Skip to main content

1828 Collection (#4)

"Exploring the Extraordinary: A Glimpse into 1828" Step into the captivating world of 1828, where history unfolds in remarkable ways

Background image1828 Collection: Outer court of La Belle Sauvage in 1828, from an original drawing in Mr Gardners collection

Outer court of La Belle Sauvage in 1828, from an original drawing in Mr Gardners collection (engraving)
3636138 Outer court of La Belle Sauvage in 1828, from an original drawing in Mr Gardners collection (engraving) by English School

Background image1828 Collection: Henrik Ibsen Nora (The Dolls House) (chromolitho)

Henrik Ibsen Nora (The Dolls House) (chromolitho)
735391 Henrik Ibsen Nora (The Dolls House) (chromolitho) by European School, (19th century); Private Collection; (add.info.: Henrik Ibsen Nora (The Dolls House)

Background image1828 Collection: An uproar on Change or a trip from Exeter to Charing Cross (coloured engraving)

An uproar on Change or a trip from Exeter to Charing Cross (coloured engraving)
560446 An uproar on Change or a trip from Exeter to Charing Cross (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background image1828 Collection: Portrait of a Young Man, 1828-9 (glass)

Portrait of a Young Man, 1828-9 (glass)
1766416 Portrait of a Young Man, 1828-9 (glass) by Persian School, (19th century); 42x36 cm; Private Collection; (add.info.: Portrait of a Young Man. A Qadjar reverse glass painting, Iran)

Background image1828 Collection: The Deluge, 1828 (mezzotint with etching)

The Deluge, 1828 (mezzotint with etching)
1198426 The Deluge, 1828 (mezzotint with etching) by Martin, John (1789-1854); 60x80.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background image1828 Collection: Alfred Stevens (1828-1899) (b / w photo)

Alfred Stevens (1828-1899) (b / w photo)
5220046 Alfred Stevens (1828-1899) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Alfred Stevens (1828-1899)

Background image1828 Collection: Leon comte Tolstoi (1828) (b / w photo)

Leon comte Tolstoi (1828) (b / w photo)
5219967 Leon comte Tolstoi (1828) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Leon comte Tolstoi (1828)

Background image1828 Collection: Samuel Perivier (1828-1902) (b / w photo)

Samuel Perivier (1828-1902) (b / w photo)
5219821 Samuel Perivier (1828-1902) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Samuel Perivier (1828-1902)

Background image1828 Collection: Mgr Albert Perraud (1828) (b / w photo)

Mgr Albert Perraud (1828) (b / w photo)
5219789 Mgr Albert Perraud (1828) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Mgr Albert Perraud (1828)

Background image1828 Collection: Fashionable women at a play, Paris. Woman in large bonnet with ribbons, dress with high collar

Fashionable women at a play, Paris. Woman in large bonnet with ribbons, dress with high collar
5913059 Fashionable women at a play, Paris. Woman in large bonnet with ribbons, dress with high collar, lace cape or pelerine and full sleeves en beret. Entering the Comedie Francaise, 1828

Background image1828 Collection: Emile-Louis-Gustave des Hayes De Marcere, Homme Politique, 1828 (b / w photo)

Emile-Louis-Gustave des Hayes De Marcere, Homme Politique, 1828 (b / w photo)
5201390 Emile-Louis-Gustave des Hayes De Marcere, Homme Politique, 1828 (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Emile-Louis-Gustave des Hayes De Marcere)

Background image1828 Collection: Rotherhithe Wapping Thames Tunnel (engraving)

Rotherhithe Wapping Thames Tunnel (engraving)
560112 Rotherhithe Wapping Thames Tunnel (engraving) by English School, (19th century); Private Collection; (add.info.: Rotherhithe Wapping Thames Tunnel)

Background image1828 Collection: Octave Greard (1828) (b / w photo)

Octave Greard (1828) (b / w photo)
5219905 Octave Greard (1828) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Octave Greard (1828)

Background image1828 Collection: Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white)

Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white)
651886 Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white) by Roberts, David (1796-1864); 22.9x30.7 cm; Private Collection; (add.info.: Dieppe. David Roberts (1796-1864)

Background image1828 Collection: Soldiers in the Keep of a Castle, 1828 (oil on canvas)

Soldiers in the Keep of a Castle, 1828 (oil on canvas)
658623 Soldiers in the Keep of a Castle, 1828 (oil on canvas) by Rorbye, Martinus (1803-48); 52x71.8 cm; Private Collection; (add.info.: Soldiers in the Keep of a Castle. Martinus Rorbye (1803-1848)

