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1757 1827 Collection (#6)

"1757-1827: The Enigmatic World of William Blake" Step into the mesmerizing world of William Blake

Background image1757 1827 Collection: Drawings Prints, Print, Cut, Two, &, Right, Protect, Hungarian Highland Broadsword

Drawings Prints, Print, Cut, Two, &, Right, Protect, Hungarian Highland Broadsword
Drawings and Prints, Print, Cut Two & Right Protect, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756-1835 London, British

Background image1757 1827 Collection: Seaport 1792 Pen Ink sheet 10 13 / 16 x 16 1 / 2

Seaport 1792 Pen Ink sheet 10 13 / 16 x 16 1 / 2
Artokoloro

Background image1757 1827 Collection: Charity Covereth Multitude Sins November 27 1781

Charity Covereth Multitude Sins November 27 1781
Artokoloro

Background image1757 1827 Collection: Pleasure Poste aux Anes Sentimental Travels ca

Pleasure Poste aux Anes Sentimental Travels ca
Artokoloro

Background image1757 1827 Collection: Landscape rushing stream couple bank frightened

Landscape rushing stream couple bank frightened
Artokoloro

Background image1757 1827 Collection: Barber Shop ca 1803 Pen ink watercolor sheet

Barber Shop ca 1803 Pen ink watercolor sheet
Artokoloro

Background image1757 1827 Collection: Dr Syntax Loses Wig 1820 Graphite tracing paper

Dr Syntax Loses Wig 1820 Graphite tracing paper
Artokoloro

Background image1757 1827 Collection: Hell Hounds Rallying Round Idol France April 8

Hell Hounds Rallying Round Idol France April 8
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Background image1757 1827 Collection: Brace Public Guardians July 10 1800 Hand-colored etching

Brace Public Guardians July 10 1800 Hand-colored etching
Artokoloro

Background image1757 1827 Collection: Pidgeon Hole Convent Garden Contrivance Coop up

Pidgeon Hole Convent Garden Contrivance Coop up
Artokoloro

Background image1757 1827 Collection: Journalist View Auckinleck Land Stones Picturesque Beauties

Journalist View Auckinleck Land Stones Picturesque Beauties
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Background image1757 1827 Collection: Successful Fortune Hunter Captain Shelalee Leading Miss Marrowfat

Successful Fortune Hunter Captain Shelalee Leading Miss Marrowfat
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Background image1757 1827 Collection: Antiquary Last Will Testament English Dance Death

Antiquary Last Will Testament English Dance Death
Artokoloro

Background image1757 1827 Collection: Title Page Caricature Magazine Mirror Mirth November 19

Title Page Caricature Magazine Mirror Mirth November 19
Artokoloro

Background image1757 1827 Collection: Dan-l Lambert Wonderful Great Pumpkin Little Brittain

Dan-l Lambert Wonderful Great Pumpkin Little Brittain
Artokoloro

Background image1757 1827 Collection: Horse Armoury Tower London Microcosm plate 101

Horse Armoury Tower London Microcosm plate 101
Artokoloro

Background image1757 1827 Collection: Horse Armoury Tower January 1 1800 Hand-colored etching

Horse Armoury Tower January 1 1800 Hand-colored etching
Artokoloro

Background image1757 1827 Collection: Illustration by William Blake (1757-1827) English poet, painter and printmaker, for

Illustration by William Blake (1757-1827) English poet, painter and printmaker, for Edward Youngs (1681-1765) poem Night Thoughts published 1742-1745

Background image1757 1827 Collection: William Blake (1757-1827) in 1824 English mystic, poet, painter and engraver

William Blake (1757-1827) in 1824 English mystic, poet, painter and engraver

Background image1757 1827 Collection: Strawberry Thief 1883: William Morris (1757-1827) Tapestry

Strawberry Thief 1883: William Morris (1757-1827) Tapestry

Background image1757 1827 Collection: William BLAKE (1757-1827) English mystic, poet, artist and engraver. 1807 portrait

William BLAKE (1757-1827) English mystic, poet, artist and engraver. 1807 portrait by Thomas Phillips. National Portrait Gallery, London

Background image1757 1827 Collection: William Blake (1757-1827) English mystic, poet, artist and engraver. 1807 portrait

William Blake (1757-1827) English mystic, poet, artist and engraver. 1807 portrait by Thomas Phillips (1770-1845) English painter

Background image1757 1827 Collection: Chaucers Canterbury Pilgrims on their journey. Engraving after a painted

Chaucers Canterbury Pilgrims on their journey. Engraving after a painted fresco by William Blake 1810. William Blake (1757-1827) English painter, printer and mystic

Background image1757 1827 Collection: The Lamb. A page from Songs of Innocence (1879) by William Blake (1757-1827), English mystic

The Lamb. A page from Songs of Innocence (1879) by William Blake (1757-1827), English mystic, poet, painter and engraver




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"1757-1827: The Enigmatic World of William Blake" Step into the mesmerizing world of William Blake, a British artist and poet whose works continue to captivate audiences even centuries later. From his stunning illustrations for "The Pastorals of Virgil, Eclogue I: The Blasted Tree" in 1821 to his thought-provoking piece "The Thought of Death alone, the Fear Destroys" from around 1795, Blake's artistry knows no bounds. One cannot help but be drawn into the depths of his imagination as we explore pieces like "St. Matthew, " created in 1799, where he brings biblical narratives to life with his unique style and vision. Moving forward to 1825, we encounter a series inspired by "The Book of Job. " In Plate 5, titled "Then went Satan forth from the presence of the Lord, " Blake captures the essence of this profound story with striking imagery. Continuing our journey through these plates, we witness moments that evoke both awe and contemplation. Plate 4 portrays a haunting scene where only one person remains alive to tell their tale - an image that lingers long after it is seen. And in Plate 9, a spirit passes before our face while our flesh stands on end; it is impossible not to feel an otherworldly presence within these pages. Blake's mastery shines through in every stroke and detail as he delves deeper into human emotions and existential questions. In Plate 8, aptly named "Let the Day perish wherein I was Born, " he explores themes of despair and longing for release from suffering. But amidst all darkness lies glimpses of hope. Plates like number 7 remind us that sometimes recognition can be elusive even when salvation is near at hand. And in Plate 6's depiction of Job afflicted with boils from head to toe, there exists an underlying resilience that speaks volumes about human endurance.