Abraham Cooper Collection

Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas)
990567 Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas) by Cooper, Abraham (1787-1868); 64.8x80 cm; Private Collection; (add.info)

Wellington at Waterloo
5322628 Wellington at Waterloo; (add.info.: Wellington at Waterloo, June 18, 1815. Engraving by Frederick Bromley after a work by Abraham Cooper.)

Defeat and Death of Dhoondiah at Conaghull, 1800, (early-mid 19th century). Creator: J Rogers
Defeat and Death of Dhoondiah at Conaghull, 1800, (early-mid 19th century). Indian military leader Dhondia Wagh (also known as Malik Jahan Khan)

Portrait of the artists dog, Pincher
6337446 Portrait of the artists dog, Pincher by Scott, J. (19th century); (add.info.: Portrait of the artists dog, Pincher. Copperplate engraving by J)

Portrait of the celebrated hunter Madcap
6337449 Portrait of the celebrated hunter Madcap by Scott, J. (19th century); (add.info.: Portrait of the celebrated hunter Madcap)

The Car of Cuthullin: The Car of War Comes on Like the Flame of Death
824226 The Car of Cuthullin: The Car of War Comes on Like the Flame of Death, 1815 (oil on canvas) by Cooper, Abraham (1787-1868); 64.1x76.8 cm; Private Collection; (add.info.: The Car of Cuthullin)

Elis at Doncaster, Ridden by John Day, with his Van in the Background, between 1836 and 1837

Thomas Waring, Esq. early-mid 19th century, (1930). Creator: Thomas Goff Lupton
Thomas Waring, Esq. early-mid 19th century, (1930). Portrait of a rider surrounded by fox hounds. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Richard III. and the Earl of Richmond at the Battle of Bosworth, 1485, (mid 19th century). The Battle of Bosworth Field, fought on 22 August 1485

Sir William Russell at the Battle of Zutphen, 1586, (c1830s). Creator: J Rogers
Sir William Russell at the Battle of Zutphen, 1586, (c1830s). The Battle of Zutphen took place on 22 September 1586, near the village of Warnsveld and the town of Zutphen in Holland

Battle Piece, c1807-c1868. Artist: Abraham Cooper
Battle Piece, c1807-c1868

A Good Shot!, c1820, (1922). Artist: Abraham Cooper
A Good Shot!, c1820, (1922). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Cromwell at the Battle of Marston Moor, 1886. Artist: John J Crew
Cromwell at the Battle of Marston Moor, 1886. Leading a Charge after Being Wounded in his Right Arm. Oliver Cromwell (1599-1658) commanded the forces of Parliament during the English Civil War

Tam O Shanter, 1826. Artist: James C Allen
Tam O Shanter, 1826. Tam o Shanter is a narrative poem written by Scottish poet Robert Burns (1759-1796) in 1790. First published in 1791 the poem uses a mixture of Scots and English

Wellington at Waterloo, June 18, 1815. Engraving by Frederick Bromley after a work by Abraham Cooper

Elis at Doncaster, Ridden by John Day, with his Van in the Background Inscribed, lower center: " Elis | Ridden by | John Day" ; lower right: " John Doe", Abraham Cooper

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Abraham Cooper: A Master of Capturing the Essence of Life Abraham Cooper, a renowned artist of the early-mid 19th century, possessed an extraordinary talent for immortalizing moments in his captivating artworks. His brushstrokes breathed life into various subjects, ranging from majestic horses to celebrated hunters and historical battle scenes. One such masterpiece is "Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, " painted in 1815. In this oil on canvas piece, Cooper skillfully captured the grace and power emanating from the magnificent horse as it stood under the watchful eye of its groom. Cooper's love for animals extended beyond equestrian subjects; he also created "Portrait of the artist's dog, Pincher. " This endearing portrayal showcases his ability to convey not only physical features but also the unique personality that makes each creature special. Among his notable works is "Portrait of the celebrated hunter Madcap. " Through intricate details and vibrant colors, Cooper depicted both Madcap's strength and elegance - a testament to his exceptional skills as a portraitist. In "The Car of Cuthullin: The Car of War Comes on Like the Flame of Death, " Cooper delved into history and mythology. With masterful strokes, he depicted an intense battle scene where warriors clash with fiery determination - capturing every ounce of energy within their fierce expressions. Cooper was not limited to animal portraiture or historical depictions alone; he also showcased contemporary events like "Elis at Doncaster. " This painting depicts John Day riding Elis while showcasing Day's van in the background - providing a glimpse into everyday life during that time period. His versatility shines through in portraits such as "Thomas Waring Esq. , early-mid 19th century" where he captures Waring's dignified presence with great attention to detail. Similarly, in pieces like "Richard III.