1825 Collection (page 2)

Saturday Night at Sea
Saturday night at sea - the seamen, off duty, listen as one of their number sings a stirring sea-shanty

T H Huxley (Waddy)
THOMAS HENRY HUXLEY scientist

The triumphal entry of the Duke of Wellington into Madrid in 1812. Engraving based on the painting by W.Hilton from 1825. Engraving

Portrait of Simon Vouet
5854999 Portrait of Simon Vouet; (add.info.: Portrait of Simon Vouet (1582-1641), French history and portrait artist. Portrait by Van Dyck

Portrait of Adrian Stalbemt
5854998 Portrait of Adrian Stalbemt; (add.info.: Portrait of Adrian Stalbemt (1580-1660), Flemish landscape artist. Portrait by Van Dyck, steel engraving by John Corner

Self portrait of Quintin Matsys or the Blacksmith of Antwerp
5854997 Self portrait of Quintin Matsys or the Blacksmith of Antwerp; (add.info.: Self portrait of Quintin Matsys or the Blacksmith of Antwerp (1460-1529), Flemish history and portrait artist

Self portrait of Giovanni Antonio Licinio, or Il Pordenone
5854984 Self portrait of Giovanni Antonio Licinio, or Il Pordenone; (add.info.: Self portrait of Giovanni Antonio Licinio, or Il Pordenone (1484-1540), Italian history and portrait painter

Mr. John Cooper as Clement Cleveland in "The Pirate" at the Theatre Royal Drury Lane
FLO4594898 Mr. John Cooper as Clement Cleveland in "The Pirate" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael

Mrs. Maria Theresa Bland, actress and singer, as Madame Marbleu in " Monsieur Tonson" the Theatre Royal Drury
FLO4594932 Mrs. Maria Theresa Bland, actress and singer, as Madame Marbleu in " Monsieur Tonson" the Theatre Royal Drury Lane

Mr. Etienne le Blond, ballet dancer, at the Theatre Royal Opera House Haymarket
FLO4594929 Mr. Etienne le Blond, ballet dancer, at the Theatre Royal Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck

Mr. Charles Young in "The Stranger" at the Theatre Royal Covent Garden
FLO4594926 Mr. Charles Young in "The Stranger" at the Theatre Royal Covent Garden. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp

Mr. William Dowton as Doctor Cantwell in "The Hypocrite" at the Theatre Royal Drury Lane
FLO4594879 Mr. William Dowton as Doctor Cantwell in "The Hypocrite" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Samuel

Mr. Edward Knight as Hodge in the opera "Love in a Village" at the Theatre Royal Drury Lane
FLO4594851 Mr. Edward Knight as Hodge in the opera "Love in a Village" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by

Self portrait of Domenico Zampieri, Domenichino
5854996 Self portrait of Domenico Zampieri, Domenichino; (add.info.: Self portrait of Domenico Zampieri, Domenichino (1581-1641), an Italian landscape and history painter of Flemish origin

Portrait of John Both
5854994 Portrait of John Both; (add.info.: Portrait of John Both (1610-1650), Flemish landscape artist. Portrait by Willers

Self portrait of Giovanni Lanfranco
5854983 Self portrait of Giovanni Lanfranco; (add.info.: Self portrait of Giovanni Lanfranco (1581-1647), Italian history painter

Self portrait of Giorgio Barbarelli or Giorgione
5854982 Self portrait of Giorgio Barbarelli or Giorgione; (add.info.: Self portrait of Giorgio Barbarelli or Giorgione da Castelfranco (1478-1511), Italian history, portrait and landscape artist

Self portrait of Jacob Jordaens
5854980 Self portrait of Jacob Jordaens; (add.info.: Self portrait of Jacob Jordaens (1594-1678), painter of history, conversation and allegorical paintings

Portrait of Pietro Francesco Mola
5854991 Portrait of Pietro Francesco Mola; (add.info.: Portrait of Pietro Francesco Mola (1609-1665), Swiss landscape and history artist

