1724 Collection (page 5)

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Richard Abell 1724 Enamel Oval 1 3 / 4 x 1 3 / 8
Artokoloro

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Charles XII Bender Aubry de La Mottraye Travels
Artokoloro

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Castellan Tomb Saint Germain-des-Pre 1724 Pen
Artokoloro

1724, De L Isle Map of Persia, Iran, Iraq, Afghanistan, topography, cartography
1724, De L Isle Map of Persia, Iran, Iraq, Afghanistan

Noa'l Le Mire after Jean-Michel Moreau, French (1724-1801), Le Soufflet, 1774, etching and engraving

Anton Weiss, Austrian (1724-1784), A Game of Cards [recto], 1764, gray wash with touches of pen and brown ink over graphite on laid paper

Franz Anton Maulbertsch (Austrian, 1724 - 1796), The Adoration of the Shepherds, 1757, pen and black ink with gray wash on laid paper

Antonio Baratta (Italian, 1724 - 1787), Gravure en Taille-Douce: pl. IV, 1771-1779, engraving on laid paper

Antonio Baratta after A. -J. Defehrt (Italian, 1724 - 1787), Gravure en Maniere de Crayon
Antonio Baratta after A.-J. Defehrt (Italian, 1724 - 1787), Gravure en Maniere de Crayon: pl. VIII, 1771-1779, engraving and crayon-manner engraving on laid paper

George Vertue after Sir Godfrey Kneller (English, 1684 - 1756), William Trumbull, 1724, engraving and etching on laid paper

Benedetto Luti (Italian, 1666 - 1724), Head of a Bearded Man, 1715, pastel on laid paper

Jean-Baptiste Nattier (French, 1678 - 1726), A Triton Blowing a Conch Shell, 1724, black chalk heightened with white chalk on gray-brown laid paper

William Gilpin (British, 1724 - 1804), River Landscape with Ruins, 1770s, pen and black ink with gray wash over graphite on laid paper

Gabriel Jacques de Saint-Aubin (French, 1724 - 1780), Figure Sketches, pen and brown ink and red and black chalk with gray and brown wash on two overlapping sheets of laid paper

Gabriel Jacques de Saint-Aubin, Sketches of Dancers and Heads of Putti, French, 1724 - 1780, 1748, pen and black ink with gray wash on laid paper

Gabriel Jacques de Saint-Aubin, The Divertissement from Voltaires La princesse
Gabriel Jacques de Saint-Aubin, The Divertissement from Voltaires " La princesse de Navarre", French, 1724 - 1780, 1745, red chalk on laid paper

Gabriel Jacques de Saint-Aubin, Draftsmen Outdoors, French, 1724 - 1780, c. 1760, black chalk and stumping on laid paper

Jean-Louis Lemoyne, A Companion of Diana, French, 1666 - 1755, 1724, marble

Gabriel Jacques de Saint-Aubin, Allegorical Frame with a Bat, French, 1724 - 1780, c. 1769, pen and dark brown ink over graphite, red chalk

Jan Pietersz Zomer, Art Dealer in Amsterdam, The Netherlands, Norbert van Bloemen, 1700 - 1724

The Country Dance; Gabriel Jacques de Saint-Aubin, French, 1724 - 1780; about 1760 - 1762; Oil on canvas; Unframed: 52.4 x 65.4 cm (20 5/8 x 25 3/4 in.)

The Glorification of the Union of the Houses of Hapsburg and Lorraine; Franz Anton Maulbertsch, Austrian, 1724 - 1796; 1775; Oil on canvas; Unframed: 107 x 162.9 cm (42 1/8 x 64 1/8 in.)

Saturn Devouring One of His Children; Simon Hurtrelle, French, 1648 - 1724; France, Europe; about 1700; Bronze; Object: H: 65.4 x W: 26.7 x D: 25.1 cm (H: 25 3/4 x W: 10 1/2 x D: 9 7/8 in.)

