1690 Collection (#12)

The Troops of Louis XIV before Naarden, 20 July 1672, Adam Frans van der Meulen, 1672 - 1690

Susanna and the Elders, Nicolas Bertin, 1690 - 1710

The Smoker (A Man with a Pipe and a Man Pouring a Beverage into a Glass), attributed to Godfried Schalcken, 1690 - 1706

Landscape with Herdsmen and Livestock, Dirck van Bergen, 1660 - 1690

Differing tastes, Godfried Schalcken, 1685 - 1690

Still Life with Flowers in a Glass Vase, Rachel Ruysch, c. 1690 - c. 1720

Louis XIV Crossing into the Netherlands at Lobith, Adam Frans van der Meulen, 1672 - 1690

Tobias and the angel, Eglon van der Neer, 1690

Anna Margaretha van Petcum (1676-1745). Wife of Johan Arnold Zoutman, Johan van Diest, 1690 - 1720

Woodland Scene, Jan van der Heyden, 1660 - 1690

Young Woman with Lemon, Godfried Schalcken, 1685 - 1690

Self-Portrait, Ludolf Bakhuysen, 1690 - 1708

Portrait of Anna de Hooghe, the Artists fourth Wife, Ludolf Bakhuysen, 1690 - 1708

Portrait of a young Man, Jan van Mieris, 1680 - 1690

Party in Wooded Landscape, Anonymous, c. 1680 - c. 1690

Portrait of Anna van Citters, Daughter of Aernout van Citters and Josina Parduyn, Simon Dubois, 1690 - 1694

Portrait of Aernout van Citters, Son of Aernout van Citters and Christina de Brauw, Simon Dubois, 1690 - 1708

The music lesson, Jacob Toorenvliet, 1660 - 1690

Portrait of a Woman, attributed to Arnold Boonen, 1690 - 1729

A young Painter, Adriaen van der Werff, 1670 - 1690

Peasant Inn, Cornelis Dusart, 1690

Coins and tokens, Jan Dam Steuerwald, 1815 - 1869

Portrait of Eustache Teissier, master general of the Order of Trinitarians, Pieter van Schuppen, 1690

Portrait of Lady Trevor Warner, Pieter van Schuppen, 1690

Drogheda and Wexford surrender, 1690, print maker: Jan Luyken, 1690

Tower of Babel, print maker: Jan Luyken, Willem Goeree, 1690

Tower of Babel, Jan Luyken, Willem Goeree, 1690

Construction of the Temple of Solomon, Jan Luyken, Willem Goeree, 1690

Distance Chart for some places in Europe, print maker: Jan Luyken, Pieter van der Aa I, 1690 and or 1682 - 1730

Distance Chart for some places in Europe, Jan Luyken, Pieter van der Aa (I), Pieter van der Aa (I), 1690

Mocking of Christ, Jan Luyken, Jan Claesz ten Hoorn, 1690

Resurrection of Christ, Jan Luyken, Jan Claesz ten Hoorn, 1690

Top floor of Noahs Ark, Jan Luyken, Wilhelmus Goeree (I), 1690

Triumphal procession over a square, Jan Luyken, Francois Halma, 1690

Miraculous multiplication of loaves and fishes by Christ and Christ on the water, Jan Luyken, Jan Claesz ten Hoorn, 1690

Alphabet of Abraham, Enoch and Ezra, Jan Luyken, Wilhelmus Goeree (I), 1690

Syrian, Egyptian and Phoenician alphabet, Egypt, Jan Luyken, Wilhelmus Goeree (I), 1690

Demetrius I Soter is offered the crown of Judea, Jan Luyken, Wilhelmus Goeree (I), 1690

Wall mentioning Old Testament, texts that refer to Christ, Jan Luyken, Wilhelmus Goeree (I), 1690

King Demetrius II Nicator taking away the sign of dignity from the imprisoned Alexander Theopater; below which eight medals can be seen, print maker: Jan Luyken, Dating 1690

Christian Persecution in Roman times, Jan Luyken, Wilhelmus Goeree (I), 1690

Pilate washes his hands in innocence, Jan Luyken, Wilhelmus Goeree (I), 1690

Pictures of Juno and Jupiter in carts driven around, Jan Luyken, Francois Halma, 1690

Fight in Ireland Londonderry and Kinsale, 1689 and the conflict in Ireland in Dublin and Cork, 1690

Nicolas Bonnart (French, 1636 - 1718). Spezza Ferre, ca. 1680-1690. From Five Characters from the Commedia dell Arte. Etching on laid paper. Plate: 263 mm x 186 mm (10.35 in)

Pierre Etienne Moitte (French, 1722-1780) after Nicolas Lancret (French, 1690 - 1743). Partie de Plaisirs, ca. 1750-1760. Etching and engraving on laid paper. Plate: 460 mm x 345 mm (18.11 in)

Robert Nanteuil after Charles Le Brun (French, 1619 - 1690). Pompone de Bellievre, 1657. Engraving and etching

Truth Illuminating Human Blindness; Volterrano (Baldassare Franceschini), Italian, 1611 - 1690; Italy, Europe; about 1650; Red chalk

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In the year 1690, history witnessed remarkable events and enduring friendships. Just like the bond between David and Jonathan, alliances were forged that would stand the test of time. At Sidney Sussex College, knowledge flourished as students delved into various disciplines, shaping their futures. Meanwhile, on the battlefield of the Boyne, William III, Prince of Orange displayed his valor and leadership. His triumph in this historic battle marked a turning point in European history. The echoes of his victory resonated far beyond those shores. But not all tales from they were filled with glory; darkness lurked within Salem as accusations flew against innocent women like Tituba during the infamous witch trials. In times of fear and hysteria, innocence often became collateral damage. Amidst these turbulent times, voices rose to guide humanity towards righteousness. Ezekiel the Prophet's teachings echoed through generations, offering solace and wisdom to those who sought it. As time ticked away on Bracket Clock Tompion's creation, Emmanuel College Chapel stood tall as a beacon of faith and spirituality for all who entered its hallowed halls. Its walls whispered stories from centuries past while embracing hope for future generations. CHRISTs COLLEGE 1690 saw young minds nurtured with knowledge and values that would shape society for years to come. Clare College also opened its doors in this significant year - an institution dedicated to fostering intellectual growth amidst changing times. The passing of FOX (1624-1690) left a void in both political discourse and journalistic integrity – a reminder that even great minds are mortal but their ideas live on eternally. Reflecting upon 1690 reminds us that history is made up of diverse narratives - battles fought bravely by leaders like William III at Boyne or injustices suffered by innocents accused during witch hunts like Tituba in Salem. It teaches us about resilience found within friendships such as David and Jonathan’s bond or the enduring legacies of institutions like Emmanuel College Chapel and Clare College.