Skip to main content

1820s Collection (#32)

Step back in time to the 1820s, a decade filled with captivating moments and remarkable achievements

Background image1820s Collection: The Battle of Monte-Sancto (Mont Athos), 1827 (oil on canvas)

The Battle of Monte-Sancto (Mont Athos), 1827 (oil on canvas)
989662 The Battle of Monte-Sancto (Mont Athos), 1827 (oil on canvas) by Crepin, Louis Philippe (1772-1851); 133.4x198.7 cm; Private Collection; (add.info)

Background image1820s Collection: The pool of Bethesda (engraving)

The pool of Bethesda (engraving)
2905800 The pool of Bethesda (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The pool of Bethesda)

Background image1820s Collection: Mergus Serrator, Foemina (red-breasted Merganser, female)

Mergus Serrator, Foemina (red-breasted Merganser, female)
986448 Mergus Serrator, Foemina (red-breasted Merganser, female), 1770-1829 (hand-coloured engraving) by Dutch School, (18th century); Private Collection; (add.info.: Mergus Serrator)

Background image1820s Collection: Le Havre, seen from the old dock, 1823-1826 (hand-coloured aquatint)

Le Havre, seen from the old dock, 1823-1826 (hand-coloured aquatint)
986399 Le Havre, seen from the old dock, 1823-1826 (hand-coloured aquatint) by Fielding, Thales (1793-1837); 28.6x46 cm; Private Collection; (add.info.: Le Havre, seen from the old dock; (Le) Havre

Background image1820s Collection: Illustration for the packaging of eau de Cologne, c. 1825 (watercolour and bodycolour)

Illustration for the packaging of eau de Cologne, c. 1825 (watercolour and bodycolour)
986287 Illustration for the packaging of eau de Cologne, c.1825 (watercolour and bodycolour) by French School, (19th century); 32.5x45.3 cm; Private Collection; (add.info)

Background image1820s Collection: The Towns-end Mill, Liverpool, 1814-1825 (hand-coloured aquatint)

The Towns-end Mill, Liverpool, 1814-1825 (hand-coloured aquatint)
986116 The Towns-end Mill, Liverpool, 1814-1825 (hand-coloured aquatint) by Daniell, William (1769-1837); 36x25.5 cm; Private Collection; (add.info.: The Towns-end Mill, Liverpool)

Background image1820s Collection: Half-length Portrait of Heinrich Heine, Facing Left, 1820 (miniature painting on ivory)

Half-length Portrait of Heinrich Heine, Facing Left, 1820 (miniature painting on ivory)
986085 Half-length Portrait of Heinrich Heine, Facing Left, 1820 (miniature painting on ivory) by Colla (fl. 19th century); 47.8x36.7 cm; Private Collection; (add.info)

Background image1820s Collection: Histoire Natuurelle des Orangers, 1818-20 (stipple-engraved plate)

Histoire Natuurelle des Orangers, 1818-20 (stipple-engraved plate)
985912 Histoire Natuurelle des Orangers, 1818-20 (stipple-engraved plate) by Risso, Joseph Antoine (1777-1845) & Antoine, Pierre (1766-1854)(after); 35.2x25.3 cm; Private Collection; (add.info)

Background image1820s Collection: Rosa Bifera macrocarpa, 1817-1824 (stipple-engraving, printed in colour

Rosa Bifera macrocarpa, 1817-1824 (stipple-engraving, printed in colour
985710 Rosa Bifera macrocarpa, 1817-1824 (stipple-engraving, printed in colour and finished by hand) by RedoutA©, Pierre-Joseph (1759-1840); 35.7x26.6 cm; Private Collection; (add.info)

Background image1820s Collection: The Battle of Algiers: The Bombardment, 1824 (oil on canvas)

The Battle of Algiers: The Bombardment, 1824 (oil on canvas)
652146 The Battle of Algiers: The Bombardment, 1824 (oil on canvas) by Luny, Thomas (1759-1837); 87x130.2 cm; Private Collection; (add.info.: The Battle of Algiers: The Bombardment)

Background image1820s Collection: A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour)

A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour)
651897 A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour) by Hunt, William Henry (1790-1864); 45x55.9 cm; Private Collection; (add.info.: A Sportsman with a Boy)

Background image1820s Collection: Building a full-size replica of Stephensons Rocket for the Science Museum, London

Building a full-size replica of Stephensons Rocket for the Science Museum, London
6014793 Building a full-size replica of Stephensons Rocket for the Science Museum, London, at the works of Robert Stephenson & Co, the same firm that made the original locomotive in 1829, Darlington

