1741 Collection (#7)

Drawings Prints, Print, Sleeping Woman Cupid, Hush, Publisher, Artist, Robert Pollard
Drawings and Prints, Print, Sleeping Woman with a Cupid (Hush), Publisher, Artist, Robert Pollard, Henry Fuseli, British, Newcastle-upon-Tyne 1755-1838 London, Swiss, Zurich 1741-1825 London

Satyrical Poetry ca 1741 Etching engraving Sheet
Artokoloro

Drawings Prints, Night Children, Aither Hemera, Hesiod, Theogony, Artist, Henry Fuseli
Drawings and Prints, Night and Her Children Aither and Hemera (Hesiod, Theogony), Artist, Henry Fuseli, Swiss, Zurich 1741-1825 London, Fuseli, Henry, Swiss, 1741, 1825, ca. 1810-15, 1805

Actor Sawamura Sojuro I Sasaki no Saburo Edo period
Artokoloro

Hunting cup cover ca 1741 German Meissen Hard-paste porcelain
Artokoloro

1741, Homann Heirs Map of France, topography, cartography, geography, land, illustration
1741, Homann Heirs Map of France

1741, Homann View and Map of London, England and Environs, topography, cartography
1741, Homann View and Map of London, England and Environs

1741, Homann Heirs Map of Ancient Greece and the Eastern Mediterranean, topography
1741, Homann Heirs Map of Ancient Greece and the Eastern Mediterranean

1741, Covens and Mortier Map of the Southern Hemisphere, South Pole, Antarctic, topography
1741, Covens and Mortier Map of the Southern Hemisphere, South Pole, Antarctic

1741, Covens and Mortier Map of the Northern Hemisphere, North Pole, Arctic, topography
1741, Covens and Mortier Map of the Northern Hemisphere, North Pole, Arctic

Source Size = 3979 x 4803
The House of Lords: Close of the Session, 1741-2

Jean Daulla after Robert Levrac-Tournieres, French (1703-1763), Pierre Louis Moreau
Jean Daulla© after Robert Levrac-Tournieres, French (1703-1763), Pierre Louis Moreau de Maupertuis, 1741, engraving on laid paper

Jean Dambrun after Franazois Marie Isidore Queverdo, French (1741-1808 or after), Le sommeil interrompu, 1787, engraving

Jacques-Philippe Le Bas after Hubert Drouais, French (1707-1783), Robert le Lorrain, 1741, engraving on laid paper

Louis-Joseph Masquelier after Jean-Michel Moreau, French (1741-1811), Mirabeau arrive aux Champs-Aa'lisa© es, 1792, etching and engraving

Jean Dambrun after Jean-Honora Fragonard, French (1741-1808 or after), Le savetier
Jean Dambrun after Jean-Honora© Fragonard, French (1741-1808 or after), Le savetier, etching

Antoine Benoist after Jakob Christoffel Le Blon after Nicholas Blakey, French (1721-1770), Louis XV, King of France, 1741, engraving over etching on laid paper

Jean Dambrun after Jean-Michel Moreau, French (1741-1808 or after), A un peuple libre, etching and engraving on laid paper

Theodor Gottlieb von Hippel (author), Daniel Nikolaus Chodowiecki (artist), German (1741-1796), LebenslaÔé¼ufe nach Aufsteigender Linie nebst Beylagen A, B, C, 1778-1781

Henry Fuseli, Swiss (1741-1825), A Woman Sitting by the Window, 1802, pen-and-tusche lithograph

John Baptist Jackson after Jacopo Tintoretto, English, (1701-c. 1780), The Crucifixion [right plate], 1741, chiaroscuro woodcut in black [trial proof of key block]

Georg Raphael Donner, Austrian (1693-1741), The Dead Christ, black, pink, and white chalk on gray-green heavy wove paper

Giovanni Antonio Pellegrini, Italian (1675-1741), The Madonna and Child Appearing to Saint Theodore and a Monastic Saint, pen and brown ink with brown wash over black chalk on laid paper

Charles Willson Peale, Benjamin and Eleanor Ridgely Laming, American, 1741-1827, 1788, oil on canvas

MatthaÔé¼us GaOEnther, German (1705-1788), Worshippers at the Tomb of Saint Peter, 1740-1741, pen and gray ink and pen and brown ink with gray, yellow, and gold wash, heightened with white and pink

Jean-Michel Moreau, Yes or No, French, 1741-1814, 1778, graphite and red chalk heightened with white on laid paper

conte Antonio Maria Zanetti I after Bertoia (Italian, 1680 - 1757), Pastoral Scene, 1741, chiaroscuro woodcut in black and green, with green watercolor

Nicolas de Larmessin IV after Nicolas Lancret (French, 1684 - 1753 or 1755), Le matin, 1741, engraving and etching

