1776 1837 Collection

Landscape with Trees Surrounding a Pond. Creator: John Constable (British, 1776-1837)
Landscape with Trees Surrounding a Pond

Landscape. Creator: John Constable (British, 1776-1837)
Landscape

Hampstead Heath, Looking Toward Harrow, c. 1821. Creator: John Constable (British, 1776-1837)
Hampstead Heath, Looking Toward Harrow, c. 1821. Interested in the changing light effects of weather, Constable often worked outdoors and made a large number of quick oil sketches on paper

Hampstead Heath, 1800s. Creator: John Constable (British, 1776-1837), imitator of
Hampstead Heath, 1800s

The White Horse. Creator: John Constable (British, 1776-1837), imitator of
The White Horse

Branch Hill Pond, Hampstead, 1828. Creator: John Constable (British, 1776-1837)
Branch Hill Pond, Hampstead, 1828. From 1819 to 1826, Constable rented a summer house at Hampstead, a quarrying district on the northern outskirts of London, where he made drawings, oil sketches

Landscape Lock 1820 / 25 Attributed John Constable
Landscape (The Lock), 1820/25, Attributed to John Constable, English, 1776-1837, England, Oil on canvas, 71.5 × 92 cm (28 1/4 × 36 in.)

White Horse Imitator John Constable British 1776-1837
The White Horse. Imitator of John Constable (British, 1776-1837). Watercolor; sheet: 26.2 x 36.1 cm (10 5/16 x 14 3/16 in.)

Various Subjects Landscape Characteristic English Scenery
Various Subjects of Landscape, Characteristic of English Scenery from Pictures Painted by John Constable, R.A.: Dell in the Woods of Helmingham Park, Suffolk, 1830

Landscape Trees Surrounding Pond John Constable
Landscape with Trees Surrounding a Pond. John Constable (British, 1776-1837). Graphite; sheet: 19.5 x 31.1 cm (7 11/16 x 12 1/4 in.)

Salisbury Cathedral Meadows Small Plate 1855
Salisbury Cathedral from the Meadows (Small Plate), 1855. David Lucas (British, 1802-1881), after John Constable (British, 1776-1837)

Drawings Prints, Drawing, Cloud Study, Artist, John Constable, British, East, Bergholt
Drawings and Prints, Drawing, Cloud Study, Artist, John Constable, British, East Bergholt 1776-1837 Hampstead, Constable, John, 1776, 1837, 1830-35, 1830, 1835

Drawings Prints, Print, Jaques Wounded Stag, Shakespeare, You Like, Act 2, Scene 1
Drawings and Prints, Print, Jaques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), Engraver, Artist, Subject, after, David Lucas, John Constable, William Shakespeare, British

Mill Colchester 1833 Watercolor traces graphite
Artokoloro

Lock Constable 1912 Wood engraving Image 5 7 / 8
Artokoloro

Salisbury Cathedral Bishop Grounds ca 1825 Oil
Artokoloro

Barges on the Stour at Flatford Lock, with Dedham Church, 1811. John Constable (1776-1837) English landscape painter. River Stour, Suffolk, England

Stonehenge c1835: John Constable (1776-1837) English landscape painter.Watercolour

John Constable (1776-1837) English landscape painter salisbury cathedral

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"Exploring the Timeless Beauty of John Constable's Landscapes: 1776-1837" Step into the enchanting world of British artist John Constable, whose masterful brushstrokes captured the essence of nature during the late 18th and early 19th centuries. With a keen eye for detail and an innate understanding of light and atmosphere, Constable's landscapes transport us to idyllic scenes filled with tranquility and natural beauty. One such masterpiece is "Landscape with Trees Surrounding a Pond, " where lush greenery embraces a serene pond, reflecting the vibrant colors of its surroundings. Created by Constable himself in his signature style, this painting showcases his deep connection to nature and his ability to capture its ever-changing moods. Another captivating work is "Hampstead Heath, Looking Toward Harrow, " painted around 1821. Here, Constable invites us to gaze upon rolling hills dotted with trees as they stretch towards the horizon. The play between light and shadow creates a sense of depth that draws us further into this picturesque landscape. Constable's influence extended beyond his own creations; imitators sought to emulate his skillful technique. One such example is "The White Horse, " attributed to an imitator who attempted to capture Constable's mastery in portraying both animals and their natural habitat. In "Branch Hill Pond, Hampstead, " completed in 1828, we witness another breathtaking scene crafted by Constable's hand. The tranquil waters reflect towering trees that encircle them like guardians of serenity—a testament to the artist's ability to evoke emotions through paint on canvas. Throughout his career, Constable explored various subjects within English scenery—each one uniquely capturing different aspects of our natural world. From Salisbury Cathedral Meadows' small plate from 1855—an exquisite depiction of pastoral beauty—to cloud studies that showcase his meticulous attention to detail—the breadth and depth of Constable's work continue to inspire artists and art enthusiasts alike.