1732 1806 Collection

The coquette and the youth. Creator: Fragonard, Jean Honore(1732-1806)
The coquette and the youth. Found in the Collection of the Museo Nacional de San Carlos

St. Luke. Creator: Jean-Honore Fragonard (French, 1732-1806)
St. Luke

St. Jerome. Creator: Jean-Honore Fragonard (French, 1732-1806)
St. Jerome

Scene in a Park, c. 1760. Creator: Jean-Honore Fragonard (French, 1732-1806)
Scene in a Park, c. 1760

Saint Jerome. Creator: Jean-Honore Fragonard (French, 1732-1806)
Saint Jerome. Religious scenes are unusual during a century more interested in carefree themes. The prosperous bourgeoisie demanded works with decorative appeal for their homes-pictures of readily

Orpheus and Eurydice (recto); Figure Studies (verso), c. 1761. Quick drawings could serve a variety of purposes, and it is not always clear today why an artist created a particular sketch

Orpheus and Eurydice (recto), c. 1761. Creator: Jean-Honore Fragonard (French, 1732-1806)
Orpheus and Eurydice (recto), c. 1761. Quick drawings could serve a variety of purposes, and it is not always clear today why an artist created a particular sketch

Invocation to Love, c. 1781. Creator: Jean-Honore Fragonard (French, 1732-1806)
Invocation to Love, c. 1781. Set in a lush garden, this allegory focuses on a woman pleading for help from a statue of Eros

Figure Studies (verso), c. 1761. Creator: Jean-Honore Fragonard (French, 1732-1806)
Figure Studies (verso), c. 1761

The Disciples at the Tomb, 1764. Creator: Jean-Honore Fragonard (French, 1732-1806)
The Disciples at the Tomb, 1764

The Cupboard, 1778. Creator: Jean-Honore Fragonard (French, 1732-1806)
The Cupboard, 1778. Fragonard designed this popular etching to delight his viewers, who spy on the dramatic scene like the eavesdropping servants in the background

Cava Napoli, 1700s or 1800s. Creator: Jean-Honore Fragonard (French, 1732-1806)
Cava Napoli, 1700s or 1800s

Bacchanales: Nymph Supported by Two Satyrs, 1763. Creator: Jean-Honore Fragonard (French
Bacchanales: Nymph Supported by Two Satyrs, 1763. The set of Bacchanales was made two years after Fragonard returned from a trip to Italy where he studied Roman antiquities

Bacchanales: The Satyrs Family, 1763. Creator: Jean-Honore Fragonard (French, 1732-1806)
Bacchanales: The Satyrs Family, 1763. Fragonard created these charming etchings shortly after returning from Italy, where he encountered similar Roman antiquities

Bacchanales: Nymph Astride a Satyr, 1763. Creator: Jean-Honore Fragonard (French, 1732-1806)
Bacchanales: Nymph Astride a Satyr, 1763. Fragonard created these charming etchings shortly after returning from Italy, where he encountered similar Roman antiquities

Bacchanal, 1763. Creator: Jean-Honore Fragonard (French, 1732-1806)
Bacchanal, 1763

Bacchanales: The Satyrs Dance, 1763. Creator: Jean-Honore Fragonard (French, 1732-1806)
Bacchanales: The Satyrs Dance, 1763. Fragonard created these charming etchings shortly after returning from Italy, where he encountered similar Roman antiquities

Bacchanales, 1763. Creator: Jean-Honore Fragonard (French, 1732-1806)
Bacchanales, 1763

A Boy in a Red-lined Cloak, 1780s. Creator: Jean-Honore Fragonard (French, 1732-1806)
A Boy in a Red-lined Cloak, 1780s. In the course of his long career, Fragonard produced more than 550 paintings. In this particular painting, the seventeenth-century costume, the brown palette

Fountain Love Fragonard Jean-Honore 1732-1806
The Fountain of Love, Fragonard, Jean-Honore, 1732-1806, Regnault, Nicolas-Francois, 1746-ca. 1810, Stipple engraving, ca 1785

Discours Preliminaire Voyage pittoresque ou Description des
Discours Preliminaire, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Choffard, Pierre-Philippe, 1730-1809, Clousier, Fragonard, Jean-Honore, 1732-1806, Saint Non

