1828 Collection (#26)

(Martincho, probably Antonio Ebassum) throws a bull in the r
GOYA Y LUCIENTES, Francisco de (1746-1828). The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring

The rabble hamstring the bull with lances, sickles, banderil

The daring of Martincho in the ring at Saragossa
GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. Plate

The very skilful student of Falces wrapped in his cape, tr
GOYA Y LUCIENTES, Francisco de (1746-1828). The very skilful student of Falces wrapped in his cape, tricks the bull

The agility and audacity of Juanito Apinani in the ring at M
GOYA Y LUCIENTES, Francisco de (1746-1828). The agility and audacity of Juanito Apinani in the ring at Madrid. Plate 20

Aguarda que venga
GOYA Y LUCIENTES, Francisco de (1746-1828). Aguarda que venga. Drawing

drawing for plate 42 of Los Caprichos, red wash and sanguine
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 42 of Los Caprichos, red wash and sanguine

You will not find it

Do not open the eyes
GOYA Y LUCIENTES, Francisco de (1746-1828). Do not open the eyes. Drawing

The Grape Harvest
GOYA Y LUCIENTES, Francisco de (1746-1828). The Grape Harvest. Oil on canvas

Lux ex Tenebris
GOYA Y LUCIENTES, Francisco de (1746-1828). Lux ex Tenebris. Drawing

Goya Y Lucientes, Francisco

The Industry. Two women winding the wool into balls
GOYA Y LUCIENTES, Francisco de (1746-1828). The Industry. Two women winding the wool into balls. Painted for the library

They (the Moors) play another bull with the cape in an enclo
GOYA Y LUCIENTES, Francisco de (1746-1828). They (the Moors) play another bull with the cape in an enclosure. Plate

The Moors make a different play in the ring with their burno
GOYA Y LUCIENTES, Francisco de (1746-1828). The Moors make a different play in the ring with their burnous. Plate 6

Charles V, Holy Roman Emperor and King of Spain as Charles I
GOYA Y LUCIENTES, Francisco de (1746-1828). Charles V, Holy Roman Emperor and King of Spain as Charles I, spearing a bull

Two teams of picadors thrown one after the other by a single
GOYA Y LUCIENTES, Francisco de (1746-1828). Two teams of picadors thrown one after the other by a single bull. Plate 32

Thomas Pinckney
THOMAS PINCKNEY American soldier and statesman with his autograph Date: 1750 - 1828

Alexander Cameron
ALEXANDER CAMERON Catholic bishop in Scotland, Bishop of Maximianopolis and Vicar of the Lowland district of Scotland. Date: 1747 - 1828

Schuberts Birthplace
FRANZ SCHUBERT Franz Seraph Peter Schubert was born at Lichtenthal in this house on 31 January 1797. Date: 1797 - 1828

Schubert and Friends
FRANZ SCHUBERT A scene at one of the gatherings of Schubert and his friends. A charade is being performed. Josef Spaun is second from the right. Date: 1797 - 1828

Sir John Richardson / 1828
SIR JOHN RICHARDSON Scottish naturalist and Arctic explorer Date: 1787 - 1865

Ibsen / Gremobad Pharmacy
HENRIK IBSEN Pharmacy at Gremobad where the Norwegian dramatist wrote his first play Date: 1828 - 1906

Henrik Ibsen / Oslo Home
HENRIK IBSEN Childhood home at Oslo of the Norwegian dramatist Date: 1828 - 1906

Henrik Ibsen / Anon Eng
HENRIK IBSEN Norwegian dramatist Date: 1828 - 1906

Henrik Ibsen / Skien Birth
HENRIK IBSEN Birthplace at Skien of the Norwegian dramatist Date: 1828 - 1906

Henrik Ibsen / Albert Phot
HENRIK IBSEN Norwegian writer Date: 1828 - 1906

Henrik Ibsen
HENRIK IBSEN Norwegian writer at age 40 Date: 1828 - 1906

Henrik Ibsen / Jungman
HENRIK IBSEN Norwegian writer Date: 1828 - 1906

Ibsen / Illus Tidning
HENRIK IBSEN Norwegian writer at age 52 Date: 1828 - 1906

Australia, Queensland, Brisbane. The Windmill (b. 1828 by convicts) and the oldest
Australia, Queensland, Brisbane. The Windmill (b.1828 by convicts) and the oldest building in Brisbane

Japanese samurai warriors, identified as Motosei Komei, Unri Kongo Soma, and Rokkasei Koryo
JAPAN: SAMURAI WARRIORS. Japanese samurai warriors, identified as Motosei Komei, Unri Kongo Soma, and Rokkasei Koryo. Woodblock print by Kuniyoshi Utagawa, c1828

