1818 1910 Collection (#3)

Battersea Bridge 1868 Francis Seymour Haden British
Battersea Bridge, 1868. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Bark Refitting 1865 Francis Seymour Haden British
Bark Refitting, 1865. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Inn Purfleet 1869 Francis Seymour Haden British
The Inn, Purfleet, 1869. Francis Seymour Haden (British, 1818-1910). Etching

Thames Ditton Sail 1864 Francis Seymour Haden
Thames Ditton - With a Sail, 1864. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Sunset Ireland 1863 Francis Seymour Haden British
A Sunset in Ireland, 1863. Francis Seymour Haden (British, 1818-1910). Drypoint

Haunt Mosquito Francis Seymour Haden British
Haunt of the Mosquito. Francis Seymour Haden (British, 1818-1910). Mezzotint

Early Riser 1897 Francis Seymour Haden British
An Early Riser, 1897. Francis Seymour Haden (British, 1818-1910). Mezzotint

Moorland Stream Francis Seymour Haden British
A Moorland Stream. Francis Seymour Haden (British, 1818-1910). Mezzotint

Shere Mill Pond Small Study Francis Seymour Haden
Shere Mill Pond (A Small Study). Francis Seymour Haden (British, 1818-1910). Etching

Pillar Salt Francis Seymour Haden British 1818-1910
The Pillar of Salt. Francis Seymour Haden (British, 1818-1910). Etching and mezzotint

Salmon River Francis Seymour Haden British 1818-1910
A Salmon River. Francis Seymour Haden (British, 1818-1910). Etching and mezzotint

Latest Tree 1882 Francis Seymour Haden British
The Latest Tree, 1882. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Winchelsea Canal 1877 Francis Seymour Haden British
Winchelsea Canal, 1877. Francis Seymour Haden (British, 1818-1910). Etching and mezzotint

Nine Barrow Down 1877 Francis Seymour Haden British
Nine Barrow Down, 1877. Francis Seymour Haden (British, 1818-1910). Drypoint

Old Willesley House 1865 Francis Seymour Haden
Old Willesley House, 1865. Francis Seymour Haden (British, 1818-1910). Etching

River Ireland 1864 Francis Seymour Haden British
A River in Ireland, 1864. Francis Seymour Haden (British, 1818-1910). Etching

Old Chelsea Church 1865 Francis Seymour Haden
Old Chelsea Church, 1865. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Mouth Brook Second Plate Francis Seymour Haden
The Mouth of a Brook (Second Plate). Francis Seymour Haden (British, 1818-1910). Drypoint

Fulham Francis Seymour Haden British 1818-1910
Fulham. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Kensington Gardens Large Plate 1860 Francis Seymour Haden
Kensington Gardens (The Large Plate), 1860. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Water Meadow 1859 Francis Seymour Haden British
A Water Meadow, 1859. Francis Seymour Haden (British, 1818-1910). Etching

Kensington Gardens Small Plate 1859 Francis Seymour Haden
Kensington Gardens (The Small Plate), 1859. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Kidwelly Castle 1859 Francis Seymour Haden British
Kidwelly Castle, 1859. Francis Seymour Haden (British, 1818-1910). Etching

Egham 1859 Francis Seymour Haden British 1818-1910
Egham, 1859. Francis Seymour Haden (British, 1818-1910). Etching

Out Study Window 1862 Francis Seymour Haden British
Out of Study Window, 1862. Francis Seymour Haden (British, 1818-1910). Etching

Lancashire River 1881 Francis Seymour Haden British
A Lancashire River, 1881. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Kensington Gardens Larger Plate 1860 Francis Seymour Haden
Kensington Gardens (The Larger Plate), 1860. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Battersea Reach 1843 Francis Seymour Haden British
Battersea Reach, 1843. Francis Seymour Haden (British, 1818-1910). Etching

Holly Field Francis Seymour Haden British 1818-1910
Holly Field. Francis Seymour Haden (British, 1818-1910). Etching

Sub Tegmine 1859 Francis Seymour Haden British
Sub Tegmine, 1859. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Twickenham Church 1865 Francis Seymour Haden
Twickenham Church, 1865. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Essex Farm 1874 Francis Seymour Haden British
An Essex Farm, 1874. Francis Seymour Haden (British, 1818-1910). Etching