St. Luke Jean-Honore Fragonard French 1732-1806
St. Luke. Jean-Honore Fragonard (French, 1732-1806). Etching

St. Jerome Jean-Honore Fragonard French
St. Jerome. Jean-Honore Fragonard (French, 1732-1806). Etching

Disciples Tomb 1764 Jean-Honore Fragonard
The Disciples at the Tomb, 1764. Jean-Honore Fragonard (French, 1732-1806). Etching

Scene Park 1760 Jean-Honore Fragonard French
Scene in a Park, c. 1760. Jean-Honore Fragonard (French, 1732-1806). Pen and brown and gray ink, brush and brown and gray wash

Bacchanales Nymph Supported Two Satyrs 1763 Jean-Honore Fragonard
Bacchanales: Nymph Supported by Two Satyrs, 1763. Jean-Honore Fragonard (French, 1732-1806). Etching; sheet: 13.3 x 20 cm (5 1/4 x 7 7/8 in.)

Bacchanal 1763 Jean-Honore Fragonard French
Bacchanal, 1763. Jean-Honore Fragonard (French, 1732-1806). Etching

Stairs Italian Garden 1766 Jean-Claude-Richard Saint-Non
Stairs in an Italian Garden, 1766. Jean-Claude-Richard Saint-Non (French, 1727-1791), after Jean-Honore Fragonard (French, 1732-1806)

Cupboard 1778 Jean-Honore Fragonard French
The Cupboard, 1778. Jean-Honore Fragonard (French, 1732-1806). Etching; sheet: 39.1 x 52.3 cm (15 3/8 x 20 9/16 in.)

Cava Napoli 1700s 1800s Attributed Jean-Honore Fragonard
Cava Napoli, 1700s or 1800s. Attributed to Jean-Honore Fragonard (French, 1732-1806). Graphite, black chalk, and gray wash; sheet: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in.)

Child Bulldog 1778 Etching second state three
Artokoloro

Little Park ca 1763 Etching Sheet 5 3 / 4 x 8 3 / 16
Artokoloro

Marguerite Gerard (French, 1761-1837) after Jean-Honore Fragonard (French, 1732-1806). To the Genius of Franklin (Au Genie de Franklin), 1778. Etching printed in brown ink on heavy white laid paper

Jean-Honore Fragonard (French, 1732-1806). The Satyrs Family, 1763. From Bacchanales. Etching on laid paper. Plate: 146 mm x 215 mm (5.75 in. x 8.46 in.). First of two states

The Three Graces. Jean-Honore Fragonard (1732-1806) French painter

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"1732-1806: A Journey through the Artistic Realm of Jean-Honore Fragonard" Step into the enchanting world of Jean-Honore Fragonard, a renowned French artist who graced the art scene from 1732 to 1806. Known for his exquisite brushwork and captivating compositions, Fragonard left an indelible mark on the art world with his diverse range of masterpieces. One such masterpiece is "The Coquette and the Youth, " a painting that captures fleeting moments of flirtation and desire. With delicate strokes, Fragonard brings to life the playful exchange between two figures lost in their own romantic reverie. In contrast, "The Funeral of Decius Mus" showcases Fragonard's ability to depict dramatic scenes. This powerful composition portrays a solemn funeral procession, evoking emotions of grief and reverence as viewers witness this poignant moment frozen in time. Fragonard's talent extends beyond capturing human emotion; he also excels at depicting religious subjects. In works like "St. Luke" and "St. Jerome, " he skillfully portrays these revered figures with meticulous attention to detail, showcasing his deep understanding of spirituality. Moving away from religious themes, we delve into scenes inspired by everyday life in pieces like "Scene in a Park. " Here, Fragonard transports us to a serene park setting where couples stroll hand-in-hand amidst lush greenery—a testament to his ability to capture both natural beauty and human connection. Orpheus takes center stage in another notable work by Fragonard titled "Orpheus and Eurydice. " Through vibrant colors and dynamic brushstrokes, he depicts Orpheus' desperate attempt to rescue his beloved Eurydice from the clutches of death—an eternal struggle between love and loss brought vividly to life on canvas. Fragonard's fascination with love continues in "Invocation to Love, " where cherubic figures and swirling clouds create a dreamlike atmosphere.