4 11 Collection

CASA C-101CC Aviojet EC-DUJ (msn 98), at the SBAC Farnborough Air-show, held from 4-11 September 1988. Date: 1988

CASA C-101CC Aviojet EC-DUJ (msn 98), at the SBAC Farnborough Air-show, held from 4-11 September 1988. Date: 1988

British Aerospace BAe 146-100STA G-BSTA (msn E1002), the prototype conversion of the military version of the BAe 146, at the SBAC Farnborough Air-show, held from 4-11 September 1988. Date: 1988

East Gable South Aisle St. Andrews Cathedral
The East Gable and South Aisle of St. Andrews Cathedral with St. Regulus Tower, from the Northwest; Attributed to William Holland Furlong (Irish)

Portrait Young Girl Robert Demachy French 1859
Portrait of a Young Girl; Robert Demachy (French, 1859 - 1936); about 1900 - 1914; Gum bichromate print; 11.9 x 11.2 cm (4 11, 16 x 4 7, 16 in.)

Ethiopian Chief Fred Holland Day American 1864
An Ethiopian Chief; Fred Holland Day (American, 1864 - 1933); negative 1897; print about 1905; Gum bichromate print; 11.9 x 11.7 cm (4 11, 16 x 4 5, 8 in.)

St Salvator College Chapel Southeast Dr John Adamson
St. Salvators College Chapel from the Southeast; Dr. John Adamson (Scottish, 1810 - 1870); 1843-1844; Salted paper print from a paper negative; 11.9 × 16.7 cm (4 11, 16 × 6 9, 16 in.)

Battle Sea Ludolf Backhuyzen Dutch 1631 1708
A Battle at Sea; Ludolf Backhuyzen (Dutch, 1631 - 1708); The Netherlands; 1692; Black chalk, gray ink and wash; 11.9 x 17.7 cm (4 11, 16 x 6 15, 16 in.)

Old Order New Peter Henry Emerson British born Cuba
The Old Order and The New; Peter Henry Emerson (British, born Cuba, 1856 - 1936); London, England; 1886; Platinum print; 11.9 × 23.3 cm (4 11, 16 × 9 3, 16 in.)

Agony Garden Jean Pierre Rousselet French active
The Agony in the Garden; Jean Pierre Rousselet (French, active about 1677 - 1736); Paris, France; about 1720 - 1730; Tempera

Bust Boy Turban Winged Angel Three Old Men Jacques de Gheyn
Bust of a Boy in a Turban, a Winged Angel, and Three Old Men; Jacques de Gheyn II (Dutch, 1565 - 1629); Netherlands; about 1600; Pen and brown ink on light brown fibrous paper

Fourteenth Sign Day Judgement Norfolk perhaps
The Fourteenth Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Twelfth Sign Day Judgement Norfolk perhaps written
The Twelfth Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Sixth Sign Day Judgement York perhaps illuminated
The Sixth Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Tenth Sign Day Judgement York perhaps illuminated
The Tenth Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Eighth Sign Day Judgement York perhaps illuminated
The Eighth Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Decorated Text Page York perhaps illuminated
Decorated Text Page; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Second Sign Day Judgement Norfolk perhaps written
The Second Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Fourth Sign Day Judgement Norfolk perhaps written
The Fourth Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Fifteenth Final Sign Day Judgement York perhaps
The Fifteenth and Final Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Thirteenth Sign Day Judgement York perhaps illuminated
The Thirteenth Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Seventh Sign Day Judgement Norfolk perhaps written
The Seventh Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Fifth Sign Day Judgement Norfolk perhaps written
The Fifth Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Eleventh Sign Day Judgement York perhaps illuminated
The Eleventh Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Third Sign Day Judgement Norfolk perhaps written
The Third Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

First Sign Day Judgement Norfolk perhaps written
The First Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

God Father Son Norfolk perhaps written East Anglia
God the Father and Son; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Christ Man Sorrows Norfolk perhaps written East Anglia
Christ as the Man of Sorrows; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Pentecost York perhaps illuminated Northern England
Pentecost; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Noli me Tangere Norfolk perhaps written East Anglia
Noli me Tangere; Norfolk perhaps (written), East Anglia, England; about 1190-1200; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11, 16 × 6 11, 16 in.)

