1st Baron Leighton Of Stretton Collection (#2)

Detail from The Arts of Industry as Applied to War, 1870-1872 (c1880-1882). Artist: A Gilbert
Detail from The Arts of Industry as Applied to War, 1870-1872 (c1880-1882). A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Sir Frederic Leighton, British artist, c1880-1882 Artist: Paul Adolphe Rajon
Sir Frederic Leighton, British artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

And the Sea Gave Up the Dead Which Were in It, exhibited 1892, (1912). Artist: Frederic Leighton
And the Sea Gave Up the Dead Which Were in It, exhibited 1892, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York)

Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield
Edward John Poynter, President of the Royal Academy, 1880. During a visit to Rome in 1853 he made the acquaintance of Lord Leighton, who encouraged him to study art futher

Frederick Leighton, British artist and Royal Academician, 1877. Artist: Lock & Whitfield
Frederick Leighton, British artist and Royal Academician, 1877. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art

Cimabues Celebrated Madonna is carried in Procession through the Streets of Florence, 1853-1855. Found in the Royal Collection, London

Frederic Leighton, 1st Baron Leighton, English painter and sculptor, (1899). Artist: W Roffe
Frederic Leighton, 1st Baron Leighton, English painter and sculptor, (1899). An engraving of Leighton (1830-1896) from James Taylors The Victorian Empire, William Mackenzie, (London, 1899)

The Wedding at Cana, 1870. Jesus turning water into wine. From the Bible (John 2:7)

Fra Girolamo commanding Romola not to leave Florence, 1862-1863. Artist: Frederic Leighton
Fra Girolamo commanding Romola not to leave Florence, 1862-1863. Illustration from George Eliots Romola, published in monthly parts in The Cornhill Magazine, London, 1862-1863

Pan playing his pipes, Wood engraving, London, 1862. Artist: Frederic Leighton
Pan playing his pipes, Wood engraving, London, 1862. Illustration by Lord Leighton (1830-96) for Elizabeth Barrett Brownings poem A Musical Instrument What is he doing

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1st Baron Leighton of Stretton, also known as Frederic Leighton, was a renowned British artist who left an indelible mark on the art world. His works encompassed various themes and styles, showcasing his exceptional talent and creativity. One of his notable masterpieces is "The Athlete Wrestling with a Python" created between 1880-1882 by A Gilbert. This sculpture captures the intense struggle between man and beast, symbolizing the eternal battle against adversity. In another captivating piece titled "Captive Andromache, " painted in 1886 by Frederic Leighton himself, he depicts the tragic fate of Andromache after the fall of Troy. The painting evokes deep emotions through its poignant portrayal of grief and despair. Leighton's fascination with history is evident in "A Condottiere, " completed in 1871-72. This artwork portrays a fearless mercenary leader from Renaissance Italy, exuding strength and determination. "Lachrymae, " crafted during 1894-95 by Frederic Leighton, showcases his mastery over capturing human emotions. The painting reflects sorrowful contemplation while highlighting delicate details that make it truly mesmerizing. "The Last Watch of Hero" (1887) remains shrouded in mystery as its creator is unknown but believed to be inspired by Lord Leighton's work. It depicts Hero waiting for her lover at nightfall, emphasizing longing and anticipation. Photographs like "Lord Leighton" (c1890) taken by W&D Downey immortalize this artistic genius whose presence emanates grace and elegance even off canvas or marble sculptures. Moritz Klinkicht's portrait titled "The Late Lord Leighton" pays homage to this influential figure who served as President of the Royal Academy from 1878 until his passing in 1896. It serves as a reminder of his lasting impact on British art history.