Globe Theatre, Bankside, Southwark, London (right) and the Bear Garden c1597. Copperplate engraving 1825
531331 Globe Theatre, Bankside, Southwark, London (right) and the Bear Garden c1597. Copperplate engraving 1825; Universal History Archive/UIG

South Sea Whale Fishery: Amelia Wilson and Castor off Buoro. Aquatint after John Huggins published 1825
530713 South Sea Whale Fishery: Amelia Wilson and Castor off Buoro. Aquatint after John Huggins published 1825. Factory ship at anchor while crew in boats harpoon Sperm Whales

Self portrait of Sir Peter Vander Vaas, Sir Peter Lely
5854992 Self portrait of Sir Peter Vander Vaas, Sir Peter Lely; (add.info.: Self portrait of Sir Peter Vander Vaas, Sir Peter Lely (1617-1680)

Portrait of Charles le Brun
5854987 Portrait of Charles le Brun; (add.info.: Portrait of Charles le Brun (1619-1690), French history painter and First Painter to King Louis XIV

Miss Frances Copeland as Fanny in "Maid or Wife" the Theatre Royal Drury Lane
FLO4594958 Miss Frances Copeland as Fanny in "Maid or Wife" the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de

Sarah Booth as Christine in "Love in Humble Life" the Theatre Royal Covent Garden
FLO4594936 Sarah Booth as Christine in "Love in Humble Life" the Theatre Royal Covent Garden. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William

Mr. George Smith as Robin in "No Song No Supper" at the Theatre Royal Drury Lane
FLO4594901 Mr. George Smith as Robin in "No Song No Supper" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Samuel de Wilde

Mr. James Pimbury Wilkinson as Michael in " Free and Easy" at the Theatre Royal English Opera House, Strand
FLO4594887 Mr. James Pimbury Wilkinson as Michael in " Free and Easy" at the Theatre Royal English Opera House, Strand

Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third
FLO4594838 Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeare's " Richard III" at the Theatre Royal Drury Lane

Itinerant Tinker and his boy assistant: Woman brings utensil for repair. Leather tool bag doubles as bellows creating
531765 Itinerant Tinker and his boy assistant: Woman brings utensil for repair. Leather tool bag doubles as bellows creating draught for little forge. Piemonte (Piedmont) district, Northwest Italy

Experiment, the first passenger railway carriage, built by George Stephenson for the Stockton
527921 Experiment, the first passenger railway carriage, built by George Stephenson for the Stockton and Darlington line in 1825. Passengers entered from the back

Self portrait of Annibale Caracci
5854993 Self portrait of Annibale Caracci; (add.info.: Self portrait of Annibale Caracci (1560-1609), Italian history artist

Self portrait of Hans Holbein
5854988 Self portrait of Hans Holbein; (add.info.: Self portrait of Hans Holbein (1498-1554), history and portrait artist who became painter to King Henry VIII of England

Self portrait of Sir Anthony Vandyck
5854981 Self portrait of Sir Anthony Vandyck; (add.info.: Self portrait of Sir Anthony Vandyck (1598-1641), Flemish history

Self portrait of Nicolas Poussin
5854978 Self portrait of Nicolas Poussin; (add.info.: Self portrait of Nicolas Poussin (1594-1665), French landscape and history painter, shown holding a book and pen

Mr. Edward Fitzwilliam as Looney Macwolter in "The Review" at the Theatre Royal Drury Lane
FLO4594885 Mr. Edward Fitzwilliam as Looney Macwolter in "The Review" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by

Mr. John Pritt Harley as Caleb Quotem in "The Review" at the Theatre Royal Drury Lane
FLO4594844 Mr. John Pritt Harley as Caleb Quotem in "The Review" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael

Miss Harriet Constance Smithson as Miss Dorrillon in "Wives as They Were
FLO4594957 Miss Harriet Constance Smithson as Miss Dorrillon in "Wives as They Were and Maids as They Are" the Theatre Royal Drury Lane

