1787 1832 Collection

Woman by a Plum Tree Matched with the Wisteria Maiden... c. early 1830s. Creator
Woman by a Plum Tree Matched with the Wisteria Maiden (from a series of women compared to figures from Otsu paintings), c. early 1830s

The Geisha Motozuru (?) of Kaideya as a Dancer in Court Robes... early 1820s. Creator
The Geisha Motozuru (?) of Kaideya as a Dancer in Court Robes (from the series The Parade in the Shimmachi District of Osaka), early 1820s

Geisha Motozuru Kaideya Dancer Court Robes series
The Geisha Motozuru (?) of Kaideya as a Dancer in Court Robes (from the series The Parade in the Shimmachi District of Osaka), early 1820s. Yanagawa Shigenobu (Japanese, 1787-1832)

Yatsushi hangonko, A parody of the apparition seen by Emperor Wudi when he burned incense. Yanagawa, Shigenobu, 1787-1832, artist, [between 1818 and 1836], 1 print : woodcut, color; 20.4 x 16.7 cm

Wakamurasaki kyAcjo, The courtesan Wakamurasaki as a court lady. Yanagawa, Shigenobu, 1787-1832, artist, [between 1821 and 1823], 1 print : woodcut, color; 38.4 x 26.2 cm

Shya, Archery. Yanagawa, Shigenobu, 1787-1832, artist, [between 1818 and 1830], 1 print : woodcut, color; 20.9 x 18.4 cm. Print shows a man, standing, holding a large bow and an arrow

Hataori, Weaving. Yanagawa, Shigenobu, 1787-1832, artist, [between 1825 and 1832, printed later], 1 print : woodcut, color; 21 x 18.2 cm. Print shows a woman weaving at a loom

Kayuzue / kAcshohei, Kayuzue: the sage KAcshohei turning a goat into stone. Yanagawa, Shigenobu, 1787-1832, artist, [1823, printed later], 1 print : woodcut, color; 21.4 x 18.3 cm

Fugu no bijin to kurage no tomo, Pufferfish courtesan and her jellyfish companion. Yanagawa, Shigenobu, 1787-1832, artist, [between 1818 and 1830, printed later], 1 print : woodcut

Godaime iwayahanshirAc no fujimusume to sandaime bandAcmitsugorAc no zatAc, Iwai HanshirAc V as Fuji Musume and BandAc MitsugorAc III as ZatAc. Yanagawa, Shigenobu, 1787-1832, artist, 1820

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"Exploring the Artistic World of Yanagawa: 1787-1832" Step into the captivating world of Yanagawa, a renowned artist from 1787 to 1832. His exquisite works transport us to a time filled with grace and beauty. One such masterpiece is "Woman by a Plum Tree Matched with the Wisteria Maiden, " created in the early 1830s. This enchanting piece showcases the delicate harmony between nature and femininity. In another creation titled "Geisha Motozuru of Kaideya as a Dancer in Court Robes, " Yanagawa captures the elegance and poise of this geisha, transporting us back to the early 1820s. The Geisha Motozuru series offers an intimate glimpse into their mesmerizing performances. Yanagawa's artistry extends beyond traditional subjects, as seen in "Yatsushi hangonko. " This parody depicts Emperor Wudi's encounter with an apparition while burning incense, adding a touch of whimsy to his repertoire. The artist also delves into portraying historical figures like Wakamurasaki kyAcjo, who transitions seamlessly from being a courtesan to embodying courtly grace. Through these pieces, we witness Yanagawa's ability to capture both beauty and depth. Not limited to human subjects alone, Yanagawa explores various themes such as archery ("Shya") and weaving ("Hataori"). These prints showcase his versatility as an artist and his dedication to capturing different aspects of life during this period. Intriguing narratives unfold within Yanagawa's works like "Kayuzue / kAcshohei, " where he portrays KAcshohei turning a goat into stone – showcasing mythical elements intertwined with reality. Lastly, we are captivated by "Fugu no bijin to kurage no Tomo, " which presents an unusual companionship between a pufferfish courtesan and her jellyfish friend.