243 Cm Collection

Le Christ au tombeau Entombment 1762-63 Etching
Artokoloro

Adam Eve Paradise 1509 Woodblock Sheet 13 3 / 8
Artokoloro

Mock Turtle January 24 1785 Hand-colored etching
Artokoloro

Jean-Antoine de Mesmes 1655 Engraving first state
Artokoloro

Water 18th century Etching engraving Sheet trimmed
Artokoloro

Harper 1898 Lithograph Sheet 16 1 / 8 9 9 / 16 41
Artokoloro

Louis Hesselin 1660 Engraving second state two
Artokoloro

Leonor Goyon de Matignon ca 1657 Engraving second state
Artokoloro

Air 18th century Etching engraving Sheet trimmed
Artokoloro

Reels Gutta-percha Covered Conducting Wire Conveyed
Artokoloro

ÒÇÄÚû¿Òü«ÚøøÕ¢óÒÇÅÒÇǵ¡úµ£ê Plate Erotic Book Mounds
Artokoloro

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"243 cm: A Journey Through Art and History" Step into the world of art and history with a measurement that holds significance in various masterpieces. From Le Christ au tombeau Entombment's 1762-63 Etching to Adam Eve Paradise's 1509 Woodblock Sheet measuring 13 3/8, these artworks captivate us with their intricate details. Delve further into the past as we explore Mock Turtle, a Hand-colored etching from January 24, 1785. Its dimensions may not be explicitly mentioned, but it transports us to an era filled with whimsical creatures and imaginative tales. Jean-Antoine de Mesmes' Engraving from 1655 takes us back even further in time. As we admire its first state, we can't help but marvel at the craftsmanship that went into creating such a piece. Fast forward to Singer's Lithograph from1887-88; its sheet measures precisely12 11/16 by9 9/16. This artwork showcases the evolution of artistic techniques during this period. Water is another element that has been immortalized through art. An18th-century Etching engraving trimmed sheet captures its essence beautifully, reminding us of its importance throughout history. Harper's Lithograph from1898 stands tall with measurements of16 1/8 by9 9/16 by41. It serves as a testament to human creativity and innovation during this time. Louis Hesselin's Engraving from1660 invites us to witness its second state – an evolution in technique and style that reflects the artist's growth over time. Leonor Goyon de Matignon also presents his Engraving in a second state ca1657 – showcasing how artists constantly strive for improvement and refinement within their craft. Air too finds representation through art; an18th-century Etching engraving trimmed sheet reminds us of its intangible yet vital presence in our lives.