Mr. Samuel Simmons as Baron Munchausen in the pantomime " Harlequin Munchausen" at the Theatre Royal Covent
FLO4594914 Mr. Samuel Simmons as Baron Munchausen in the pantomime " Harlequin Munchausen" at the Theatre Royal Covent Garden

Portrait of Carlo Vanloo
5854986 Portrait of Carlo Vanloo; (add.info.: Portrait of Carlo Vanloo or Charles Andre Vanloo (1705-1765), French history painter

Self portrait of Albert Durer, 1825 (engraving)
5854979 Self portrait of Albert Durer, 1825 (engraving); (add.info.: Self portrait of Albert Durer (1471-1528), German Renaissance landscape, history and portrait painter

Self portrait of Sir Godfrey Kneller
5854995 Self portrait of Sir Godfrey Kneller; (add.info.: Self portrait of Sir Godfrey Kneller (1648-1726), Dutch portrait painter

Self portrait of Pietro Berrettini or Da Cortona
5854990 Self portrait of Pietro Berrettini or Da Cortona; (add.info.: Self portrait of Pietro Berrettini or Da Cortona (1596-1669), Italian history and landscape artist

Self portrait of Guido Reni
5854989 Self portrait of Guido Reni; (add.info.: Self portrait of Guido Reni (1574-1642), Italian history and portrait artist

Portrait of Francis Snyders
5854985 Portrait of Francis Snyders; (add.info.: Portrait of Francis Snyders (1579-1657), Flemish painter of animals, landscape, fruit and still life

Miss Felicite Hullin, dancer, in the ballet " La Paysanne Supposee" at the Italian Opera House Haymarket
FLO4594977 Miss Felicite Hullin, dancer, in the ballet " La Paysanne Supposee" at the Italian Opera House Haymarket

Miss Lise Noblet, dancer, in the ballet "La Paysanne Supposee" at the Italian Opera House Haymarket
FLO4594962 Miss Lise Noblet, dancer, in the ballet "La Paysanne Supposee" at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting

Mr. Giuseppe de Begnis as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket
FLO4594915 Mr. Giuseppe de Begnis as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting

Mr. Henry Gattie as Monsieur Morbleu in the farce " Monsieur Tonson" at the Theatre Royal Drury Lane
FLO4594874 Mr. Henry Gattie as Monsieur Morbleu in the farce " Monsieur Tonson" at the Theatre Royal Drury Lane

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"1825: A Year of Innovation, Exploration, and Intrigue" Step back in time to the year 1825, where history was being made and stories were unfolding. In Brighton Pavilion, the extravagant royal residence designed by John Nash, elegance and opulence reigned supreme. Meanwhile, Pynes House in Exeter stood as a testament to Georgian architecture's grandeur. But it wasn't just about lavish buildings; this was also a year of groundbreaking transportation advancements. Trevithick's Railway revolutionized travel with its steam locomotive chugging along the tracks. And who could forget the thrilling balloon ascent from Seal near Sevenoaks? The skies became a playground for daredevils seeking new heights. Innovation extended beyond transportation too. Kruger & Chamberlain introduced their latest inventions that would shape industries for years to come. Thames Paddle Steamers gracefully glided across the river waters like floating palaces. Traveling further afield brings us to Hernan Cortes receiving twenty Indigenous people as gifts from the cacique of Tabasco—a stark reminder of colonialism's dark legacy. Yet amidst these complex historical narratives emerged triumphs like Stephenson's Rocket—the iconic steam locomotive that set speed records and paved the way for modern railways. Closer to home in Stockton-Darlington Open/Stockton-Darlington lies an event that forever changed British society—the birth of passenger railway services. This marked not only progress but also brought communities closer together than ever before. Venturing eastward takes us to Bulgaria's Central Mountains where Veliko Tarnovo-area boasts Preobrazhenski Monastery—its walls standing tall since 1825—an enduring symbol of faith and tranquility amid nature's beauty. Of course, life wasn't all serious business during this era; London pubs offered respite from daily routines—a place where laughter echoed off wooden beams while pints were shared among friends.