1671 Collection (#5)

Woman Praying, circle of Caesar Boetius van Everdingen, 1640 - 1671

Johannes Puttkammer, Doctor of Divinity in Utrecht, on his Deathbed, Hendrick Bloemaert, 1671

Portrait of Daniel Niellius, Elder of the Remonstrant Congregation at Alkmaar and Syndic, Adriaen Backer, 1671

The cabin, Adriaen van de Velde, 1671

Allegory of the Flowering of the Dutch Fishing-industry after the Second Anglo-Dutch War, attributed to Willem Eversdijck, 1667 - 1671

Travellers at Rest, Adriaen van Ostade, 1671

Portrait of Thedoor Netscher (1661-1728), the painters oldest son, Caspar Netscher, 1671 - 1684

Still life with meat and dead birds, Christoffel Puytlinck, 1660 - 1671

Fortuna distributing her largesse, attributed to Cornelis de Baellieur (I), 1617 - 1671

Shoemaker in store for his house and a customer, Adriaen van Ostade, 1671

Portrait of Maximilian Henry of Bavaria, Archbishop of Cologne, Pieter van Schuppen, 1671

Title page for: Reinier de Graaf, Tractatus Anatomico-Paramedic succinate pancreatici kind & usu, Leiden, 1671, officina Hackiana, 1671

Portrait of Johann Georg Bruck, fencing master, attributed to Wallerant Vaillant, 1671

Saint Thomas in heaven, Anonymous, Samuel van Hoogstraten, Michiel de Groot, 1671

Secular princes kneeling before the Pope, Anonymous, Samuel van Hoogstraten, Michiel de Groot, 1671

The Virgin and Child with St. Anne, Anonymous, Samuel van Hoogstraten, Michiel de Groot, 1671

Sebastien Bourdon (French, 1616 - 1671). The Flight into Egypt, 17th century. Etching

The Israelites Dancing around the Golden Calf; Sebastien Bourdon, French, 1616 - 1671; France, Europe; about 1645; Pen and brown ink, brown and white oil paint; 47.6 x 64.9 cm (18 3/4 x 25 9/16 in.)

Portrait of Louise de Keroualle, Duchess of Portsmouth; Peter Lely, English, 1618 - 1680; about 1671 - 1674; Oil on canvas; Unframed: 125.1 x 101.6 cm (49 1/4 x 40 in.)

Bust of Jacob van Reygersberg (1625 - 1675); Rombout Verhulst, Dutch, 1624 - 1698; Netherlands, Europe; 1671; Marble; Object: H: 63 x W: 57 x D: 33 cm (24 13/16 x 22 7/16 x 13 in.)

Sheet of Studies: A Seated Nude Man, A Youthful Head and a Caricature Head of a Man Playing a Pipe; Domenico Maria Canuti, Italian

Head of a Young Boy; Jan Cossiers, Flemish, 1600 - 1671; Belgium, Flanders, Europe; about 1658; Red and black chalk; 20 x 15.4 cm (7 7/8 x 6 1/16 in.)

A Market Scene Under Trees in Katwijk op Rijn; Jan de Bisschop, Dutch, 1628 - 1671; The Netherlands, Europe; early 1650s; Pen and brown ink, brown and gray wash

Boats on Shore and in Water; Jan de Bisschop, Dutch, 1628 - 1671; The Netherlands, Europe; 1648 - 1652; Pen and brown ink and wash; brown ink framing lines; 9.2 x 14.9 cm (3 5/8 x 5 7/8 in.)

Ducks and Other Birds about a Stream in an Italianate Landscape Enten und andere Vogel an einem Bach Signed and dated in paint, lower right on broken post: " F

Donato Creti, Alexander the Great Threatened by His Father, Italian, 1671-1749, probably 1700-1705, oil on canvas

NEW AMSTERDAM, c1650. A view of the Dutch colony of New Amsterdam from the south, as it appeared c1650. Etching from Arnoldus Montanus De Nieuwe en Onbekende Weereld, 1671

OLD PANAMA: RUIN, c1910. Ruins of Old Panama, founded by the Spanish in 1519 and destroyed by Henry Morgan in 1671. Photochrome postcard, c1910

ALEXEI MIKHAILOVICH (1629-1676). Czar of Russia, 1645-1676. Alexei in 1664, at the age of 34

HANS von GRIMMELSHAUSEN (1622?-1676). Hans Jacob Cristoph Grimmelshausen. German writer. Illustration from the 1671 edition of Simplicissimus

Gustav III (1746-92) King of Sweden from 1671. Assassinated during a masked ball. Verdis 1859 opera Un ballo in maschera originally romanticised version of episode