Ascension York perhaps illuminated Northern England
The Ascension; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Three Maries Sepulchre York perhaps illuminated
The Three Maries at the Sepulchre; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Decorated Text Page Norfolk perhaps written East Anglia
Decorated Text Page; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Virgin Child Pink Rose White Lily Norfolk perhaps
The Virgin and Child in a Pink Rose with a White Lily; Norfolk perhaps (written), East Anglia, England; about 1480-1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11)

Paradise Delights Norfolk perhaps written East Anglia
The Paradise of All Delights; Norfolk perhaps (written), East Anglia, England; about 1480-1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11, 16 × 6 11, 16 in.)

Resurrection Norfolk perhaps written East Anglia
The Resurrection; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Christ Carrying Cross Norfolk perhaps written
Christ Carrying the Cross; Norfolk perhaps (written), East Anglia, England; about 1190 - 1200 and text about 1480 - 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11)

Pilate Washing Hands Norfolk perhaps written
Pilate Washing His Hands; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Christ Pilate Norfolk perhaps written East Anglia
Christ Before Pilate; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Agony Garden Norfolk perhaps written East Anglia
The Agony in the Garden; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Suicide Herod York perhaps illuminated Northern
The Suicide of Herod; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Five Bunches Flowers Norfolk perhaps written
Five Bunches of Flowers; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Christ Blessing Parents York perhaps illuminated
Christ Blessing His Parents; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Christ Crowned Thorns Norfolk perhaps written
Christ Crowned with Thorns; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Scourging Christ York perhaps illuminated Northern
The Scourging of Christ; York perhaps (illuminated), Northern, England; about 1190 - 1200 and text about 1480 - 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11, 16 × 6 11)

Herod Giving Orders Soldiers Norfolk perhaps
Herod Giving Orders to His Soldiers; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Egypt Fall Pagan Idols York perhaps illuminated
Egypt; The Fall of Pagan Idols; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Holy Family Home Norfolk perhaps written East Anglia
The Holy Family at Home; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

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"4 11: A Captivating Collection of Art, Aviation, and History" Step into a world where art meets aviation and history intertwines with culture. The CASA C-101CC Aviojet EC-DUJ takes flight, its sleek design soaring through the skies with grace. Alongside it stands the British Aerospace BAe 146-100STA G-BSTA, a testament to engineering brilliance. Intrigue fills the air as the Lockheed F-104S ASA Starfighter MM6890 - 4-11 commands attention. Its powerful presence evokes awe and admiration for those who dare to push boundaries in pursuit of excellence. Venturing beyond aviation, we find ourselves in St. Andrews Cathedral's East Gable South Aisle. Here lies a sanctuary that has witnessed centuries of devotion and spirituality. As we explore further, our gaze is captivated by Robert Demachy's Portrait Young Girl—a timeless depiction of innocence frozen in time. Fred Holland Day's Ethiopian Chief transports us to another era, showcasing the beauty and diversity of humanity. The St Salvator College Chapel Southeast Dr John Adamson beckons us inside—a haven where faith finds solace amidst architectural grandeur. Ludolf Backhuyzen's Battle Sea invites us on an epic maritime adventure—an artist's brushstrokes capturing both the serenity and chaos that coexist upon vast waters. Peter Henry Emerson bridges old traditions with new perspectives through his work Old Order New—reminding us that change is inevitable yet beautiful in its own right. Jean Pierre Rousselet's Agony Garden delves deep into human emotions—invoking contemplation on life’s struggles while Jacques de Gheyn’s Bust Boy Turban Winged Angel Three Old Men enchants us with mythological symbolism intertwined within everyday existence. These diverse hints offer glimpses into worlds unknown—where imagination knows no bounds and creativity reigns supreme.