Jean-Michel Moreau (French, 1741 - 1814), Le festin royal, 1782, engraving and etching

Jean-Michel Moreau after Jean-Baptiste Greuze (French, 1741 - 1814), La philosophie endormie, 1778, etching

Henri Simon Thomassin after Elisabeth Sophie Cheron (French, 1687 - 1741), Venus se plaint a Jupiter de la tempete que Junon a excitee contre Enee, engraving

Jean Dambrun (French, 1741 - 1808 or after), Le juge de mesle, etching

Jean Dambrun and Jean-Baptiste Tilliard after Jean-Honora Fragonard (French, 1741
Jean Dambrun and Jean-Baptiste Tilliard after Jean-Honora© Fragonard (French, 1741 - 1808 or after), Le faucon, etching and engraving

Jean Dambrun after Jean-Honora Fragonard (French, 1741 - 1808 or after), Le calendrier
Jean Dambrun after Jean-Honora© Fragonard (French, 1741 - 1808 or after), Le calendrier des viellards, etching and engraving

Etienne Desrochers after Jean Ranc (French, 1668 - 1741), Francois Verdier, 1723, engraving on laid paper

Charles-Etienne Gaucher after Jean-Michel Moreau (French, 1741 - 1804), Couronnement de Voltaire (The Crowning of Voltaire), 1782, etching

Charles-Etienne Gaucher after Charles-Nicolas Cochin II (French, 1741 - 1804), Charles Jean Francois Henault, engraving and etching on laid paper

Jean-Michel Moreau after Pierre Paul Merelle (French, 1741 - 1814), D. Pineau, Sculpteur, 1770, engraving and etching on laid paper

James Barry (Irish, 1741 - 1806), Eastern Patriarch, 1803, pen-and-tusche lithograph

Jacob Cats (Dutch, 1741 - 1799), Winter Scene, 1790, pen and brown ink with gray wash and watercolor on laid paper

Johann Jacob SchaOEbler (German, 1689 - 1741), Pantaloon and the Doctor Fighting with Columbine and Brigatella in the Garden, c

Jean-Michel Moreau, A Dancer, French, 1741 - 1814, 1777, black, red, and white chalk on brown laid paper, with a faint border line by the artist in red chalk

Georg Friedrich Schmidt after Hyacinthe Rigaud, Monseigneur Louis-Charles d Orla ans
Georg Friedrich Schmidt after Hyacinthe Rigaud, Monseigneur Louis-Charles d Orla© ans de Saint-Albin, Archbishop of Cambrai, German, 1712 - 1775, 1741, engraving on laid paper

Angelica Kauffmann, Juno, Swiss, 1741 - 1807, published 1780, etching and aquatint in brown on laid paper

Angelica Kauffmann, Rinaldo and Armida, Swiss, 1741 - 1807, etching

Bartmy. Faujas de Saint-Fond, geologist engraved by Ambroise Tardieu

A View of the Town of Savannah, in the Colony of Georgia, in South Carolina, 1741. UNITED STATES OF AMERICA, US, USA, 1870s engraving

To the Independent Electors of Westminster: Vernon and Edwin, 1741

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"Exploring the Vibrant Tapestry of 1741: A Journey through Colonial Savannah, Georgia and Beyond" Step back in time to the enchanting world of Colonial Savannah, Georgia in the 1700s. As you wander through its cobblestone streets, immerse yourself in the rich history and cultural tapestry that defined this era. Intriguingly, amidst this backdrop emerges an "Enraged Musician, " a satirical painting by Hogarth capturing the essence of society's obsession with music during this period. The melodies composed by Antonio Vivaldi or perhaps an anonymous artist would have filled the air as they echoed from grand halls to intimate gatherings. Meanwhile, across distant lands at Foundling Hospital Schools in Berkhamsted, young minds were nurtured under watchful eyes. Here, children found solace and education within these walls while their portraits adorned hallways - much like Tupac Amaru II's captivating painting symbolizing resistance against oppression. But it wasn't just art that captivated hearts; feats of strength amazed audiences as Thomas Topham showcased his extraordinary abilities as a strongman. His incredible prowess left onlookers awestruck and inspired generations to push their physical limits. However, not all sounds brought joy during this time; noise pollution became a growing concern for individuals like Robert Blair who sought tranquility amid bustling cities. John Dormer too longed for peaceful moments amidst chaos while Benedict Arnold navigated treacherous paths towards infamy. Yet beyond these human stories lay tales of exploration etched into history forever. Vitus Jonassen Bering embarked on a daring expedition only to face tragedy when his shipwreck marooned him off Kamchatka peninsula in 1741. This line engraving from the 19th century immortalizes his courageous spirit and unwavering determination. And finally, we encounter Ang Kauffmann's allegorical works which encapsulate the essence of this era.