Background image1820s Collection: Convent Interior in Rome

Convent Interior in Rome
5672215 Convent Interior in Rome by Granet, Francois-Marius (1775-1849); (add.info.: Convent Interior in Rome, 1825, by Francois Marius Granet (1777A-1849)

Background image1820s Collection: Fleurs Artificielles, c. 1820-35 (porcelain)

Fleurs Artificielles, c. 1820-35 (porcelain)
1766889 Fleurs Artificielles, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Fleurs Artificielles)

Background image1820s Collection: A Wooded Landscape with Haymakers, 1822

A Wooded Landscape with Haymakers, 1822
1766754 A Wooded Landscape with Haymakers, 1822 by Bakhuyzen, Hendrick van de Sande (1795-1860); Private Collection; (add.info.: A Wooded Landscape with Haymakers)

Background image1820s Collection: A man with his ox, c. 1825 (pencil, pen, black ink, w / c, on Whatman paper)

A man with his ox, c. 1825 (pencil, pen, black ink, w / c, on Whatman paper)
1196920 A man with his ox, c. 1825 (pencil, pen, black ink, w/c, on Whatman paper) by Indian School, (19th century); 38.7x25.4 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1820s Collection: Self-portrait, c. 1818-1821 (oil on paper)

Self-portrait, c. 1818-1821 (oil on paper)
1197506 Self-portrait, c.1818-1821 (oil on paper) by Corot, Jean Baptiste Camille (1796-1875); 22x16.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background image1820s Collection: A Heron, c. 1820 (w / c)

A Heron, c. 1820 (w / c)
1196948 A Heron, c. 1820 (w/c) by Indian School, (19th century); 30x19 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1820s Collection: Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint)

Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint)
1196941 Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint) by Salt, Henry (1780-1827) (after); 48x68 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background image1820s Collection: The English Quay, near the Senat-Dirigeant; Le Quai Anglais, Pres du Senat-Dirigeant

The English Quay, near the Senat-Dirigeant; Le Quai Anglais, Pres du Senat-Dirigeant
1195688 The English Quay, near the Senat-Dirigeant; Le Quai Anglais, Pres du Senat-Dirigeant, early 19th century (lithograph) by Russian School (19th century)

Background image1820s Collection: Upper and lower covers, with eagle, torch, heart, scales and floral designs

Upper and lower covers, with eagle, torch, heart, scales and floral designs
1195381 Upper and lower covers, with eagle, torch, heart, scales and floral designs, 1820 (light blue crushed levant morocco, with densely gilt borders, se) by English School

Background image1820s Collection: The Prince of Moldavia, Michael Soutzo; Le Prince de Moldavie, Michel Soutzo

The Prince of Moldavia, Michael Soutzo; Le Prince de Moldavie, Michel Soutzo
1195406 The Prince of Moldavia, Michael Soutzo; Le Prince de Moldavie, Michel Soutzo, 1825-1837 (coloured lithograph) by Dupre

Background image1820s Collection: A Life Study of the Marquis de Lafayette, 1824-1825 (oil on canvas)

A Life Study of the Marquis de Lafayette, 1824-1825 (oil on canvas)
822749 A Life Study of the Marquis de Lafayette, 1824-1825 (oil on canvas) by Sully, Thomas (1783-1872); 55.8x48.7 cm; Private Collection; (add.info.: A Life Study of the Marquis de Lafayette)

Background image1820s Collection: A Botanical Study, 1822-1845 (watercolour on paper)

A Botanical Study, 1822-1845 (watercolour on paper)
986258 A Botanical Study, 1822-1845 (watercolour on paper) by Strickland, Charlotte (1759-1833); 37x27 cm; Private Collection; (add.info.: A Botanical Study. From Specimens of British Plants)

Background image1820s Collection: Dendrobium Wardianum Giganteum, 1824-1890 (coloured lithograph)

Dendrobium Wardianum Giganteum, 1824-1890 (coloured lithograph)
986199 Dendrobium Wardianum Giganteum, 1824-1890 (coloured lithograph) by English School, (19th century); 30x23.5 cm; Private Collection; (add.info.: Dendrobium Wardianum Giganteum)

Background image1820s Collection: Raven, (hand-coloured etching with aquatint engraving)

Raven, (hand-coloured etching with aquatint engraving)
985856 Raven, (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 99.6x66.7 cm; Private Collection; (add.info.: Raven; Corvus Corax)