Background image1828 Collection: Portrait of Don Agustin de las Heras y Carazo, 1828 (oil on canvas)

Portrait of Don Agustin de las Heras y Carazo, 1828 (oil on canvas)
987568 Portrait of Don Agustin de las Heras y Carazo, 1828 (oil on canvas) by Escobar, Vicente (19th century); 90x68 cm; Private Collection; (add.info.: Portrait of Don Agustin de las Heras y Carazo)

Background image1828 Collection: Wood Ibis, Scarlet Flamingo, White Ibis, c. 1828-1829 (hand-coloured engraving)

Wood Ibis, Scarlet Flamingo, White Ibis, c. 1828-1829 (hand-coloured engraving)
985841 Wood Ibis, Scarlet Flamingo, White Ibis, c.1828-1829 (hand-coloured engraving) by Wilson, Alexander (1766-1813) (after); 37.8x29.8 cm; Private Collection; (add.info.: Wood Ibis)

Background image1828 Collection: Charles de Saulce de Freycinet (1828) (b / w photo)

Charles de Saulce de Freycinet (1828) (b / w photo)
5219757 Charles de Saulce de Freycinet (1828) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Charles de Saulce de Freycinet (1828)

Background image1828 Collection: Jules Verne (1828) (b / w photo)

Jules Verne (1828) (b / w photo)
5219960 Jules Verne (1828) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jules Verne (1828)

Background image1828 Collection: Galeries de bois au Palais-Royal, en 1828, Vue prise du palais

Galeries de bois au Palais-Royal, en 1828, Vue prise du palais, d apres une aqua-tinta anglaise de l epoque (engraving)
963342 Galeries de bois au Palais-Royal, en 1828, Vue prise du palais, d apres une aqua-tinta anglaise de l epoque (engraving) by French School

Background image1828 Collection: Clusia rosea, Clusier a fleurs roses, 1808-1828 (stipple-engraved plate printed in

Clusia rosea, Clusier a fleurs roses, 1808-1828 (stipple-engraved plate printed in
986420 Clusia rosea, Clusier a fleurs roses, 1808-1828 (stipple-engraved plate printed in colours and finished by hand) by Poiteau

Background image1828 Collection: Portrait of Eugene Francois Vidocq (1775-1857), c. 1828

Portrait of Eugene Francois Vidocq (1775-1857), c. 1828. Private Collection

Background image1828 Collection: A street scene in Charing Cross. Date: 1828

A street scene in Charing Cross. Date: 1828

Background image1828 Collection: A street scene in Charing Cross showing someone using a water pump. Date: 1828

A street scene in Charing Cross showing someone using a water pump. Date: 1828

Background image1828 Collection: Choukee-dar or watchman

Choukee-dar or watchman.. handcolored copperplate engraving by an unknown artist from Asiatic Costumes, Ackermann, London, 1828

Background image1828 Collection: London Zoo

London Zoo
A crowd of holidaymakers at the Zoological Gardens in Regents Park, with a pair of elephants. London Zoo was the worlds first scientific zoo

Background image1828 Collection: MONKEYS AT ART CLASS

MONKEYS AT ART CLASS
Apes at an art class painting from a model. Date: 1828

Background image1828 Collection: SHEEP RESCUED FROM WOLF

SHEEP RESCUED FROM WOLF
A sheep is about to be carried off by a wolf when a police- dog hurries to her rescue, armed with a spear. Date: 1828

Background image1828 Collection: Fleet Prison - Cruikshank

Fleet Prison - Cruikshank
Fleet Prison was notable as a debtors prison after the 17th century until it was demolished in 1845-46, having been rebuilt 3 times in 1381, 1666 and 1780. Date: 1828

Background image1828 Collection: BARRISTER IN COURT / 1828

BARRISTER IN COURT / 1828
A law counsellor stands poised to address the court. Date: circa 1828

Background image1828 Collection: Grandville Musicians

Grandville Musicians
Musicians satirised by being represented as animals. Date: 1828

Background image1828 Collection: Singers (Grandville)

Singers (Grandville)
A chorus of singers - but they are animals in human dress, as also the monkey conductor and the bovine accompanist... Date: 1828

Background image1828 Collection: SHOPPING FOR BONNETS

SHOPPING FOR BONNETS
Judging from Appearance, a canny shop assistant infers that a bonnet being tried on by the wife takes years off her age by mistaking her for her husbands daughter. Date: 1828