Wall Clock (Pendule); Clock movement by Jean-Jacques Fieffe, French, about 1700 - 1770, master 1725, case possibly after a design by Juste-Aurele Meissonnier, French, born Italy, 1695 - 1750

Tapestry: Portiere aux Armes de France; woven under the direction of Etienne-Claude Le Blond, French, about 1700 - 1751, active at Gobelins, 1727 - 1751, Gobelins Manufactory, French

Sheet of Studies; Gabriel Jacques de Saint-Aubin, French, 1724 - 1780; late 1760 - 1779; Black, red and white chalk, pen and brown ink and watercolor on off-white paper; 21.9 x 15.4 cm

Dance before a Fountain; Nicolas Lancret, French, 1690 - 1743; France, Europe; by 1724; Oil on canvas; Unframed: 97.8 x 130.8 cm (38 1/2 x 51 1/2 in.)

The Roman Fleet Victorious over the Carthaginians at the Battle of Cape Ecnomus; Gabriel Jacques de Saint-Aubin, French, 1724 - 1780; France, Europe; about 1763; Watercolor, gouache

Dancing Faun; Pietro Cipriani, Italian, about 1680 - before 1745; Italy, Europe; 1722 - 1724; Bronze; Object: H: 143.5 cm (56 1/2 in.), Object (plinth): 7.6 x 40 x 40 cm (3 x 15 3/4 x 15 3/4 in.)

Medici Venus; Pietro Cipriani, Italian, about 1680 - before 1745; Italy, Europe; 1722 - 1724; Bronze; Object: H: 155.3 cm (61 1/8 in.), Object (plinth): 7.6 x 40 x 40 cm (3 x 15 3/4 x 15 3/4 in.)

A Macaw, Ducks, Parrots and Other Birds in a Landscape Signed, lower left: J
A Macaw, Ducks, Parrots and Other Birds in a Landscape Signed, lower left: " J. Bogdani", Jacob Bogdani, 1660-1724, Hungarian

Peacock, peahen, parrots, canary, and other birds in a park Signed, lower center: J
Peacock, peahen, parrots, canary, and other birds in a park Signed, lower center: " J. Bogdani", Jacob Bogdani, 1660-1724, Hungarian

Turf, with Jockey up, at Newmarket Portrait of Turf with Jockey up Inscribed lower left: " Turf", George Stubbs, 1724-1806, British

A Repose after Shooting Signed and dated, lower right: Geo : Stubbs pinxit
A Repose after Shooting Signed and dated, lower right: " Geo : Stubbs pinxit | 1770", George Stubbs, 1724-1806, British

Two Gentlemen Shooting, George Stubbs, 1724-1806, British

Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot, George Stubbs, 1724-1806, British

Two Gentlemen Going a Shooting Two Gentlemen out Shooting Signed and dated, lower right: " Geo. Stubb[s] | Pinxit [....]", George Stubbs, 1724-1806, British

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In the year 1724, a significant chapter unfolded in history, leaving behind a tapestry of diverse events and remarkable individuals. Immanuel Kant, the renowned philosopher known for his profound ideas on morality and reason, was born in Dobler. Little did anyone know that this humble birthplace would shape the course of philosophical thought for centuries to come. Meanwhile, across the British stage, William Hogarth's artistic genius came to life. His works such as "The Lottery" and "A Girl Knitting" captured society's intricacies with vivid detail and social commentary. In these masterpieces, Hogarth skillfully portrayed both mundane scenes and deeper societal issues. Amidst all this cultural richness emerged another influential figure – John Of God, a Portuguese religious saint who dedicated his life to serving others. His selfless acts left an indelible mark on those he encountered throughout his journey. Closer to home at Worcester Guildhall stood Samuel Brewer, a devoted churchman whose unwavering faith inspired many within his community. Through his teachings and guidance, he provided solace during turbulent times. As we delve further into this historical tapestry of 1724, one cannot overlook peculiar yet captivating images like that of Yogi and Peacock or even the intriguing phrase "BODY EXPOSED AT DOOR. " These enigmatic hints beckon us to explore hidden stories waiting to be unraveled. In retrospect, 1724 reveals itself as a year filled with intellectual pursuits intertwining philosophy with artistry while also embracing spirituality and human compassion. It serves as a reminder that history is not merely composed of dates but rather an intricate mosaic woven by countless lives intertwined through time.