Background image1820s Collection: Peafowl, c. 1809-1829 (hand-coloured engraving)

Peafowl, c. 1809-1829 (hand-coloured engraving)
985834 Peafowl, c.1809-1829 (hand-coloured engraving) by Sepp, Jan Christiaen (1739-1811); 52.7x36 cm; Private Collection; (add.info.: Peafowl; Pavo Cristatus Mas)

Background image1820s Collection: Black and Yellow Warbler and Flowering Raspberry, c. 1826-1838

Black and Yellow Warbler and Flowering Raspberry, c. 1826-1838
985670 Black and Yellow Warbler and Flowering Raspberry, c.1826-1838 (hand-coloured etching with aquatint engraving) by Audubon

Background image1820s Collection: A Portrait of Neptune, 1824 (oil on canvas)

A Portrait of Neptune, 1824 (oil on canvas)
827528 A Portrait of Neptune, 1824 (oil on canvas) by Landseer, Edwin (1802-73); 152.4x200.7 cm; Private Collection; (add.info.: A Portrait of Neptune. Sir Edwin Henry Landseer (1802-1873)

Background image1820s Collection: Hunters and a Spaniel in an Extensive Landscape, 1827 (oil on canvas)

Hunters and a Spaniel in an Extensive Landscape, 1827 (oil on canvas)
827245 Hunters and a Spaniel in an Extensive Landscape, 1827 (oil on canvas) by Towne, Charles (1763-1840); 44.5x51.5 cm; Private Collection; (add.info)

Background image1820s Collection: Vues de Bresil, c. 1829-35 (woodblock print in colours)

Vues de Bresil, c. 1829-35 (woodblock print in colours)
828303 Vues de Bresil, c.1829-35 (woodblock print in colours) by Deltil, Jean Julien (1791-1863); 180.3x266.7 cm; Private Collection; (add.info.: Vues de Bresil)

Background image1820s Collection: Scene on the Virginia Water, 1827 (pencil and watercolour)

Scene on the Virginia Water, 1827 (pencil and watercolour)
651987 Scene on the Virginia Water, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: Scene on the Virginia Water)

Background image1820s Collection: Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white)

Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white)
651886 Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white) by Roberts, David (1796-1864); 22.9x30.7 cm; Private Collection; (add.info.: Dieppe. David Roberts (1796-1864)

Background image1820s Collection: The Good Samaritan (engraving)

The Good Samaritan (engraving)
2905799 The Good Samaritan (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The Good Samaritan)

Background image1820s Collection: Soldiers in the Keep of a Castle, 1828 (oil on canvas)

Soldiers in the Keep of a Castle, 1828 (oil on canvas)
658623 Soldiers in the Keep of a Castle, 1828 (oil on canvas) by Rorbye, Martinus (1803-48); 52x71.8 cm; Private Collection; (add.info.: Soldiers in the Keep of a Castle. Martinus Rorbye (1803-1848)

Background image1820s Collection: Lady Emily Feilding, fourth child of William Feilding, Viscount Feilding, and his wife Anne

Lady Emily Feilding, fourth child of William Feilding, Viscount Feilding, and his wife Anne, 1825 (engraving)
6014881 Lady Emily Feilding, fourth child of William Feilding, Viscount Feilding, and his wife Anne, 1825 (engraving) by Kirkby

Background image1820s Collection: Durga and Kali Standing Before the Advancing Host of Demons, c

Durga and Kali Standing Before the Advancing Host of Demons, c
1196849 Durga and Kali Standing Before the Advancing Host of Demons, c.1800-1820 (gouache and gold paint on paper) by Indian School

Background image1820s Collection: The Tomb of Humayun, c. 1820 (pen and black ink, w / c)

The Tomb of Humayun, c. 1820 (pen and black ink, w / c)
1196701 The Tomb of Humayun, c.1820 (pen and black ink, w/c) by Agra School, (19th century); 31.4x43.2 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background image1820s Collection: Greenwich Hospital, 1822 (w / c, brown ink and pencil on paper)

Greenwich Hospital, 1822 (w / c, brown ink and pencil on paper)
1197611 Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper) by Rowlandson, Thomas (1756-1827); 30.5x48.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background image1820s Collection: An architectural design with garden, 1821-1822 (coloured print)

An architectural design with garden, 1821-1822 (coloured print)
1195480 An architectural design with garden, 1821-1822 (coloured print) by Repton, Humphry (1752-1818) (after); 52.7x36.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background image1820s Collection: Emperor Pedro 1st, c. 1825-6 (pen & ink)

