newton's revolutionary reflecting telescope paved the way for new discoveries. Traveling further afield brought us to Egypt where fanciful illustrations depicted awe-inspiring views of Pyramids alongside the mighty Nile River - all imagined by Olfert Dappers in his Dutch book on Africa published in 1670. Lastly but not leastly was Augustus II King Poland who reigned over a nation steeped in rich history and tradition while shaping its future trajectory. As we unravel these diverse facets from 1670 – battles fought valiantly, artistic masterpieces created ingeniously – we are reminded that history is not just about dates.