1867 Collection (page 5)

Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century
5855382 Count of Vergennes, captain of the Gardes de la Porte du Roi, France, 18th century. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Count of Vergennes)

Venetians wearing bauta masks, 18th century, Italy, from a painting by Canaletto
5855373 Venetians wearing bauta masks, 18th century, Italy, from a painting by Canaletto. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Venetians in a gondola wearing bauta masks)

Peasant, France, 17th century, from a 1679 print by Jean de Saint-Jean
5855367 Peasant, France, 17th century, from a 1679 print by Jean de Saint-Jean. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Peasant, France, 17th century)

Woman in town costume, 17th century, from a print by Jean de Saint-Jean
5855366 Woman in town costume, 17th century, from a print by Jean de Saint-Jean. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Woman in town costume, 17th century)

Standard bearer for a company of arquebusiers, 17th century
5855360 Standard bearer for a company of arquebusiers, 17th century. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Standard bearer for a company of arquebusiers, 17th century)

King Louis XIV of France, 1701
5855356 King Louis XIV of France, 1701. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: King Louis XIV of France, 1701. Handcolored illustration by E)

Young nobleman from the Low Countries, 17th century, from a painting by Adriaan van der Venne (1589-1662)
5855353 Young nobleman from the Low Countries, 17th century, from a painting by Adriaan van der Venne (1589-1662). by Lechevallier-Chevignard

Valet, England, 16th century, attributed to Holbein
5855340 Valet, England, 16th century, attributed to Holbein. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Valet, England, 16th century, attributed to Holbein)

Gaston Jean Baptiste de France, duke of Orleans, France, 17th century
5855339 Gaston Jean Baptiste de France, duke of Orleans, France, 17th century. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Gaston Jean Baptiste de France, duke of Orleans, France)

French woman, 17th century, from a painting by Abraham Bosse
5855331 French woman, 17th century, from a painting by Abraham Bosse. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: French woman, 17th century, from a painting by Abraham Bosse)

Pedro de Urbina, archbishop of Seville, Spain, 17th century
5855330 Pedro de Urbina, archbishop of Seville, Spain, 17th century. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Pedro de Urbina, archbishop of Seville, Spain, 17th century)

Peasant woman of Portugal, 16th century
5855317 Peasant woman of Portugal, 16th century. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Peasant woman of Portugal, 16th century, based on a contemporary print)

Young woman from Danzig, 16th century
5855315 Young woman from Danzig, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Young woman from Danzig, 16th century, wearing long green silk dress, black apron)

Italian noblewoman, 16th century
5855308 Italian noblewoman, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Italian noblewoman, 16th century, in ivory embroidered dress with wide slit sleeves, ruff collar)

German mercenary, 16th century
5855292 German mercenary, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: German mercenary, 16th century, pink slashed hose and doublet, pink stockings, black waistcoat)

Young woman of Venice, 16th century
5855265 Young woman of Venice, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Young woman of Venice, 16th century, in blue dress, puff shoulders, tight decorated sleeves)

English noble, 16th century
5855264 English noble, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: English noble, 16th century, from a woodcut by Cesare Vecellio)

Falconer to Francis I, 16th century
5855262 Falconer to Francis I, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Falconer to Francis I, 16th century, from a tapestry in the chateau of Uriage)

Gentlemen of Rome, 1510
5855260 Gentlemen of Rome, 1510 by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Gentlemen of Rome, 1510, from a fresco by Raphael, one kneeling in green and red striped skirt and bodice)

French merchant, 16th century
5855258 French merchant, 16th century, by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: French merchant, 16th century)

Bedouin Encampment Before the Temple of Hathor at Dendera, Egypt, 1867 (pencil
1197496 Bedouin Encampment Before the Temple of Hathor at Dendera, Egypt, 1867 (pencil, w/c & bodycolour on paper) by Vacher, Charles (1818-83); 69.8x129.5 cm; Private Collection; (add.info.: Vacher)

Anaute Avec Deux Chiens Whippets, 1867 (oil on panel)
1766687 Anaute Avec Deux Chiens Whippets, 1867 (oil on panel) by Gerome, Jean Leon (1824-1904); 35.6x24.8 cm; Private Collection; (add.info.: Anaute Avec Deux Chiens Whippets)

Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c
988857 Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c.1867 (pencil on paper laid on board) by Degas, Edgar (1834-1917); 45.1x28 cm; Private Collection; (add.info.: Eugenie Fiocre)

Honfleur, Saint-Catherine market place, 1867-1870 (oil on board laid down on cradled
988835 Honfleur, Saint-Catherine market place, 1867-1870 (oil on board laid down on cradled panel) by Boudin, Eugene Louis (1824-98); French cm; Private Collection; (add.info.: Honfleur)

Judith and Her Attendant, 1867 (oil on canvas)
658312 Judith and Her Attendant, 1867 (oil on canvas) by Solomon, Simeon (1840-1905); 82x56.5 cm; Private Collection; (add.info.: Judith and Her Attendant. Simeon Solomon (1840-1905). Oil on canvas

The Finishing Touch, 1867 (oil on canvas)
658099 The Finishing Touch, 1867 (oil on canvas) by Nicol, Erskine (1825-1904); 101.6x81.3 cm; Private Collection; (add.info.: The Finishing Touch. Erskine Nichol (1825-1904). Oil on canvas

Prince Henri d Orleans (1867-1901) (b / w photo)
5219853 Prince Henri d Orleans (1867-1901) (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Prince Henri d Orleans (1867-1901)