Emperor Pedro 1st, c. 1825-6 (pen & ink)
1199471 Emperor Pedro 1st, c. 1825-6 (pen & ink) by Landseer, Charles (1799-1879); 9.8x11.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background image1820s Collection: Rosa Gallica Versicolor (Rosa mundi rose), 1817-1824 (stipple-engraving printed in

Rosa Gallica Versicolor (Rosa mundi rose), 1817-1824 (stipple-engraving printed in
991247 Rosa Gallica Versicolor (Rosa mundi rose), 1817-1824 (stipple-engraving printed in colours and finished by hand) by Redoute

Background image1820s Collection: Cairo: view of the interior of the house of Osman Bey, 1820-1830 (engraving)

Cairo: view of the interior of the house of Osman Bey, 1820-1830 (engraving)
991224 Cairo: view of the interior of the house of Osman Bey, 1820-1830 (engraving) by French School, (19th century); 50.8x66.4 cm; Private Collection; (add.info.: Cairo)

Background image1820s Collection: Portrait of Don Agustin de las Heras y Carazo, 1828 (oil on canvas)

Portrait of Don Agustin de las Heras y Carazo, 1828 (oil on canvas)
987568 Portrait of Don Agustin de las Heras y Carazo, 1828 (oil on canvas) by Escobar, Vicente (19th century); 90x68 cm; Private Collection; (add.info.: Portrait of Don Agustin de las Heras y Carazo)

Background image1820s Collection: Buffalo Hunt, c. 1822-1824 (pen and black ink and watercolour on paper)

Buffalo Hunt, c. 1822-1824 (pen and black ink and watercolour on paper)
985353 Buffalo Hunt, c.1822-1824 (pen and black ink and watercolour on paper) by Rindisbacher, Peter (1806-34); 21.2x41.6 cm; Private Collection; (add.info.: Buffalo Hunt)

Background image1820s Collection: Assemblage of Ghoorkas, 1820 (hand-coloured aquatint engraving)

Assemblage of Ghoorkas, 1820 (hand-coloured aquatint engraving)
985854 Assemblage of Ghoorkas, 1820 (hand-coloured aquatint engraving) by Fraser, James Baillie (1783-1856) (after); 54.5x57 cm; Private Collection; (add.info.: Assemblage of Ghoorkas)

Background image1820s Collection: Wood Ibis, Scarlet Flamingo, White Ibis, c. 1828-1829 (hand-coloured engraving)

Wood Ibis, Scarlet Flamingo, White Ibis, c. 1828-1829 (hand-coloured engraving)
985841 Wood Ibis, Scarlet Flamingo, White Ibis, c.1828-1829 (hand-coloured engraving) by Wilson, Alexander (1766-1813) (after); 37.8x29.8 cm; Private Collection; (add.info.: Wood Ibis)




For sale as Licensed Images

Choose your image, Select your licence and Download the media

Step back in time to the 1820s, a decade filled with captivating moments and remarkable achievements. Immerse yourself in the vibrant world of art, nature, and innovation as we explore this fascinating era. Let's begin our journey by delving into the mesmerizing world of John James Audubon. His masterpieces like "American Flamingo" and "Louisiana Heron" transport us to lush landscapes teeming with exotic birds. Audubon's intricate illustrations capture the beauty of these creatures, allowing us to marvel at their vivid colors and graceful movements. But it wasn't just Audubon who captivated imaginations during this period. Picture a man riding on a steam rocket, defying gravity itself. This daring feat symbolizes humanity's unyielding quest for progress and exploration. Meanwhile, Charles Green's balloon event in Stockport showcases mankind's fascination with flight as people gathered to witness awe-inspiring ascents into the sky. As we delve deeper into history, let us not forget the Napoleonic Wars that shaped Europe during this time. The French uniforms worn by soldiers evoke images of valorous battles fought across vast landscapes. These uniforms serve as reminders of an era defined by conflict but also marked by resilience and heroism. Innovation was also thriving during this decade; enter BABBAGEs ENGINE (1), an early mechanical computer designed by Charles Babbage himself. This groundbreaking invention laid the foundation for modern computing systems that have revolutionized our lives today. Artistic genius Francisco Goya takes center stage with his haunting masterpiece "Saturn Devouring a Son. " Painted between 1819-23, Goya captures raw human emotions through his striking brushstrokes – reminding us that even amidst great accomplishments, darkness can still linger within society. Nature continues to enchant us through John James Audubon's Snowy Owl illustration—an ethereal creature soaring against a wintry backdrop.