Henry Morgan (1635-1688) notorious Welsh pirate and buccaneer who, with tacit support of English government harried, and plundered Spains Caribbean colonies

Camera Obscura. From Athanasius Kircher Ars Magna, Amsterdam, 1671

Illustration of the principle of the camera obscura, showing how the image of the lighted face on the left appears inverted on the wall of the darkened chamber on the right

Anne Hyde (1637-1671) by Sir Peter Lely. Lady Anne Hyde, Duchess of York (22 March 1638 - 10 April 1671) first wife of James, Duke of York (the future King James II of England and VII of Scotland)

Moses Trampling on Pharaohs Crown, 1671. Oil on canvas. Gerbrand van den Eeckhout (1621-1674) Dutch painter. Legend from the Bible, Exodus 2:10, The infant Moses favourite of the kings daughter

Symbolism and modern science. Frontispiece of Ars Magna Lucis and Umbra by Athanasius Kircher (Amsterdam, 1671). Traditional Hermetic/Alchemical symbols are mixed with a telescope

First illustration of a magic lantern. From Ars Magna... by Athanasius Kircher (Amsterdam, 1671)

Melothesia from showing the influence of the human body of the planets and the signs of the zodiac. From Ars Magna... by Athanasius Kircher (Amsterdam, 1671)

Iapetus, Third-largest moon of Saturn, and eleventh in the solar system: discovered by Giovanni Domenico Cassini in 1671

Magic lantern display, 17th century C016 / 8932
Magic lantern display. 17th-century artwork showing an image of a skeleton being projected from a magic lantern. The magic lantern was the ancestor of the modern slide projector

Kirchers book on optics, 1671 edition
Kirchers book on optics. Title page of the 1671 edition of Ars Magna Lucis et Umbrae (The Great Art of Light and Darkness) by the German Jesuit scholar Athanasius Kircher (circa 1601-1680)

Kirchers disc viewer, 17th century
Kirchers disc viewer. 17th-century artwork of the parastatic microscope constructed by German Jesuit scholar Athanasius Kircher (circa 1601-1680) for his museum in Rome

David Baron Cardross 2
DAVID ERSKINE, second baron CARDROSS Royalist who protested against the delivery of Charles I. Date: 1616 - 1671

David Baron Cardross
DAVID ERSKINE, second baron CARDROSS Royalist who protested against the delivery of Charles I. Date: 1616 - 1671

Edmund Calamy (Younger)
EDMUND CALAMY (YOUNGER) Nonconformist churchman, biographer, grandson of the Puritan churchman of the same name. With his autograph Date: 1671 - 1732

HANS von GRIMMELSHAUSEN (c1622-1676). Hans Jacob Cristoph von Grimmelshausen. German writer. Illustration from 1671 edition of Simplicissimus

THE MOON, 1671. Topographic view of the moon from Cherubin d Orleans Dioptrique oculaire, 1671

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"Exploring Sri Lanka's Rich History: A Glimpse into 1671" Step back in time to the year 1671, where we find ourselves amidst the captivating landscapes of Jaffna and Galle in Sri Lanka. These ancient cities hold tales of grandeur and resilience that have shaped the island nation's history. In Jaffna, a bustling trading hub, one can almost hear the echoes of merchants haggling over precious goods from distant lands. Meanwhile, Galle stands as a testament to its colonial past with its well-preserved fortifications built by the Portuguese and later fortified by the Dutch. Amidst these historical events, Thomas Lord Fairfax emerges as a prominent figure. Known for his military prowess and leadership skills, he left an indelible mark on both England and Sri Lanka during this period. Further east lies Batticaloa, a coastal town renowned for its picturesque beaches and vibrant culture, and is here that stories unfold about daring expeditions involving majestic elephants being captured – an awe-inspiring sight indeed. Meanwhile, across oceans in Amsterdam's Herengracht canal district, artists like Johann Ludwig Hartmann capture moments frozen in time. The Golden Bend painting showcases the opulence of this era while providing us with glimpses into daily life during 1671. Notably in Panama City, Captain Henry Morgan leads his infamous raid that would forever be etched in history books. The sack of Panama becomes synonymous with piracy at its peak during this tumultuous period. As we delve deeper into this significant year, we encounter notable figures such as Richard Pendrill whose tomb stands as a reminder of their contributions to society before their passing. Sebastià Herrera immortalizes Charles II through portraiture - capturing not only his likeness but also reflecting upon royal power dynamics prevalent at that time. Lastly, let us not forget "The Temple, " depicted beautifully through an engraving from an old bird's-eye view in the Inner Temple.