1757 1820 Collection

Women with Salt Pails;The Noda Tama River in Mutsu Province…, late 1780s. Creator
Women with Salt Pails; The Noda Tama River in Mutsu Province, from an untitled series of the Six Tama Rivers, late 1780s

Women in a Tea House, late 1780s. Creator: Kubo Shunman (1757-1820)
Women in a Tea House, late 1780s. This elegant print provides a glimpse into the private life of the courtesan, recording a quiet moment of enjoying tea

Women Cutting Branches of Bush Clover; The Noji Tama River in Omi Province... late 1780s
Women Cutting Branches of Bush Clover; The Noji Tama River in Omi Province, from an untitled series of the Six Tama Rivers, late 1780s

No Title. Creator: Kubo Shunman (1757-1820), attributed to
No Title

Mt. Fuji through Pines, late 1700s-early 1800s. Creator: Kubo Shunman (1757-1820)
Mt. Fuji through Pines, late 1700s-early 1800s. Kubo Shunman dashed off this loose image of Mt. Fuji viewed in the distance from behind pine trees as a performance painting, or sekiga

Court Ladies Making Dolls, 1790s. Creator: Kubo Shunman (1757-1820), attributed to
Court Ladies Making Dolls, 1790s. Since ancient times dolls were used in Japan for religious purposes, especially for the healing of impurities or illness

No Title Attributed Kubo Shunman 1757-1820 Color woodblock print
No Title. Attributed to Kubo Shunman (1757-1820). Color woodblock print; sheet: 20.4 x 15.6 cm (8 1/16 x 6 1/8 in.)

Women Salt Pails Noda Tama River Mutsu Province
Women with Salt Pails; The Noda Tama River in Mutsu Province, from an untitled series of the Six Tama Rivers, late 1780s. Kubo Shunman (1757-1820)

Women Tea House late 1780s Kubo Shunman 1757-1820
Women in a Tea House, late 1780s. Kubo Shunman (1757-1820). Color woodblock print; sheet: 33 x 23 cm (13 x 9 1/16 in.)

Beauty Fireflies early 1800s. Kubo Shunman 1757-1820
Beauty with Fireflies, early 1800s. After Kubo Shunman (1757-1820). Hanging scroll; ink and color on silk (ivory roller ends); mounted: 181.5 x 45.6 cm (71 7/16 x 17 15/16 in.); painting

Chidori no tamagawa, Plovers at Tamagawa. Kubo, Shunman, 1757-1820, artist, [between 1780 and 1820], 1 print : woodcut, color. Print shows three women(?) watching plovers dive over the Tama River

Amezaiku, Candy bubble. Kubo, Shunman, 1757-1820, artist, [between 1810 and 1818], 1 print : woodcut, color; 19.5 x 17.4 cm

Baiju, Plum tree. Kubo, Shunman, 1757-1820, artist, 1799. 1 print : woodcut, color; 17 x 20.1 cm. Print shows blossoms on a plum tree

[Mikazuki ni ume(?)], Plum blossoms of the third day of the new year. Kubo, Shunman, 1757-1820, artist, 1798. 1 print : woodcut, color; 12.4 x 16.5 cm

Chikurin no kabe no mae no shichikenjin, Seven people before a bamboo fence. Kubo, Shunman, 1757-1820, artist, [180-], 1 print : woodcut, color; 20.2 x 27.3 cm

[Yatsushi chikurin no shichikenjin sono yon?], Parody of the seven sages of the bamboo grove. Kubo, Shunman, 1757-1820, artist, [between 1804 and 1810], 1 print : woodcut, color; 21.2 x 28.1 cm

Yanagi no sita no bijin, Beauties beneath a willow tree. Kubo, Shunman, 1757-1820, artist, [between 1804 and 1818], 1 print : woodcut, color; 13.3 x 18.1 cm

Hinamatsuri no sirozake, Rice wine for the Dolls Festival. Kubo, Shunman, 1757-1820, artist, 1815. 1 print : woodcut, color; 16.1 x 32.2 cm