Harlech Second Plate 1880 Francis Seymour Haden
Harlech (A Second Plate), 1880. Francis Seymour Haden (British, 1818-1910). Mezzotint, etching and drypoint

Shere Mill Pond Larger Plate 1860 Francis Seymour Haden
Shere Mill Pond (The Larger Plate), 1860. Francis Seymour Haden (British, 1818-1910). Etching

Test 1859 Francis Seymour Haden British 1818-1910
On the Test, 1859. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Breaking Up Agamemnon 1870 Francis Seymour Haden
Breaking Up of the Agamemnon, 1870. Francis Seymour Haden (British, 1818-1910). Etching

Little Longparish 1896 Francis Seymour Haden
The Little Longparish, 1896. Francis Seymour Haden (British, 1818-1910). Drypoint

Monk Fountain 1877 Francis Seymour Haden British
Monk at a Fountain, 1877. Francis Seymour Haden (British, 1818-1910). Etching

Kilgaren Castle 1864 Francis Seymour Haden British
Kilgaren Castle, 1864. Francis Seymour Haden (British, 1818-1910). Etching

Horsley House Willesley 1865 Francis Seymour Haden
Horsleys House at Willesley, 1865. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Three-Tree Farm 1879 Francis Seymour Haden British
Three-Tree Farm, 1879. Francis Seymour Haden (British, 1818-1910). Etching

Kensington Gardens No 2 Larger Plate 1860 Francis Seymour Haden
Kensington Gardens, No. 2 (The Larger Plate), 1860. Francis Seymour Haden (British, 1818-1910). Etching with drypoint

Kew 1864 Francis Seymour Haden British 1818-1910
Kew, 1864. Francis Seymour Haden (British, 1818-1910). Etching

Towing Path 1864 Francis Seymour Haden British
The Towing Path, 1864. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Little Boathouse 1877 Francis Seymour Haden British
The Little Boathouse, 1877. Francis Seymour Haden (British, 1818-1910). Drypoint

Egham Lock 1859 Francis Seymour Haden British
Egham Lock, 1859. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

Kidwelly Town 1859 Francis Seymour Haden British
Kidwelly Town, 1859. Francis Seymour Haden (British, 1818-1910). Etching

Brentford Ferry 1864 Francis Seymour Haden British
Brentford Ferry, 1864. Francis Seymour Haden (British, 1818-1910). Etching and drypoint

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"Exploring the Timeless Beauty of Francis Seymour Haden's Art: 1818-1910" Step into the enchanting world of British artist Francis Seymour Haden, whose remarkable creations spanned from 1818 to 1910. With each stroke of his brush or etching tool, Haden captured the essence and serenity of nature in its various forms. In "The Mouth of a Brook, " we are transported to a tranquil stream where water gently cascades over rocks, inviting us to immerse ourselves in its soothing embrace. Meanwhile, "Three-Tree Farm" transports us to an idyllic countryside scene, where lush fields and majestic trees create a harmonious symphony with nature. Haden's mastery shines through in "The Towing Path, " as he skillfully depicts the peacefulness along a riverbank path. The viewer can almost feel the gentle breeze rustling through their hair while strolling alongside this serene setting. "The Pillar of Salt" captivates our imagination with its mysterious allure. This captivating artwork invites contemplation on themes such as timelessness and transformation. Moving towards urban landscapes, "Twickenham Church" showcases Haden's ability to capture architectural beauty amidst natural surroundings. The church stands tall against a backdrop of vibrant foliage, reminding us that even within bustling cities, tranquility can be found. As we journey further along the Thames River in "Thames Ditton - With a Sail, " we witness boats gliding gracefully across shimmering waters under clear blue skies—a testament to both man-made ingenuity and Mother Nature's grandeur. In "The Latest Tree, " Haden portrays an ancient tree standing proudly amidst changing seasons—symbolizing resilience and endurance throughout time. Similarly, "The Little Longparish" captures the charm of rural life with its quaint cottages nestled among rolling hills—an ode to simpler times gone by.