HUNTERS OF KENTUCKY, 1815. American broadsheet featuring the lyrics to The Hunters of Kentucky, a ballad written by Samuel Woodworth in honor of Andrew Jackson after his victory against the British

Abraham Lincoln, C1828
ABRAHAM LINCOLN, c1828. Nineteen-year-old Abraham Lincoln as a flatboatman on the Mississippi River. Wood engraving, 1872

HUNTERS OF KENTUCKY, 1815. American broadsheet featuring the lyrics to The Hunters of Kentucky, a ballad written by Samuel Woodworth in honor of Andrew Jackson after his victory against the British

PRESIDENTIAL CAMPAIGN, 1828. One of the anti-Jackson Coffin Handbills

WOMENs FASHION, 1828. A woman with a feather boa, wearing a striped velvet dress adorned with feathers. French color fashion plate from Petit Courrier des Dames, 1828

WOMENs FASHION, 1828. Women wearing a carriage dress (left) and an evening dress. English color fashion plate from La Belle Assembl

MEXICO: GUANAJUATO. A view of the city of Guanajuato in central Mexico. Steel engraving, American, 1844, by A. L
MEXICO: GUANAJUATO. A view of the city of Guanajuato in central Mexico. Steel engraving, American, 1844, by A.L. Dick, after an English lithograph of 1828

WOMENs FASHION, 1828. A woman with a fur boa, wearing a fur-trimmed dress and a velvet hat adorned with feathers. French color fashion plate from Petit Courrier des Dames, 1828

MEXICO: NATIONAL BRIDGE. A view of the Puente Nacional (National Bridge), over the Antigua River in the state of Veracruz, Mexico, on the road leading from the port of Veracruz to Mexico City

HAMMERSMITH BRIDGE, 1828. View of the suspension bridge over the Thames in Hammersmith, London, England. Steel engraving, English, 1828, after Thomas Shepherd

PHILADELPHIA: THEATER. The Arch Street Theatre, opened in 1828. Wood engraving, American, c1830

LONDON: REGENTs PARK. West Gate, Regents Park. Steel engraving, English, 1828

LONDON: REGENTs PARK. An island on the lake & parkt of Cornwall & Clarence Terrace, Regents Park. Steel engraving, English, 1828

LONDON: REGENTs PARK. The Coliseum and part of the lake, Regents Park. Steel engraving, 1828

LONDON: REGENT STREET 1828. The Quadrant, Regent Street. An example of the rather severe, harmonius, classical style of urban architecture associated with the Regency period and the name of Nash

SHIPS: EAST INDIA COMPANY. The Thames, an East Indiaman built for the East India Company in the late 18th century. Line engraving, 1828, after Edward William Cooke

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Extraordinary: A Glimpse into 1828" Step into the captivating world of 1828, where history unfolds in remarkable ways. In a dimly lit courtroom scene, justice is served as legal battles shape society's future. Meanwhile, an audacious man defies gravity on a steam rocket, pushing the boundaries of human ingenuity and imagination. Amidst political turmoil, President Andrew Jackson takes center stage as he fearlessly dismantles the powerful Bank of the United States. A lithograph cartoon captures this pivotal moment, showcasing his determination to reshape America's financial landscape. Intriguingly contrasting with these events is Tolstoy's enigmatic presence in a black-and-white photograph from 1876. The renowned author seems to bridge two eras with his timeless wisdom and literary genius. Venturing beyond borders, we find ourselves amidst Spitalfields' charming church and Hammersmith Bridge in their nascent forms - glimpses into architectural marvels that would stand tall for centuries to come. These structures bear witness to progress and innovation shaping urban landscapes. Delving deeper into daily life scenes from East End pubs in 1828 reveals a vibrant tapestry of camaraderie and revelry against an ever-changing backdrop of societal norms, and is here that stories are shared over pints while dreams take flight on wings fueled by hope. Nature's wonders also unfold before our eyes through Andrew Nicholl's breathtaking depiction of Fairhead from Ballycastle in 1828. Majestic cliffs rise proudly above crashing waves, reminding us of Earth's awe-inspiring beauty that has captivated artists throughout time. Stepping inside Bewick's Workshop transports us back to an era when craftsmanship thrived; intricate details carved onto woodblocks breathe life into illustrations that have stood the test of time. And who could forget Lobster v Hedgehog? This whimsical encounter reminds us that even within the confines of nature, unexpected encounters can spark curiosity and wonder.