Ne no hi no komatsubiki, Picking young pines on the day of the rat. Kubo, Shunman, 1757-1820, artist, [between 1804 and 1818], 1 print : woodcut, color; 10.7 x 14.3 cm

Kisen, The country girl as Kisen. Kubo, Shunman, 1757-1820, artist, [between 1801 and 1810], 1 print : woodcut, color; 19.9 x 8.2 cm

Ne no koku no yoshiwara, Yoshiwara at night in the day[?] of the rat. Kubo, Shunman, 1757-1820, artist, [ca. 1804], 1 print : woodcut, color; 13.9 x 14.2 cm

Katsugi no futari no onna, Two women wearing cloaks as veils. Kubo, Shunman, 1757-1820, artist, 1806. 1 print : woodcut, color; 12.7 x 20.9 cm

Kanmuri ni hiAcgi, Courtiers cap and folding fan. Kubo, Shunman, 1757-1820, artist, [between 1801 and 1810], 1 print : woodcut, color; 14 x 19 cm

Yatsushi kokei sanshAc, Transformation of three ridiculous laughs. Kubo, Shunman, 1757-1820, artist, [between 1789 and 1791], 1 print : woodcut, color; 14.1 x 20.7 cm

Yuki no shAcgatsu oiran dAcchA, Oiran parading in snow at the New Year. Kubo, Shunman, 1757-1820, artist, [between 1789 and 1801], 1 print : woodcut, color; 10 x 13.4 cm

Son gokA, The monkey SongokA from travels to the west. Kubo, Shunman, 1757-1820, artist, 1812. 1 print : woodcut, color; 21 x 13.7 cm. Print shows a monkey on a cloud dressed as a samurai warrior

SakurasAc, Primrose. Kubo, Shunman, 1757-1820, artist, [181-], 1 print : woodcut, color; 20.3 x 17.7 cm. Print shows primrose seedings growing in a box and a full grown plant in a vase

GyAcja BushAc, Kubo, Shunman, 1757-1820, artist, [between 1804 and 1818], 1 print : woodcut, color; 20.2 x 9 cm. Print shows a woman

Bagu, Saddlery. Kubo, Shunman, 1757-1820, artist, [1810, printed later], 1 print : woodcut, color; 20.6 x 18.4 cm. Print shows a riding crop leaning against a saddle resting on the ground

KAcrohAc no yuki, Snow on Mt. KAcro. Kubo, Shunman, 1757-1820, artist, [between 1795 and 1805], 1 print : woodcut, color; 16.3 x 30.5 cm (image), x 35.6 x 45.5 cm (mount)

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"Capturing the Essence of Edo Period: Kubo Shunman (1757-1820)" Step back in time to the late 1700s and early 1800s, as we explore the captivating world of Japanese artist Kubo Shunman. Known for his exquisite woodblock prints, Shunman's works provide a glimpse into the vibrant culture and beauty of Edo period Japan. In "Women with Salt Pails; The Noda Tama River in Mutsu Province, " we witness graceful women carrying their burdens along the riverbanks. Their colorful kimonos and delicate movements reflect both strength and elegance. Moving on to a tea house scene from the late 1780s, we find ourselves immersed in an atmosphere filled with charm and tranquility. Shunman's attention to detail allows us to appreciate every aspect of this traditional gathering place. Branches of bush clover take center stage in "Women Cutting Branches of Bush Clover; The Noji Tama River in Omi Province. " Here, women engage in a timeless activity while surrounded by nature's beauty, and is as if they are harmoniously merging with their surroundings. Shunman's versatility shines through even without titles attributed to his works. In one piece depicting Mt. Fuji through pines, he captures the majestic mountain against a serene backdrop – a testament to his mastery over landscapes. The artistry continues with "Court Ladies Making Dolls, " where delicately crafted dolls come alive under skilled hands. This glimpse into court life during the 1790s showcases not only artistic talent but also cultural significance. Venturing beyond Japan, Shunman presents us with a mesmerizing portrayal of a Chinese beauty from that era. With intricate details adorning her attire and an enigmatic expression on her face, she embodies gracefulness transcending borders. As we delve deeper into Shunman's collection, it becomes evident that his artistry knows no bounds.