Background image1828 Collection: Tom Raw : in Litter

Tom Raw : in Litter
Tom Raw, a young officer newly arrived in India, travels up-country in a litter Date: 1828

Background image1828 Collection: HIS PORTRAIT PAINTED

HIS PORTRAIT PAINTED
Tom Raw, a young officer newly arrived in India, has his portrait painted Date: 1828

Background image1828 Collection: Tom Raw : on Elephant

Tom Raw : on Elephant
Tom Raw, a young officer newly arrived in India, mounts an elephant for the first time Date: 1828

Background image1828 Collection: COURT SCENE 1828

COURT SCENE 1828
Scene at the Justice Room, Mansion House, London. Date: 1828

Background image1828 Collection: BEWICK AT WORK

BEWICK AT WORK
THOMAS BEWICK The eminent engraver and his assistants making woodcuts of stuffed birds. Date: 1753 - 1828

Background image1828 Collection: WHITECHAPEL HIGH STREET

WHITECHAPEL HIGH STREET
Whitechapel High Street with wagons, coaches, carts and pedestrians Date: circa 1828

Background image1828 Collection: LONDON STREET SCENE

LONDON STREET SCENE
Leadenhall Street, London, with wagon unloading goods, stage coach and horse bus, as well as passers-by Date: circa 1828

Background image1828 Collection: Bell Savage, outer yard 1828

Bell Savage, outer yard 1828
The Bristol coach is loaded up in the outer yard of the Bell Savage (or La Belle Sauvage) coaching inn in Ludgate Hill, London. Date: 1828

Background image1828 Collection: Belgrave Chapel, London

Belgrave Chapel, London
The west side of the square, with Belgrave Chapel Date: 1828

Background image1828 Collection: Catharina Johanna Groschke, c. 1828. Creator: Schadow, Friedrich Wilhelm, von (1788-1862)

Catharina Johanna Groschke, c. 1828. Creator: Schadow, Friedrich Wilhelm, von (1788-1862)
Catharina Johanna Groschke, c. 1828. Private Collection

Background image1828 Collection: Portrait of the poet Yevgeny Abramovich Baratynsky (1800-1844), 1828. Creator: Hampeln

Portrait of the poet Yevgeny Abramovich Baratynsky (1800-1844), 1828. Creator: Hampeln
Portrait of the poet Yevgeny Abramovich Baratynsky (1800-1844), 1828. Found in the Collection of State Museum of A.S. Pushkin, Moscow

Background image1828 Collection: State of Oklahoma, USA - Jefferson Davis House

State of Oklahoma, USA - Jefferson Davis House
State of Oklahoma, USA - " Jefferson Davis House" (Adjutants Office) Built round 1828 and other Buildings of Stockade. Date: circa 1940




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Extraordinary: A Glimpse into 1828" Step into the captivating world of 1828, where history unfolds in remarkable ways. In a dimly lit courtroom scene, justice is served as legal battles shape society's future. Meanwhile, an audacious man defies gravity on a steam rocket, pushing the boundaries of human ingenuity and imagination. Amidst political turmoil, President Andrew Jackson takes center stage as he fearlessly dismantles the powerful Bank of the United States. A lithograph cartoon captures this pivotal moment, showcasing his determination to reshape America's financial landscape. Intriguingly contrasting with these events is Tolstoy's enigmatic presence in a black-and-white photograph from 1876. The renowned author seems to bridge two eras with his timeless wisdom and literary genius. Venturing beyond borders, we find ourselves amidst Spitalfields' charming church and Hammersmith Bridge in their nascent forms - glimpses into architectural marvels that would stand tall for centuries to come. These structures bear witness to progress and innovation shaping urban landscapes. Delving deeper into daily life scenes from East End pubs in 1828 reveals a vibrant tapestry of camaraderie and revelry against an ever-changing backdrop of societal norms, and is here that stories are shared over pints while dreams take flight on wings fueled by hope. Nature's wonders also unfold before our eyes through Andrew Nicholl's breathtaking depiction of Fairhead from Ballycastle in 1828. Majestic cliffs rise proudly above crashing waves, reminding us of Earth's awe-inspiring beauty that has captivated artists throughout time. Stepping inside Bewick's Workshop transports us back to an era when craftsmanship thrived; intricate details carved onto woodblocks breathe life into illustrations that have stood the test of time. And who could forget Lobster v Hedgehog? This whimsical encounter reminds us that even within the confines of nature, unexpected encounters can spark curiosity and wonder.