Exposition universelle de 1867, Isba, chaumiere russe (engraving)
3645436 Exposition universelle de 1867, Isba, chaumiere russe (engraving) by French School, (19th century); Private Collection; (add.info.: Exposition universelle de 1867, Isba, chaumiere russe)

Joseph Bonnes, Poids & Halteres, 1867 (b / w photo)
5201807 Joseph Bonnes, Poids & Halteres, 1867 (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Joseph Bonnes, Poids & Halteres, 1867)

Marie Yahne, Artiste, 1867 (b / w photo)
5201739 Marie Yahne, Artiste, 1867 (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Marie Yahne, Artiste, 1867)

General Gordon (engraving)
1061518 General Gordon (engraving) by English School, (19th century); Private Collection; (add.info.: General Gordon. Illustration for The Graphic)

Extremes must meet; or, a bit of Practical Science (engraving)
2777134 Extremes must meet; or, a bit of Practical Science (engraving) by Tenniel, John (1820-1914) (after); Private Collection; (add.info.: Extremes must meet; or, a bit of Practical Science)

Puff at St Stephens (engraving)
2777130 Puff at St Stephens (engraving) by Tenniel, John (1820-1914) (after); Private Collection; (add.info.: Puff at St Stephen s. Cartoon, 17 August 1867)

Portrait photograph by Charles Reutlinger - CDV
Portrait photograph by Charles Reutlinger (1816-1881) reproduced on a carte de Visite. Reutlinger won first prize for photography at the Exposition Universelle in Paris in 1867. Date: circa 1867

English Army on the march to Magdala, Abyssinia (Ethiopia), Abyssinian War (a rescue mission for the recovery of hostages). British forces took three months to advance across mountainous terrain

Slingsby T. 59J Kestrel G-BDWZ 7
Slingsby T.59 Kestrel 17 G-BDWZ BGA 2470 - 85 (msn 1867), at a regional gliding competition in the 1980s. The Slingsby Kestrel was a licence-built - developed version of the Glasglugel 401

Hussainabad Gate, Lucknow c. 1867
Hussainabad Gate, Lucknow c.1867

British picture gallery, Paris International Exhibition
The British Picture Gallery in the Paris International Exhibition. Date: 1867

Section of the Thames Embankment
A section of the Thames Embankment, taken by the Charing Cross railway bridge, showing; (1) the subway, designed to hold the gas pipes, the water pipes, perhaps the telegraph wires

Plan of the Palace and Park designed for the Paris Universal Exhibition of 1867 (engraving)
1610664 Plan of the Palace and Park designed for the Paris Universal Exhibition of 1867 (engraving) by English School, (19th century); Private Collection; (add.info)

Silver vase surmounted by a winged figure representing the Flight of Genius presented to George Smith, proprietor of the Pall Mall Gazette by members of the medical profession in London

Fete given at the Tuileries, 1867. Woman in crinoline ball gown and fur cape, men in evening attire with sash. The Gala soiree of 10 June 1867 was held for sovereigns attending the International

In front of the Palais de l Industrie, Paris, 1866. Coming back from the races. Woman in fur hat in grey and black crinoline dress

Ruins of the North Transept destroyed by Fire, 1867 (gravure)
1108338 Ruins of the North Transept destroyed by Fire, 1867 (gravure) by English School, (19th century); Private Collection; (add.info.: Ruins of the North Transept destroyed by Fire, 1867)

Cartoon, Tuck in Yer Twopenny! (Disraeli and Tax)
Cartoon, Tuck in Yer Twopenny! A satirical comment on Disraeli as Chancellor of the Exchequer, raising of income tax by two pennies in the pound

Cartoon, The Whitebait Dinner... at Greenwich
Cartoon, The Whitebait Dinner; or, Parties at Greenwich -- rival politicians encounter each other at the traditional summertime Whitebait Dinner in Greenwich, SE London

Cartoon, The Return From Victory (Disraeli and Reform)
Cartoon, The Return From Victory -- a satirical comment on Disraelis success in getting his Reform Bill passed after a third reading in the House of Commons on 15 July 1867

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"1867: A Year of Celebrations and Achievements" In the art world, Paolo Veronese's masterpiece "The Wedding Feast at Cana" continues to captivate audiences with its grandeur and intricate details. Painted in a bygone era, it transports us back to 1867 when this magnificent work was admired by art enthusiasts. Meanwhile, another trailblazer emerges - Marie Curie. Born in 1867, she would go on to become one of the most influential scientists of all time. Her groundbreaking discoveries in radioactivity paved the way for future advancements and earned her two Nobel Prizes. Speaking of Marie Curie, a photograph captures her essence perfectly - a determined woman with an unwavering passion for science. This image immortalizes her dedication and serves as a reminder of her immense contributions. Not only did 1867 witness the birth of remarkable individuals like Marie Curie, but it also saw significant events unfold across various fields. In sports history, Old & Young Tom Morris made their mark on golfing greens while Clifton College in Bristol opened its doors to shape young minds. Artistic expressions took many forms during this period; "HOME TO THANKSGIVING, " a lithograph created by Currier & Ives showcases heartfelt scenes that evoke warmth and gratitude during Thanksgiving celebrations in 1867. Even royalty had their moments captured through lenses as Queen Victoria posed affectionately with her loyal companion Sharp – showcasing both regality and love for animals. Political figures also left their footprints on this year's timeline. Stanley Baldwin emerged as an influential statesman whose leadership shaped British politics throughout his career from 1867 until his passing in 1947. Art continued to flourish during these times as well; Daumier's painting "QUIXOTE" brings Miguel de Cervantes' iconic characters Don Quixote and Sancho Panza to life once more through oil on canvas – a testament to the enduring power of literature.